Faculty  Majors  Minors  Courses  Honors
Music Department

Luciane Beduschi

Beduschi

Assistant Professor

Office: Zankel Music Center 212
Phone: (518) 580 - 5339
Email:  lbedusch@skidmore.edu

Education

2009: Qualification in the 18th and 22nd sections of the French CNU (National Council of Universities)
This is the official qualification requested for appointments in universities; the 18th section deals with arts, including music; the 22nd with history, including music history.
2008: Doctorate of Music History and Musicology, Sorbonne University (Paris IV)
Sigismund Neukomm (Salzbourg, 1778 – Paris, 1858) : sa vie, son œuvre, ses canons énigmatiques
Mention très honorable avec les félicitations du jury à l’unanimité. Research Director: Nicolas Meeùs
Jury: H. Jank (Unicamp), R. Angermüller (Mozarteum), P. Saby (Lyon 2), J.-P. Bartoli and N. Meeùs (Paris IV)

2002: Master of Music History and Musicology, Sorbonne University (Paris IV)
L’œuvre pour clavier de Sigismund Neukomm : projet de thèse
Mention très bien. Research Director: Nicolas Meeùs

1999: Bachelor of Music (Harpsichord), State University, Campinas, Brazil (UNICAMP)

Conservatory
1983-1991: Higher Certificate, Escola Superior de Música de Blumenau, Brazil
Piano, Solfège (Theory), Harmony, Chamber music
1999-2004: Music studies in France funded by the Brazilian Federal Government (CAPES), Conservatoires municipaux Nadia et Lili Boulanger, Darius Milhaud, Claude Debussy, Paris
Harpsichord, Basso continuo, Écriture and Harmony, Improvisation, Chamber Music, Orchestral Practice
Studies abroad
2010: Workshop Music Theory Pedagogy, University of Massachusetts, Amherst
2009: Mannes Institute, Music and Mind, Mannes College of Music, New York
2008: Artistic Witnesses, Interpreting Beethoven, Leon Fleisher, Orpheus Instituut, Gent, Belgium
2007: Music Analysis Seminar, Schenkerian Analysis for Performers, Carl Schachter, Orpheus Instituut, Belgium
2006: Music Analysis Seminar, Schenkerian Analysis, Allen Cadwallader, Orpheus Instituut, Gent, Belgium
2006: Music Analysis Seminar, Schenkerian Analysis for Performers, Carl Schachter, Orpheus Instituut, Belgium
2006: International Orpheus Academy, Music Theory: Thoroughbass in Practice, Theory, and Improvisation: 1700 to 1900, Orpheus Instituut, Gent, Belgium
2005: International Orpheus Academy for Music Theory, Orpheus Instituut, Gent, Belgium
Languages
French, Portuguese, English (Fluent)
Spanish, Italian (Oral and written comprehension)

 
Teaching Career
University
2013: CNED (Centre National d’Enseignement à Distance) and Université Paris-Sorbonne (Paris IV), redaction (with N. Meeùs) of the textbook “Évolution du Langage Musical, Analyse schenkérienne” (Undergraduate studies, 3rd year)
2012 to the present: Skidmore College, Saratoga Springs, NY, Music Department
    Assistant professor Music Theory and Music History
    – MU 241 Materials and Structures of Music I
    – MU 242 Materials and Structures of Music II
    – MU 315 Music in the Baroque and Pre-Classical Eras
    – MU 345 Music Analysis for Performers
2011-2012: Sorbonne University (Paris IV), Music Faculty
Adjunct professor
– Schenkerian Analysis, 3rd year of undergraduate studies
– Research, Documentation and Publication in Musicology, Master 1
2010-2011: Sorbonne University (Paris IV), Music Faculty
Adjunct professor
– Schenkerian Analysis, 3rd year of undergraduate studies
– Research, Documentation and Publication in Musicology, Master 1
– Edition Workshop, preparation of manuscripts for scientific publication, Master 2
2010-2011: Paul Valéry University (Montpellier III), Faculty of Letters, arts, philosophy, linguistics and psychoanalysis, department of Music and Musicology
Adjunct professor
– Écriture [Harmony], 2nd year of undergraduate studies
– Written Expression, Master 1
– Support in preparation for the CAPES (competitive examination for music teachers in secondary school), Master 2
2008-2010: Sorbonne University (Paris IV), Music Faculty
ATER (Temporary Teaching and Research Assistant)
– Schenkerian Analysis, 3rd year of undergraduate studies
– Musicological Research and Documentation, Master 1
– Piano, Exercises in Sight Reading, 1st and 2nd year of undergraduate studies
2010, February-June: Sorbonne University (Paris IV), Music Faculty, in collaboration with professor Nicolas Meeùs
– Introduction to Schenkerian Analysis
2009, August: Campinas State University (UNICAMP) Brazil, Institute of the Arts, Department of Music
Guest professor (in collaboration with professor Nicolas Meeùs)
– Schenkerian Analysis, Music Master and Doctorate
2008, August: Campinas State University (UNICAMP) Brazil, Institute of the Arts, Department of Music
Guest professor
– Schenkerian Analysis, Music Master and Doctorate
2007-2008: Sorbonne University (Paris IV), Music Faculty
Adjunct professor
– Schenkerian Analysis, Exercises, 3rd year of undergraduate studies
– Classical, Modern and Contemporary Music: Historical Scientificity in Musicology, Master 1

Non-university teaching
2010-2011: Municipal conservatoire of Plaisir-Grignon (France):  General Musical Training
2006-2007: Senlis School of Music (France): Piano and General Musical Training
1995-2012: Private Piano, Harpsichord and Analysis classes
 
Academic prizes, grants, and awards
2013: Grant, Faculty and Student Summer Research, Skidmore College, NY
2009: Prix Richelieu, Prix solennel de la Chancellerie des Universités de Paris for the thesis Sigismund Neukomm (Salzbourg, 1778 – Paris, 1858) : sa vie, son œuvre, ses canons énigmatiques (Five Richelieu Prices crown the five best theses in Humanities, in the frame of the Prix de la Chancellerie which crown the best theses in all disciplines, defended in the Paris Academy in 2008.)
2009: Society for Music Theory (SMT), Citation of Special Merit for the book containing the article “Survivance du canon énigmatique au XIXe siècle : le cas de Sigismund Neukomm”
1999 to 2001: Apartes Grant (national competition), CAPES (Coordination for the Improvement of Higher Staff) Brazilian Government, for advanced harpsichord studies at the Conservatoire Municipal Claude Debussy, Paris
1998 to 1999: Startup research grant (national competition), CNPq (National Council for Scientific and Technological Development), Brazilian Government
1997: S.A.E. Grant (Student Support Service) UNICAMP, Brazil
1995: Prêmio Cultura Viva, Santa Catarina State Government, Brazil
1992 to 1993: Grant, Faculty of Medicine of the Federal University of Paraná (UFPR), Curitiba, Brazil
Academic activities, affiliations, and service
2010 to the present: Internet Website Co-author, Théorie et analyse schenkériennes,
nicolas.meeus.free.fr/Schenker.html
2005 to the present: Assistant Editor, Musurgia, Analyse et Pratique Musicales, ESKA, Paris
2010: Publications adviser to the board, ESKA Éditions, Paris
2013 and 2012: Examiner, ANPPOM, Associação Nacional de Pesquisa e Pós-Graduação em Música, Brazil
2011: Examiner, SSHRC, Social Sciences and Humanities Research Council of Canada, Canada

2009-2012: Member of the board, Núcleo de Estudos da História da Música Luso-Brasileira, Portugal
2008 to the present: Member, Centre de Recherches Patrimoines et Langages Musicaux (PLM), Paris
2012 to the present: Member, Society for Music Theory (SMT)

2013, fall semester: Member, Faculty Development Committee, Skidmore College, NY
Artistic activities
2002-2003: Harpsichordist for the baroque music choir, Conservatoire municipal Nadia et Lili Boulanger, Paris
2000-2002: Accompanist for the recorder class, Conservatoire municipal Nadia et Lili Boulanger, Paris
1995-1998: Tenure Harpsichordist, Orchestre Oficina de Cordas, Campinas, Brazil
Recordings
1998: Waves, Luis Henrique Beduschi (recorders), Luciane Beduschi (piano), Freiburg, Germany, compact disc
1996: Histórias de Imanhucumã, Luis Henrique Beduschi (recorders), Luciane Beduschi (piano), Basel, Switzerland, compact disc DIVOX
Concerts
1999: Solo Harpsichord with orchestra, Sorocaba Chamber Orchestra, Eduardo Ostergren (direction), Sorocaba, São Paulo, Brazil
1999: Solo Harpsichord with orchestra, Americana Chamber Orchestra, Edson Colacioppo (direction), Americana, São Paulo, Brazil
1996-1999: Chamber music, piano and recorders (with Luis Beduschi), various repertoires, essentially European music from the 19th-century and contemporary Brazilian music, in Switzerland, and in Brazil
Participation in radio and television programs
1999: TV do Estado, broadcast for the concert with the Sorocaba Chamber Orchestra, Eduardo Ostergren (direction), Sorocaba, São Paulo, J. S. Bach, Concerto for harpsichord in d minor, BWV 1052
1999: Rádio Cruzeiro do Sul FM de Sorocaba, interview with the director Eduardo Ostergren about her musician career, Sorocaba, São Paulo, Brazil
1996: TV Gazeta, Marília Gabriela, program about the Orchestra Oficina de Cordas, São Paulo, Brazil
1996: Rádio Cultura, interview about the chamber music work with Luis Beduschi, specially the compact disc Histórias de Imanhucmã, São Paulo, Brazil
1995: Cultura FM, Franck Graff, interview about the chamber music work with Luis Beduschi, Blumenau, Brazil

Publications
Research works
•    Luciane BEDUSCHI, Anne-Emmanuelle CEULEMANS, Alice TACAILLE (dir.), Musica, Sive Liber Amicorum Nicolas Meeùs. Mélanges offerts au Professeur Nicolas Meeùs, PUPS, Paris, 2014, 631 p.
•    “Théorie et pédagogie de l’écriture musicale en France. Un projet de recherche,” Luciane Beduschi, Anne-Emmanuelle Ceulemans, Alice Tacaille (dir.), Musica, Sive Liber Amicorum Nicolas Meeùs. Mélanges offerts au Professeur Nico-las Meeùs, PUPS, Paris, 2014, p. 313-337
•    “Overture,” Luciane Beduschi, Anne-Emmanuelle Ceulemans, Alice Tacaille (dir.), Musica, Sive Liber Amicorum Nicolas Meeùs. Mélanges offerts au Professeur Nicolas Meeùs, PUPS, Paris, Paris, 2014, p. 9 28.
•    “Une biographie complexe : le cas de Sigismund Neukomm,” Biographie(s) de musiciens : écritures, usages, enjeux, H. Champion, Paris, (forthcoming) (Music-Musicology collection)
•    Luciane BEDUSCHI, Nicolas MEEÙS, Analyse schenkérienne. Évolution du Langage musical, CNED, Paris, 2013, 97 pp.
•    “J. Haydn’s Die Heiligen Zehn Gebote als Canons and S. Neukomm’s Das Gesetz des alten Bundes, oder Die Gesetzge-bung auf Sinaï: Exemplification of Changes in Musical Settings of the Ten Commandments during the Eighteenth and Nineteenth Centuries,” The Decalogue and its Cultural Influence, Dominik Markl (ed.) Sheffield Phoenix Press, Sheffield, 2013, p. 296-317
•    “Transcrição Normalizada do Catálogo Manuscrito de Sigismund Neukomm” (Normalised Transcription of the Catalogue of Sigismund Neukomm manuscripts), Maria Elizabeth Lucas and Rui Vieira Nery (ed.), As Músicas Luso-Brasileiras no Final do Antigo Regime: Repertórios, Práticas e Representaçõe (Portuguese-Brazilian music at the end of the ancient regime: Repertoires, Practises and Representations), Gulbenkian Foundation, Lisbon, 2012, p. 77 113
•    Luciane BEDUSCHI and Nicolas MEEÙS, “Schenkerian analysis in the Sorbonne,” Journal of Music Theory Pedagogy XXIV (2010), p. 159-174
•    “Revisão crítica da autobiografia de Sigismund Neukomm” (Critical revision of the autobiography of Sigismund Neukomm), 8th Conference of Historical Musicology, Anais, Music and History in Brazil, Juiz de Fora, UFJF Edito-ra, 2010, pp. 32-50
•    Nicolas MEEÙS, Análise Schenkeriana (Schenkerian Analysis), translated from the French by Luciane Beduschi, UNICAMP, Campinas and PLM Patrimoines et Langages Musicaux, Sorbonne University, Paris, 2009, 44 pp. http://www.plm.paris-sorbonne.fr/spip.php?article54
•    “Räthsel-Kanon für 8 Singstimmen de Sigismund Neukomm,” VII Encontro de Musicologia Histórica, Anais, Musicologia histórica brasileira em tempos de Transdisciplinaridade (7th Conference of Historical Musicology, Anais: Brazilian Historical Musicology in inter-disciplinary times) (2008), Juiz de Fora, pp. 123-136
•    “Survivance du canon énigmatique au XIXe siècle : le cas de Sigismund Neukomm,” Canons and Canonic Techniques, 14th-16th Centuries: Theory, Practice, and Reception History. Proceedings of the International Conference, Leuven, 4-6 October 2005, Leuven, Peeters Publishers, 2007, pp. 445-455
•    “Le Séjour de Sigismund Neukomm au Brésil,” Tempus Perfectum 2 (February 2007), pp. 3-24
•    “Räthsel-Kanon für 8 Stimmen, Reconstitution et démontage d’une énigme,” Musurgia XIII/3 (2006), pp. 5 29
•    Catalogue de l’œuvre brésilien (1816-1821) de Sigismund Neukomm (1778-1858), Paris, PLM (Centre de recherches Patrimoines et Langages musicaux), 2006
http://www.plm.paris-sorbonne.fr/spip.php?article24
•    Sigismund Neukomm, Libera me, Domine, Critical edition with preface, Symétrie, Lyon, 2006, 39 pp.
•    “Grupo de Trabalho Sigismund Neukomm,” OPUS 11 Revista Eletrônica da ANPPOM (December 2006), pp. 369 374
•    “Fundamentos para o Estabelecimento do Catálogo Temático de Sigismund Neukomm” (A basis for establishing a thematic catalogue of Sigismund Neukomm), Proceedings of the 15th congress of ANPPOM (Associação Nacional de Pesquisa e Pós-Graduação em Música), Rio de Janeiro, 2005, pp. 251-259

•    Accepted: Les canons énigmatiques de Monsieur le Chevalier Sigismund Neukomm. Une illustration de la pratique des canons énigmatiques au XIXe siècle, Symétrie, Lyon
 
Linear notes and Prefaces
•    Georges Friedrich Händel : Suites pour clavecin, French and English CD liner notes, Cristiano Holtz (clavecin), Brussels, Ramée (RAM 1004), March 2011
•    Giovanni Bononcini : Symphonies et Cantates, French and English CD liner notes, Cyril Auvity (tenor), L’Yriade, Brussels, Ramée (RAM 1006), September 2010
•    Sigismund Neukomm : Missa Solemnis pro Die Acclamationis Johannis VI, CD liner notes, recording under the direction of Jean-Claude Malgoire, Sarrebruck, K617 (K617212), January 2009
•    Joseph Haydn, Sigismund Neukomm, Arianna a Naxos, Cantata a voce sola, con accompagnamento de Clavicembalo composta dal Signr Giuseppe Haydn accomodata perl’Orchestra, dal suo discipulo Sigismundo Neukomm, Preface, Castejon Music Editions, Köln, (forthcoming)
•    Sigismund Neukomm : Missa Solemnis pro Die Acclamationis Johannis VI, text and preparation of the material for the season’s-opening concert of the Atelier Lyrique de Tourcoing, under the direction of Jean-Claude Malgoire, Tour-coing, September 2008
•    Sigismund Neukomm, Grand Concerto pour le piano-forte, Preface, Castejon Music Editions, Köln, 2008
•    Sigismund Neukomm, Service funèbre complet en fa mineur (1838), CD liner notes, recording under the direction of Jean-Claude Malgoire, Sarrebourg, K617 (K617210), 2008
•    Music of Sigismund Neukomm, CD liner notes, Die Kölner Akademie, recording under the direction of Michael Alexander Willens, Köln, Ars Produktion (38030), 2008
Conference presentations
•    Accepted, 2014, October: « Composer’s Opinions about the Multiple Solutions for their Puzzle Canons », EuroMAC, Leuven, Belgique
•    2013, October: Paper “Padre Martini’s Closed and Enigmatic Canons with Solutions by Luigi Cherubini,” Luigi Cherubini. Vom Autograph zur Aufführung. Internationales Symposium, Universität der Künste, Berlin, Germany
•    2012, April: Paper “J. Haydn’s Die Heiligen Zehn Gebote als Canons and S. Neukomm’s Das Gesetz des alten Bundes, oder Die Gesetzgebung auf Sinaï: a possible influence of Haydn’s canons on Neukomm’s oratorio?,” The Influence of the Decalogue : Historical, Theological and Cultural Perspectives, Heytrop College, University of Oxford, Trini-ty College, Oxford, England
•    2011, October: Paper “New regards on schenkerian analysis pedagogy,” VII European Music Analysis Conference, Conservatory of S. Cecilia, Rome, Italy
•    2011, March: Paper “Teaching Schenkerian Analysis. Analysis as Interpretation,” Music Theory & Pedagogy, 13th annual conference of the Dutch-Flemish Society for Music Theory, ArtEZ Conservatorium Enschede, Enschede, The Netherlands
•    2009, November: Paper “La technique de l’inventio d’Albrechtsberger appliquée à l’analyse de canons énigmatiques,” International symposium Musical analysis today: Crisis or (r)evolution, Strasburg, France
•    2008, December: Paper “La composition de canons au XIXe : Neukomm, Cherubini et le père Martini,” Symposium Alexandre Pierre François Boëly (1785-1858), ses contemporains et le style sévère, Sorbonne University, Paris, France
•    2008, July: Paper “Sigismund Neukomm no Rio de Janeiro: Revisão crítica da autobiografia do compositor com base em cartas inéditas” (Sigismund Neukomm in Rio de Janeiro: a critical revision of the composer’s autobiography based on unpublished letters), VIII Encontro de Musicologia Histórica, Juiz de Fora, Brazil
•    2008, June: Paper “Transcrição Normalizada do Catálogo Manuscrito de Sigismund Neukomm,” (Normalised Transcription of the Catalogue of Sigismund Neukomm manuscripts), International symposium Músicas Luso-Brasileiras no Final do Antigo Regime: Repertórios, Práticas e Representações (Portuguese-Brazilian music at the end of the old regime: Repertoires, Practices and Representations), Gulbenkian Foundation, Lisbon, Portugal
•    2006, July: Paper “O Räthsel-Kanon für 8 Stimmen de Sigismund Neukomm: um problema transdisciplinar” (The Enigmatic Canon for 8 voices by Sigismund Neukomm: a trans-disciplinary problem), VII Encontro de Musicologia Histórica, Juiz de Fora, Brazil
•    2005, October: Paper “Survivance du canon énigmatique au XIXe siècle : le cas de Sigismund Neukomm,” Canons and Canonic Techniques, Leuven, Belgium
•    2005, July: Paper “Fundamentos para o Estabelecimento do Catálogo Temático de Sigismund Neukomm,” (A basis for establishing a thematic catalogue of Sigismund Neukomm), 15th congress of ANPPOM, Rio de Janeiro, Brazil

Invited lectures
•    2011, April: “Trois analyses de Von Fremden Ländern und Menschen, op. 15 no 1 de R. Schumann : L’analyse comme interpretation,” Doctorat d’interprète, CNSMDP and Paris-Sorbonne University (Paris IV), Conservatoire National Supérieur de Musique et de Danse de Paris, France
•    2011, January: “Méthodologie de la recherche scientifique en musicology,” Doctorat d’interprète, CNSMDP and Paris-Sorbonne University (Paris IV), Conservatoire National Supérieur de Musique et de Danse de Paris, France
•    2010, June: “Robert Schumann, Almbumblätter op. 124 n. 1, Une analyse pour les interprètes,” Conservatoire Niedermeyer (Departmental Regional  Conservatorium) Arc de Seine, Issy-les-Moulineaux, France
•    2010, May: “Musurgia, Analyse et pratique musicales,” 7es Rencontres de l’OMF, De la Recherche à la publication, Quelques aspects de la situation dans la musicologie française, Les revues et l’échange des savoirs, Sorbonne Uni-versity, Paris, France
•    2009, August: “Sigismund Neukomm: sua vida, sua obra, seus cânones enigmáticos. Uma tese de doutorado na Sorbonne” (Sigismund Neukomm: his life, work and enigmatic canons. A doctoral thesis for the Sorbonne), Institute of the Arts, State University of Santa Catarina (UDESC), Brazil
•    2008, August: “Sigismund Neukomm: sua vida, sua obra, seus cânones enigmáticos” (Sigismund Neukomm: his life, work and enigmatic canons), Institute of the Arts, Department of Music, State University of Campinas (UNICAMP), Brazil
•    2006, August: “Cânones Enigmáticos no século XIX” (19th-century Enigmatic Canons), Institute of the Arts, Depart-ment of Music, State University of Campinas (UNICAMP), Brazil
•    2006, April: “Three Enigmatic Canons of Sigismund Neukomm: A Comparative Analysis,” DocArtes, Orpheus Institute, Gent, Belgium
•    2005, April: “Deux Canons énigmatiques de Sigismund Neukomm, Analyse comparée,” Orpheus Institute, Gent, Belgium

Seminar and Graduate conference papers
•    2008, September: Intervention “Sigismund Neukomm : Messe solennelle pour l’acclamation de João VI roi du Brésil, du Portugal et des Algarves,” at the presentation of the season of the Atelier Lyrique de Tourcoing, directed by Jean-Claude Malgoire, Tourcoing, France
•    2008, March: Paper “M. Neukomm et ses canons énigmatiques,” Centre de recherches Patrimoines et Langages musicaux, Sorbonne University, Paris, France
•    2006, October: Seminaire “Les Canons énigmatiques du père Martini résolus par Cherubini,” Music Faculty, Sorbonne University, Paris, France
•    2006, March: Seminaire “Considérations sur l’utilisation de PowerPoint lors de présentations musicologiques,” Music Faculty, Sorbonne University, Paris, France
•    2005, May: Paper “Le Catalogue comme source,” Conference of the Doctoral School “Concepts and Languages,” Sorbonne University, Paris, France
•    2004, May: Paper “Sigismund Neukomm, Canon énigmatique (Rio de Janeiro, 1821),” Conference of the Doctoral School “Concepts and Languages,” Sorbonne University, Paris, France
•    2003, May: Paper “Sigismund Neukomm, Caprice pour piano sur un londu Brésilien,” Conference of the Research Centre “Langages musicaux,” Sorbonne University, Paris, France


 

 

A A A