| |
Articles |
|
Paul
D. Greene and
Li Wei, Guest Editors |
Introduction:
Mindfulness and Change in Buddhist Musical Traditions. |
1-6 |
| Richard
Widdess |
Carya
and Caca: Change and Continuity in Newar Buddhist Ritual
Song. |
7-41 |
| Paul
D. Greene |
The
Dhamma as Sonic Praxis: Paritta Chant in Buddhist Theravada
Buddhism |
43-78 |
| Pi-yen
Chen |
The
Chant of the Pure and the Music of the Popular: Conceptual Transformation
in Contemporary Chinese Buddhist Chants. |
79-97 |
| Jay
Keister |
The
Shakuhachi as Spiritual Tool: A Japanese Buddhist Instrument
in the West. |
99-131 |
| Paul
D. Greene, Keith Howard, Terry Miller, Steven G. Nelson, Phong T.
Nguyen, and Hwee-San Tan |
Buddhism
and the Musical Cultures of Asia: An Annotated Discography. |
133-174 |
| |
|
|
| |
Book
Reviews |
|
| Hilary
V. Finchum-Sung |
Nathan
Hesselink (editor), Contemporary Directions: Korean Folk Music
in the Twentieth Century and Beyond. |
175-177 |
| Julia
Byl |
Margaret
Sarkissian, D'Albuquerque's Children: Performing Tradition in
Malaysia's Portuguese Settlement. |
177-179 |
| |
|
|
| |
Audio
Recording Review |
|
| Brita
Heimarck |
Hariprasad
Chaurasia (Flute) and Shib Sankar Ray (Tabla) Perform Four Dhuns. |
180-183 |
| |
|
|
| |
Correction
to Asian Music 35/1 |
185 |
| |
About
the Contributors |
187-189 |
| |
|
|
| |
Asian
Music Contents |
|
Spring/Summer
2003