the fantastic Le Grotesque
 1 2
syllabus 

unit one
unit two
unit three
Phobia
Le Monde à l'Envers
La Danse Macabre
Le Grotesque
Bestiary

 

 

 

The Grotesque:  a powerful esthetic category that disrupts and distorts hierarchical or canonical assumptions. The notion combines ugliness and ornament, the bizarre and the ridiculous, the excessive and the unreal. The term derives from the Italian term for grottos, i.e., the ruins in which ornamental statues of distorted figures were found in the XV and XVIth centuries (grotteschi). The Romantic era, with its interest in individualism, and in all those who before the age of Revolution had been nameless and invisible, made the grotesque its indispensable adjunct. When Victor Hugo said that the grotesque is “the richest source nature can offer art” his penchant for antithesis perhaps never had a more apt example.  M. Bahktin placed the grotesque at the heart of the carnivalesque spirit. In the realm of the fantastic, it is a powerful weapon used in the revelation and denunciation of constructs. 
 
agrippa
pantagruel
manduce
Skidmore College Foreign Language Department web site design by Jennifer Conklin '98 revised July 1998