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Dance


Chair of the Department of Exercise Science, Dance, and Athletics:
Jeffrey Segrave


Director of Dance Program:
Mary DiSanto-Rose


Dance Faculty:


Associate Professors: Isabel H. Brown, Mary DiSanto-Rose, Debra Fernandez, Denise Warner Limoli

Lecturers: *Yacub Addy, *Adriana Markovska, *Lisa Hoffmaster, *Patricia Henderer, *Mary Harney

Dance Musicians: Patricia Hadfield, *Carol Ann Elze, Carl Landa,

Dance Theater Technical Director: Lori Dawson

The mission of the Dance Program is to link critical thinking, analysis, craft, history, and creativity with the distinct movement skills derived from studio practice and stage performance. Students are required to work toward proficiency in the particular movement language of Western and/or Eastern dance forms: classical ballet, modern-contemporary dance, jazz dance, and Bharata Naytam (temple dance of India). Students learn to recognize and distinguish the many diverse sources of dance, such as culture (both ancient and pop), mythology, society, and nature. Students select a specific area of study within the major: general dance, performance/choreography, or dance history/criticism. The major leads to a bachelor of science degree.

In studying dance technique, choreography, production, history, biography, and criticism, students develop a deeper understanding of the relationship of body, mind, and spirit in the multicultural world of dance. Students acquire the critical skills necessary to make informed judgments about dance as an art form. The dance major prepares students for further study or careers in the fields of performance, choreography, dance education, dance history/criticism, and arts administration.


THE MAJOR IN DANCE

General Dance:

1. Eighteen credit hours of technique to include at least four credit hours outside the primary discipline.

2. Sixteen credit hours of theory to include
DA227, 228 and 230.

Performance/Choreography:

1. Sixteen credit hours of technique to include at least four credit hours outside the primary discipline.

2. Twelve credit hours of theory to include
DA227, 228, and 230.

3. Six credit hours of workshop/production.

Dance History/Criticism:

1. Eighteen credit hours of technique to include at least four credit hours outside the primary discipline.

2. Sixteen credit hours of theory to include
DA230, 335, and 376.

INTERDEPARTMENTAL MAJOR: In conjunction with the Theater Department, the Department of Exercise Science, Dance, and Athletics offers a major in dance-theater. See Interdepartmental Majors.

THE MINOR IN DANCE:

1. Required courses:
DA230; and fourteen credit hours to include at least one experience outside the primary discipline; and an additional theory or workshop/production course (totaling nineteen-twenty credit hours).

2. Two of the required courses in dance must be at the 300 level.

3. Students should declare their minors by fall semester of the junior year.

GUEST ARTISTS: Each year outstanding artists are brought to the campus to teach, lecture, conduct workshops and set dance pieces on the dance students.


DANCE TECHNIQUE COURSES      Dance Faculty
Breadth requirements :
DA210-213, DB101/102, DB111-142, DB211-242, DM111-142, DM211-242 may be taken to fulfill the arts requirement. DA227, 228, or 230 may be taken to fulfill the humanities requirement.

DA 210, 211.     WESTERN DANCE FORMS I
     1,1
Studies of various Western dance forms and techniques. The following courses are offered periodically depending on faculty availability:
    A. Pointe I
    B. Character I
    C. Jazz I
    D. Modern Special I/II
    E. Ballet Special I/II
    F. Pre-Classical Dance Forms
    G. Dance for Children
    H. Spanish Dance
    I. Tap
Pointe class may only be taken along with a Ballet II, III, or IV technique class. Non-liberal arts.

DA 212, 213.     NON-WESTERN DANCE FORMS I
     1,1
Studies of various non-Western dance forms and techniques. The following courses are offered periodically depending on faculty availability and may include:
    A. Bharata Natyam I (South India Classical Dance)
    B. Kathak (North India Classical Dance)
    C. Hawaiian Dance
    D. African Dance I
    E. T'ai Chi
    F. Yoga    
Non-liberal arts.

DA 301, 302.     WESTERN DANCE FORMS II
     1,1
The following courses are offered periodically depending on faculty availability:
    A. Pointe II    
    B. Character II    
    C. Jazz II    
    D. Modern Special III/IV
    E. Ballet Special III/IV

Pointe class may only be taken along with a Ballet II, III, or IV technique class.      Non-liberal arts.

DA 303, 304.     NON-WESTERN DANCE FORMS II
     1,1
The following courses are offered periodically depending on faculty availability and may include:
    A. Bharata Natyam II (South India Classical Dance)
    D. African Dance II
Non-liberal arts.


BALLET TECHNIQUE COURSES      Ballet Faculty

DB 101, 102.     INTRODUCTION TO BALLET     2 or 3, 2 or 3

Applied basic vocabulary of ballet for the beginner student. The class stresses proper body alignment, coordination and conditioning. Non-liberal arts.

Course numbers for the following courses are determined by class standing.

DB 111/112, 121/122, 131/132, 141/142.     BALLET I: ELEMENTARY     2 or 3, 2 or 3

Expanded study in basic vocabulary and technique of ballet with the prerequisite of Introduction to Ballet or previous training. Non-liberal arts.

DB 211/212, 221/222, 231/232, 241/242.     BALLET II: INTERMEDIATE     2 or 3, 2 or 3

Students at this level should have complete knowledge of the basic ballet terminology and technique with the ability to properly execute barre, adagio, pirouettes, small and large allegro. Non-liberal arts.

DB 311/312, 321/322, 331/332, 341/342.     BALLET III: ADVANCED     2 or 3, 2 or 3

Students must have acquired full command of the ballet vocabulary and technique with the capability to sustain increasingly difficult work. The class may include pointe work at the discretion of the instructor. Non-liberal arts.

DB 351/352, 361/362, 381/382, 391/392.     BALLET IV: ADVANCED-POINTE     2 or 3, 2 or 3

This class is designed to develop artistic awareness of students who have already reached a high degree of technical proficiency. A portion of the class will be on pointe. By permission. Non-liberal arts.

May be repeated for credit


MODERN DANCE TECHNIQUE COURSES     Modern Dance Faculty

Course numbers for the following courses are determined by class standing.

DM 111/112, 121/122, 131/132, 141/142.     MODERN I: BEGINNER     2 or 3, 2 or 3

Study of technique stressing unique quality of modern dance, beginning level. Non-liberal arts.

DM 211/212, 221/222, 231/232, 241/242.     MODERN II: LOW INTERMEDIATE     2 or 3, 2 or 3

Theory and style continuation of technical study, low intermediate and intermediate level. Non-liberal arts.

DM 311/312, 321/322, 331/332, 341/342.     MODERN III: HIGH INTERMEDIATE     2 or 3, 2 or 3

Continued theory and style, high intermediate technical study. Non-liberal arts.

DM 351/352, 361/362, 381/382, 391/392.     MODERN IV: ADVANCED     2 or 3, 2 or 3

Advanced theory and style, technical study. By permission. Non-liberal arts.

Note: Placement in the appropriate level dance class is at the discretion of the dance faculty.


WORKSHOP/PRODUCTION

DB 393, 394.     BALLET WORKSHOP
     2, 2
Students apply their technique to rehearsal and performance of choreographic material created by faculty members and qualified students, with an emphasis on learning basic production elements. By permission and/or audition. Non-liberal arts.      D. Fernandez, D. Limoli

DM 393, 394.     MODERN DANCE WORKSHOP
     2, 2
Style, repertory, production, advanced choreography. The emphasis of the workshop may vary according
to the style and experience of the teacher. Extra rehearsals to be arranged as needed. By permission and/or audition. Non-liberal arts.     M. DiSanto-Rose


DANCE THEORY

DA 227.     IMPROVISATION I     2

Experiences in the spontaneous use of movement
in structures derived from movement concepts, imagery, props, and media sources. Designed to help students discover and develop their own movement potential and apply it in dance performance. Non-liberal arts. (Fulfills humanities requirement.)     M. DiSanto-Rose

DA 228.     CHOREOGRAPHY I     3

Deals with solo and group choreographic techniques and related musical and production resources. Non-liberal arts. (Fulfills humanities requirement.)     D. Fernandez, M. DiSanto-Rose

DA 230.     INTRODUCTION TO DANCE HISTORY, LITERATURE, AND REPERTORY     3

Introduction to dance history of the Eastern and Western traditions. Using film, slides, videos, demonstrations, and discussion, the course introduces students to the literature and repertory of the great classical and modern dance forms. (Fulfills humanities requirement.)     I. Brown, M. DiSanto-Rose

DA 274.     SPECIAL STUDIES IN DANCE THEORY AND APPRECIATION     2

Liberal arts studies in dance theory and appreciation designed to broaden student awareness and understanding of dance and its related disciplines. By permission of instructor.     Dance Faculty

DA 327.     IMPROVISATION II     2

Advanced study in the spontaneous use of movement in structures derived from movement concepts, imagery, props, and media sources. Designed to help students further discover and develop their own movement potential and apply it in dance performance. Prerequisite:
DA227 or permission of instructor. Non-liberal Arts.     M. DiSanto-Rose

DA 328.     CHOREOGRAPHY II     3

Advanced study of the solo and group choreographic techniques and related musical and production resources. Prerequisite:
DA228 or permission of instructor. Non-liberal arts.     D. Fernandez

DA 335.     MAJOR PERIODS IN DANCE HISTORY     3

The study of major periods in dance history with particular emphasis on the societies out of which the dance developed.     I. Brown

DA 371, 372.     INDEPENDENT STUDY     3, 3
Advanced research or technical study under the guidance of a faculty member. A student may or may not receive liberal arts credit at the discretion of both the director of the Dance Program and the registrar (and, in exceptional instances, the Curriculum Committee of the College).     Dance Faculty

DA 376.     SEMINAR     4

A study of the style and technique of the main schools of classical dancing (Russian, French, Italian, Danish). The impact of these schools on the development of classical dancing in England and America will provide a topic for discussion and debate. The course also will examine the style and technique of the main schools of American and European modern dance and their respective impacts on the development of theatrical dance in the twentieth century.     Dance Faculty


May be repeated for credit


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