Communication Design I |
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Skidmore College | Deb Hall |
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WELCOMEThe Communication Design concentration at Skidmore College consists of Communication Design I, Communication Design II and Advanced Communication Design (which is a repeatable course). Other courses in Digital Media or Computer Imaging may also count towards the concentration. Students often apply for internships to gain additional experience. The pre-requisites for Communication Design are Visual Concepts, Drawing and Color. Photography, For those art majors who may want to concentrate in the Communication Design sequence I recommend that you start the sequence in the spring of the year, as Communication Design II is most often offered in the fall and Advanced is only offered in the spring. This provides for the greatest continuity with the program and software. PAST EVENTSNothing like Free Cone Day at Ben + Jerry'sSaya, Erica, Jon, Megan and Alissa Ellen LuptonThursday, April 22, 2010
Ellen is director of the MFA program in graphic design at Ellen had lunch with several design students and also looked at their portfolios. Ellen was the Malloy Visiting Artist and gave a lecture at Gannet on Design Willie ColeThursday, March 3, 2009
The 2009 Malloy Visiting Artist Lecture was delivered by sculptor Willie Cole, on. Tuesday, March 3, in Gannett Auditorium. Cole is renowned for imbuing elements of nature, industrial culture, and West African religion and mythology into sculptures made up of household objects such as steam irons, bathroom fixtures, old electric irons, and bicycle parts. “I want the objects to have a life of their own: I think that is what makes them real,” Cole has said. “When a piece gets to a point where all the parts are put together in the right way, it has a power of its own and you know not to mess with it.” A New Jersey native, Cole took Saturday children’s art classes at the Newark Museum and majored in fashion design at Newark’s Arts High School. He went on to earn a BFA at the School of Visual Arts and study at the Art Students League in New York City. As the 11-year-old “man of the family” for his mother and grandmother, who worked as housekeepers, he had picked up broken lamps and other appliances on the street to repair and re-use; as a young man, he filled his rented loft in Newark’s Ironbound district with industrial leftovers, thrift-shop items, and street-found castaways and began to turn them into artworks. During a 1988 residency at the Studio Museum in Harlem, Cole’s discarded industrial goods began to come together in ways that one critic described as “assembling artifacts from a throwaway culture into iconic artworks.” Willie spent most of the day with Communication Design students. PJ LoughranMonday, March 24, 2008
PJ Loughran began his career doing illustrations for the Op-Ed pages of the New York Times while attending Parsons School of Design. Since then PJ has created thousands of illustrations for clients including Sports Illustrated, Esquire, GQ, Rolling Stone, Time, Newsweek, Fortune, Forbes, Nike, Ford Motor Company, Simon and Schuster, Harper Collins, Scholastic, Burton Snowboards and the New York Times. Over the last 10 years, PJ's work has been recognized by The Art Directors Club of New York, American Illustration, Communication Arts Magazine, Print Magazine, RSVP, the Society of Publication Designers and the Society of Illustrators of New York and Los Angeles. In his initial years following graduation, PJ also worked in the interactive world, serving as Design Director and Creative Director at AGENCY.COM, one of the largest multimedia development firms in the world. During his tenure there, PJ helped AGENCY.COM win over 30 prestigious awards through his contributions on projects for clients including Coca-Cola, Nike (Michael Jordan), British Airways, American Express, Hitachi, Harvard Business School and the independent film showcase, Urban Desires. Most recently, PJ founded Kerosene Creative Services, a multi-disciplinary creative firm with offices in New York and Chicago. Their initial work includes projects for New Line Cinema and TOCA percussion. PJ is also an accomplished musician and songwriter. Since 2003, he has completed two full-legnth records and performed for audiences across the country, including opening spots for Maroon 5, R.E.M., Johnny Lang, Taj Mahal, Todd Rundgren, REO Speedwagon, and The North Mississippi All-Stars. In addition, PJ is an adjunct professor at Parsons and has been teaching classes there in web design, illustration, and drawing for the past 7 years. He has also been a frequent guest lecturer at schools and design organizations nationwide, including the School of Visual Arts, Pratt Institute, Rhode Island School of Design, Columbus College of Art, Oklahoma Christian University and the North Carolina Design Association.
HELVETICA: The Film Panel Discussion: TYPETALK will discuss typography in the real world and answer questions about type, design and making your way in the design world.... Other Events: Also showing at the Case Gallery Woody Pirtle
Tyler Hicks
Tyler Hicks visited classes Spring 2006 and spoke of his experiences photographing
Our computer lab and classroom includes: Hardware 18 Macintosh G5 Computers 4 Scanners (3 with large scan beds) 3 R2400 Epson Printers 1 R800 Epson Printer 1 4000 Epson Printer 2 7800 Epson Printers 1 9800 Epson Printer Digital Cameras Video Cameras Software Adobe CS4 Adobe Lightroom FontLab Suitcase
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DEBHALLAssociate Professor of Art 518.580.5048 AR209 001
DEB HALL
MAY 12–22, 2011 TOM MYOTT GALLERY
Deb Hall's work has been included in the 53rd Chautauqua Exhibition of Contemporary Art at The Strohl Art Center ,at The Chautauqua Institute in Chautauqua, New York. The national juried exhibition was curated by Kim Foster, The director of the Kim Foster Gallery in Chelsea. The exhibition will run from June 27 through July 20th, 2010.
Recently exhibited at The Pearl Conard Gallery at The Ohio State University. Abstractions, 2010
HELVETICA: THE FILM +
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