| |
Articles |
|
| Jonathan
P. J. Stock |
Learning
Huju in Shanghai, 1900-1950: Apprenticeship and the Acquisition
of Expertise in a Chinese Local Opera Tradition |
1-42 |
| Andrew
Killick |
Korean
Ch'angguk Opera: Its Origins and Its Origin Myth |
43-82 |
| Daniele
Sestili |
A
Pioneer Work on Japanese Music: La Musique au Japon (1878)
and Its Author, Alessandro Kraus the Younger |
83-110 |
| Jame
Kippen |
Wajid
Revisited: A Reassessment of Robert Gottlieb's Tabla Study,
and a New Transcription of the Solo of Wajid Hussain Khan of Lucknow |
111-166 |
| Robert
Gottlieb |
A
Response to James Kippen's Assessment |
167-172 |
| James
Kippen |
A
Rebuttal to Robert Gottlieb |
173-174 |
| Boaz
Tarsi |
Observations
on Practices of Nusach in America |
175-219 |
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|
| |
Book
Reviews |
|
| Susan
Asai |
Alison
McQueen Tokita, Kiyomoto-bushi: Narrative Music of the Kabuki
Theatre |
221-224 |
| Bruno
Deschênes |
Le
Pouvoir en Chantant, Tome I: L'art de Fabriquer une Musique Chinoise |
224-227 |
| Kathryn
Hansen |
Syed
Jamil Ahmed, Acinpakhi Infinity: Indigenous Theater of Bangladesh |
227-229 |
| Ping-Hui
Li |
Colin
Mackerras, Peking Opera |
229-230 |
| |
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|
| |
Audio
Recording Review |
|
| Matthew
Allen |
Madurai
N. Krishnam, Inde du Sud: Mârgam. L'intégrale du
Bharatanâtyam /South India: Mârgam. The Complete Bharatanâtyam
. |
230-234 |
| David
Harnish |
Allan
Evans (producer); Edward Herbst (notes); Colin McPhee (photos),
The Roots of Gamelan: The First Recordings (Bali 1928, New York
1941) |
234-238 |
| Made
Mantle Hood |
Philip
Yampolsky (recording and notes), Music of Indonesia, Vols.
19 and 20 |
238-241 |
| Gordon
Thompson |
Edward
O. Henry (recording and notes), Women's Songs from India |
241-243 |
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|
| |
Video
Recording Review |
|
| Amy
Catlin-Jairazbhoy |
Peter
Manuel, Tan-singing of Trinidad and Guyana: Indo-Caribbean "Local-Classical
Music" |
243-246 |
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|
| |
About
the Contributors |
247-249 |
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Asian
Music Contents |
|
Spring/Summer
2002