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mals@skidmore.edu

518-580-5480

Master of Arts Program
Skidmore College
815 North Broadway
Saratoga Springs,
New York, 12866


The Master of Arts program operates under the auspices of the Office of the Dean of Special Programs

 

The Bookshelf

Read any good books lately?

Let us know the titles of your favorite recent readings and what you liked about them. We’ll add them to the Master’s Bookshelf.

mals@skidmore.edu



Here’s a sampling of what the MALS office staff has been keeping on their nightstands. Let us know what you think of them—and send us back your own recommendations!


Laurie’s Picks:

Skinny Dip, Carl Hiaasen
If you haven’t read one of Carl Hiaasen’s books yet and want to lose yourself for a while in a complex, zany story with plots, subplots, twists, turns, greed, politics, and sweet revenge, try this book. Set in the Sunshine State, the plot launches off to a grand start as Chaz Perrone throws his wife overboard into the Gulf Stream to keep her from blowing the whistle on his illegal dumping scam. She survives by grabbing onto a bale of marijuana floating by and teams up with a former cop to pay Chaz back in spades. Hiaasen keeps you guessing what the next twist will be in this intricately woven story and laughing at the author’s wacky characters and delightfully madcap humor. A wonderfully fleshed out story—a delight to read.

The Black Echo
, Michael Connelly

The first in a series of crime stories starring LAPD Detective Harry Bosch, this novel pulls the reader in from the start with a murder mystery that, like ripples in a pond, grows larger and larger. For Harry, this particular murder is personal—his fellow Vietnam tunnel-rat has been found dead. The mystery surrounding his friend’s death seems to spin out of control, involving millions of dollars in diamonds smuggled into the U.S. and then stolen from a bank vault, unexplained barriers put in Harry’s path as he investigates the murder, and law enforcement officials who aren’t what they seem. As Harry struggles in a daily battle with a vengeful Internal Affairs Division chief and the two goons following his every move, he tries to solve the mystery of his friend’s death—a mystery that spans several decades and two continents. A wonderful twist at the end will surprise the reader as much as it did the main character. The LA Times likened Michael Connelly’s writing to that of Raymond Chandler. I hope you’ll like it.


Sandy’s Pick:

The Birth of Venus, Sarah Dunant
I rarely have been so immediately captured by a book. Maybe I was ripe for this story. I was heading to Italy for a much-anticipated visit to Orvieto and the Umbrian hills adjacent to Tuscany. But still, within six paragraphs I was hooked, deep into the world of Renaissance Florence with all of its beauty and brutality, its confidence and complicity. The novel begins at the end, a stunning and breathtaking end, and then weaves a tapestry of the life of Alessandra Cecchi, a heroine who embodies both the creative vitality and the political suffocation of the time. Sarah Dunant writes like a painter and thinks like a philosopher, juxtaposing the humane against the animal, hope against fanaticism, creativity against destruction. This book is one beautiful read.


Michelle’s Pick:


White Noise, Don DeLillo

Don DeLillo is one of those authors who’ve resided on my “must-read” list for more years than I care to admit. A colleague recommended I read White Noise due to my interest in art, literature, and popular culture. DeLillo’s protagonist, Jack Gladney, teaches Hitler studies at a liberal arts college, is on his fourth marriage, and is knee-deep in grappling with his middle-aged fear of mortality. Just as Jack asserts, “We seem to believe it is possible to ward off death by following the rules of good grooming,” DeLillo catalogs lists of objects throughout the book as a vehicle to highlight the ways in which the characters find comfort and distraction in amassing stuff, like “open cartons, crumpled tinfoil, shiny bags of potato chips, bowls of pasty substances covered with plastic wrap, flip-top rings and twist ties, individually wrapped slices of orange cheese.” DeLillo cuts the novel’s potential morbidity with humor that at times teeters precipitously toward the farcical. While the ending left me a bit dissatisfied, I much admired DeLillo’s ability to deftly underscore the ways in which individuals manage the concept of death and, subsequently, their lives.







Creative Thought Matters.

Master of Arts Program
Skidmore College · 815 North Broadway · Saratoga Springs, NY · 12866
mals@skidmore.edu · 518-580-5480

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