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The
Scientist
The
Contemporary Traveler
The
Anthropologist
Same
Old,
Same Old
Sources
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Peoples
of Mexico and Brazil
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Foreign peoples
are exotic. They are new and engaging merely because they are different
from us. Naturally, we are intrigued by the exotic, and feel the
need to draw attention to customs, dress or jewelry that in some
way jars with our common ideas surrounding what is "normal."
The trend of travel writers throughout history has tended to establish
the peoples of the "distant" and "exotic" lands
whom they encountered as different, and therefore, worthy of close
attention in their travel writing accounts. In essence, one could
see the attention paid to peoples in travel writing accounts as
asking the following questions: "Can you believe this?"
or "Isn't this strange?" |
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Mexico
(1916)
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Brazil
(1955-1956)
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| By
1850, however, the peoples are no longer entirely "new"
to the traveler. He or she has access to all the past accounts that
outline the character of the native, such as attention to dress,
religion, rituals, or economy. How then, does the more modern traveler
give his attention to the peoples of different countries when the
traditional approach seems somewhat banal or hackneyed? |
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What
we begin to see, through our attention to travelers to Mexico and
Brazil from the mid 19th century to the mid 20th, is a turn away
from the classic portrayal of "newness," and instead see
the attention vary according to the individual travelers personality
or his motives for travel. In such instances,
we may group the attention that a traveler pays to the people on
the basis of his profession or reasons for traveling. The following
categories seem appropriate: the scientist or naturalist, the contemporary
traveler, and the anthropologist. |
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The Scientist
and Naturalist:
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Many of the
travelers that we have studied, and especially those traveling
to Brazil, were scientists. Scientists
and naturalists, such as Louis Agassiz, Konrad
Guenther or Theodore Roosevelt, seem
to view the people as a mere extension of the natural world, and
therefore worthy of very little direct attention in their account
of "science." The majority of their accounts, thus,
focus more on issues of land and how the
natural world fits into their research.
When they
do discuss the people, however, the naturalists (Agassiz and Roosevelt)
tend to view the natives in a similar way that they evaluate the
natural order of things: namely by a classificatory system. Agassiz,
writing in 1868, suggests that in "Brazil there is no prejudice
against color: once freed, the black can rise as high in society
and politics as the white, and has indeed shown himself the equal
of the white in natural ability and industry" (Agassiz 383).
The type of broad-based statements suggests an encompassing description
of the peoples--one in which the individual person is very much
absent. Likewise, William Marshall Anderson,
writing about Mexico from 1865-1866, tends to group individuals
into broad categories.
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There
were formerly a great many very black people-there are now a
great many dark, or deeply colored skins. Where are the blacks?
Has the mixture, or miscegenation, worked out, or washed out,
the black blood? Has it, on the contrary, soaked in and ground
in the red-blood? I see
skins too dark for pure Indian-many
lemon colored bipeds with too much hair on the face and lip
for Indian, yet the mouth, the eye, the cheek-bone are clearly
American and American only. (Anderson 32-33)
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"The
Tortilla Maker" Diego Rivera, 1926
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| The very obvious
categorization of the people--the attention to racial difference
as the only means of difference--seems perhaps fitting for the Confederate
American writing at the time of the Civil War. It nonetheless suggests
Anderson's tendency to see the people only in physical relation
to others. He defines them by exterior characteristics. |
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The Contemporary
Traveler:
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| While
travel writers such as Roosevelt, Agassiz and Anderson tend to view
the people with more natural, and therefore biological, identifications,
other travel writers, notably Harry A. Franck
and Bess Adams Garner, begin to focus more
on the people as individuals rather than as part of a mass identification.
The turn towards individual recognition mirrors the emergence of
the more contemporary idea of a traveler. Franck and Garner traveled
because they wanted to, and not for the traditional motives of traveling
for economic, religious, or scientific reasons. They wanted to "see
the world." Although Garner does suggests the classificatory
method of a description of peoples with "After all, Mexico
is full of Mexicans," she immediately clarifies her point,
not with the biological or "natural" look of the natives,
but instead with the fact that the Mexicans "are so kind, so
unfailingly polite
[and] when we go to Mexico [we] should be
especially careful not to be rude" (Garner 26). Her attention
to customs or personality of the Mexicans suggests a turn from the
more black-and-white biological descriptions of the scientists. |
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Harry
A. Franck, however, goes further than Garner with his attention
to individual people. He seems to notice people, and more to notice
them as individuals, both in appearance and in actions. Consider
his description about a Mexican chorus girl that he encounters on
the train. |
She
was about forty, looked it with compound interest, was graced
with the form of a Panteon mummy, and a face--but some things
are too horrible even to be mentioned in print. Most of
the way she wept copiously, apparently at some secret a
pocket mirror insisted on repeating to her as often as she
drew it out, and regained her spirits only momentarily during
the smoking of each of several cigarettes." (117)
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| Franck
can retell this rather unflattering portrait of a Mexican woman,
because he offers the reader many other portraits throughout his
book. He is not restricted to categorization and therefore, the
reader can experience his characterization of an individual woman
and just an individual. Peoples become broken down into person in
Franck's travel account. |
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The Anthropologist:
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| Finally, however,
what emerges by the 1950s, is again another type of travel writing.
David Maybury-Lewis, an anthropologist who
travels to Brazil, turns his attention to a more sincere and complete
categorization of the people. Although he states in his forward
that the account "is an account of our experiences
not
an essay in anthropology," his background in anthropology cannot
be separated from his conclusions in the book. Thus, as an anthropologist,
his attention to the Sherente tribe in Brazil, seems to fuse both
the classification system of the sciences (as anthropology is in
many respects a scientific discipline) with the more personal observations
of travelers like Franck and Garner. Moreover, he likewise admits
himself as a foreigner to the Sherente. Upon his arrival: |
The
crowd waited, fascinated and determinedly aloof, empty-eyed
as samba dancers at the height of carnival. So the Sherente
received us-passively. They showed little interest as we
unloaded our gear. I brought a ninety-pound sack of salt
clumsily up the bank, trying to give an impression of muscular
agility which I felt sure was belied by my performance.
Still nobody moved." (37)
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| Maybury-Lewis'
understanding, here, of his own status as a foreigner suggests a
move from a complete reliance on the tradition focus of travel writers
on the quick stereotypes based on biological or religious ideas
about the peoples, and a turn more to the understanding of the peoples
customs as a way of better understanding
the differences between different peoples. |
Same Old, Same Old: |
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| While
travel writers seem to be shifting their attention away from the
conventional methods of description of people, we would be remiss
to assume that the convention of "newness"--of the foreign
nature of peoples--would not make appearances in the texts. Travel
writers still write about what the native wear, or what they eat,
or their customs as somewhat foreign. Franck, for example, even
with his attention to individual people still seems fascinated by
the Mexican dress. |
Mexico
is strikingly faithful to its native dress
First and
foremost comes the enormous hat, commonly of thick felt
with decorative tape, the crown at least a foot high, the
brim surely three feet in diameter even when turned up sufficient
to hold a half gallon of water. That of the peon is straw;
he too wears the skintight trousers, and goes barefoot but
for a flat leather sandal held by a thong between the big
toe and the rest. In details and colors every dress was
as varied and individual as the shades of complexion. (13)
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The complex
and sincere attention, here, to the dress of the natives demonstrates
his familiarity with the conventional modes of description. He
understands that his readers want to know what is different or
"fascinating" about the natives.
Likewise,
authors, such as Wallace Gillpatrick, who
writes of Mexico in 1912, seem to use traditional descriptions.
Gillpatrick often relies on the "easy" approach of descriptions
to avoid painstaking portraits of the people. To Gillpatrick,
the people of Mexico are "decent and friendly" (132),
but they also command more of the author's written attention,
than Roosevelt for instance. Gillpatrick returns continually to
descriptions, and defines them in a similar method to Anderson's
categorization-using a journalistic approach.
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| Sources: |
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Agassiz,
Professor and Mrs. A Journey in Brazil. 1868. University Press:
Welch, Bigelow, & Co., Cambridge. Boston,
1868.
Anderson,
William Marshall. An American in Maximilian's Mexico 1865-1866.
Ed. Ramon Eduardo Ruiz. San Marino: The Huntington Library, 1959.
Franck, Harry
A. Tramping Through Mexico, Guatemala and Honduras: Being the
Random Notes of an Incurable Vagabond. New York: The Century,
1916.
Garner, Bess
Adams. Mexico: Notes in the Margin. Boston: Houghton Mifflin,
1937.
Gillpatrick,
Wallace. The Man Who Likes Mexico. New York, NY: The Century
Company, 1912.
Kozar, Richard.
Theodore Roosevelt and the Exploration of the Amazon Basin.
Philadelphia: Chelsea House Publishers, 2001.
Maybury-Lewis,
David. The Savage and the Innocent. Beacon Press, Boston:
1956.
Images From:
(Mexico, 1916) Franck, Harry A. Tramping Through Mexico, Guatemala
and Honduras: Being the Random Notes of an Incurable Vagabond.
New York: The Century, 1916.
(Brazil, 1955-56) Maybury-Lewis, David. The Savage and the
Innocent. Beacon Press, Boston: 1956.
(Men On Mule)
Garner, Bess Adams. Mexico: Notes in the Margin. Boston:
Houghton Mifflin, 1937.
("The
Tortilla Maker") http://www.mamalee.com/galleryluis.html
(brazilians)
http://www.brunias.com/southamerica.html#brazilv
(Mexican)
Franck, Harry A. Tramping Through Mexico, Guatemala and Honduras:
Being the Random Notes of an Incurable Vagabond. New York:
The Century, 1916.
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