| |
Articles |
|
| |
An
Indonesia Issue |
|
| Rahayu
Supanggah |
Campur
Sari: A Reflection. |
1-20 |
| Sarah
Weiss |
Kothong
Nanging Kebak, Empty Yet Full: Some Thoughts on Embodiment and
Aesthetics in Javanese Performance. |
21-49 |
| Suryadi |
Minangkabau
Commercial Cassettes and the Cultural Impact of the Recording Industry
in West Sumatra. |
51-89 |
| David
Harnish |
Worlds
of Wayang Sasak: Music, Performance, and Negotiations of Religion
and Modernity. |
91-120 |
| |
|
|
| |
Book
Reviews |
|
| Hilary
V. Finchum-Sung |
Nathan
Hesselink (editor), Contemporary Directions: Korean Folk Music in
the Twentieth Century and Beyond. |
121-125 |
| Richard
Miller |
E.
Taylor Atkins, Blue Nippon: Authenticating Jazz in Japan |
126-130 |
| Peter
Kvetko |
Sunaina
Marr Maira, Desis in the House: Indian American Youth Culture
in New York City |
130-133 |
| Richard
K. Wolf |
Martin
Clayton, Time in Indian Music: Rhythm, Meter, and Form in North
Indian Rag Performance |
133-139 |
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|
|
| |
Audio
Recording Review |
|
| Inna
F. Naroditskaya |
Will
Prentice (compilation and notes), Franz Hampe (recordings), Before
the Revolution |
140-146 |
| David
Henderson |
Gert-Matthias
Wegner (recording and notes), Music of the Sherpa People of Nepal
I: Shebru Dance-songs from the Everest Region
——, Masterdrummers of Nepal Present Auspicious Drumming Traditions
of Bhaktapur |
147-150 |
| Henry
Spiller |
Andrew
Weintraub (recording and notes), Indonesia: Wayang Golek: The
Sound and Celebration of Sundanese Puppet Theater |
150-154 |
| |
|
|
| |
Video
Recording Review |
|
| Sean
Williams |
Martin
Clayton and Simon Cook, Wayang Golek: Performing Arts of Sunda |
154-156 |
| Alexander
Khalil |
Li
Wei and Zhang Xingrong (recording and editing), Helen Rees and Amy
Caitlin (notes for English edition), From China's Southwest Borders:
Minority Dances, Songs and Instrumental Music from Yunnan |
157-158 |
| |
About
the Contributors |
159-161 |
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|
| |
Asian
Music Contents |
|
Spring/Summer
2003