Communication Design I

 

   

Skidmore College | Deb Hall

  

 
 

WELCOME

The Communication Design concentration at Skidmore College consists of Communication Design I, Communication Design II and Advanced Communication Design (which is a repeatable course). Other courses in Digital Media or Computer Imaging may also count towards the concentration. Students often apply for internships to gain additional experience.

The pre-requisites for Communication Design are Visual Concepts, Drawing and Color. Photography,
English, Computer Science and additional Drawing courses are highly recommended.

For those art majors who may want to concentrate in the Communication Design sequence I recommend that you start the sequence in the spring of the year, as Communication Design II is most often offered in the fall and Advanced is only offered in the spring. This provides for the greatest continuity with the program and software.

PAST EVENTS

Nothing like Free Cone Day at Ben + Jerry's

Saya, Erica, Jon, Megan and Alissa

Ellen Lupton

Thursday, April 22, 2010


Ellen is director of the MFA program in graphic design at
Maryland Institute College of Art (MICA) in Baltimore, the
editor of _D.I.Y.: Design It Yourself_ (2006) and curator of
contemporary design at Cooper-Hewitt National Design Museum
in New York City, where she has organized numerous
exhibitions, each accompanied by a major publication,
including the National Design Triennial series (2000 and
2003), _Skin: Surface, Substance + Design_ (2002), _Graphic
Design in the Mechanical Age_ (1999), _Mixing Messages_
(1996), and _Mechanical Brides: Women and Machines from Home
to Office.

Ellen had lunch with several design students and also looked at their portfolios.

Ellen was the Malloy Visiting Artist and gave a lecture at Gannet on Design

Willie Cole

Thursday, March 3, 2009


The 2009 Malloy Visiting Artist Lecture was delivered by sculptor Willie Cole, on. Tuesday, March 3, in Gannett Auditorium. Cole is renowned for imbuing elements of nature, industrial culture, and West African religion and mythology into sculptures made up of household objects such as steam irons, bathroom fixtures, old electric irons, and bicycle parts. “I want the objects to have a life of their own: I think that is what makes them real,” Cole has said. “When a piece gets to a point where all the parts are put together in the right way, it has a power of its own and you know not to mess with it.”

A New Jersey native, Cole took Saturday children’s art classes at the Newark Museum and majored in fashion design at Newark’s Arts High School. He went on to earn a BFA at the School of Visual Arts and study at the Art Students League in New York City. As the 11-year-old “man of the family” for his mother and grandmother, who worked as housekeepers, he had picked up broken lamps and other appliances on the street to repair and re-use; as a young man, he filled his rented loft in Newark’s Ironbound district with industrial leftovers, thrift-shop items, and street-found castaways and began to turn them into artworks. During a 1988 residency at the Studio Museum in Harlem, Cole’s discarded industrial goods began to come together in ways that one critic described as “assembling artifacts from a throwaway culture into iconic artworks.”

Willie spent most of the day with Communication Design students.

PJ Loughran

Monday, March 24, 2008


PJ Loughran began his career doing illustrations for the Op-Ed pages of the New York Times while attending Parsons School of Design. Since then PJ has created thousands of illustrations for clients including Sports Illustrated, Esquire, GQ, Rolling Stone, Time, Newsweek, Fortune, Forbes, Nike, Ford Motor Company, Simon and Schuster, Harper Collins, Scholastic, Burton Snowboards and the New York Times. Over the last 10 years, PJ's work has been recognized by The Art Directors Club of New York, American Illustration, Communication Arts Magazine, Print Magazine, RSVP, the Society of Publication Designers and the Society of Illustrators of New York and Los Angeles.

In his initial years following graduation, PJ also worked in the interactive world, serving as Design Director and Creative Director at AGENCY.COM, one of the largest multimedia development firms in the world. During his tenure there, PJ helped AGENCY.COM win over 30 prestigious awards through his contributions on projects for clients including Coca-Cola, Nike (Michael Jordan), British Airways, American Express, Hitachi, Harvard Business School and the independent film showcase, Urban Desires.

Most recently, PJ founded Kerosene Creative Services, a multi-disciplinary creative firm with offices in New York and Chicago. Their initial work includes projects for New Line Cinema and TOCA percussion.

PJ is also an accomplished musician and songwriter. Since 2003, he has completed two full-legnth records and performed for audiences across the country, including opening spots for Maroon 5, R.E.M., Johnny Lang, Taj Mahal, Todd Rundgren, REO Speedwagon, and The North Mississippi All-Stars.

In addition, PJ is an adjunct professor at Parsons and has been teaching classes there in web design, illustration, and drawing for the past 7 years. He has also been a frequent guest lecturer at schools and design organizations nationwide, including the School of Visual Arts, Pratt Institute, Rhode Island School of Design, Columbus College of Art, Oklahoma Christian University and the North Carolina Design Association.

HELVETICA: The Film
Friday, February 29, 2008
8:00 pm
Davis Auditorium

Panel Discussion: TYPETALK
9:30-10:30 Davis Auditorium
A panel of alumni working with HELVETICA and other TYPES

will discuss typography in the real world and answer questions about type,

design and making your way in the design world....

Other Events:
Schick Gallery Opening
6:30-7:30 pm The New American Sublime.

Also showing at the Case Gallery
Visual Poetry

Woody Pirtle


Students traveled to the College of St. Rose to hear Woody Pirtle speak and visit his exhibition. Woody Pirtle established Pirtle Design in Dallas, Texas in 1978. Over the next 10 years the firm produced some of the most important and celebrated work of the decade, for a broad spectrum of clients. In 1988 Woody merged Pirtle Design with Pentagram, the international design consultancy founded in London in 1972. For almost 20 years Woody was a partner in the New York office of Pentagram and worked on some of the firm’s most prestigious projects, for many of its A-list clients. In 2005 Woody left Pentagram to re-establish Pirtle Design.

Tyler Hicks

Tyler Hicks visited classes Spring 2006 and spoke of his experiences photographing
the wars in Iraq and Afghanistan.

 


GIS class visits the Communication Design I.

Our computer lab and classroom includes:

Hardware

18 Macintosh G5 Computers

4 Scanners (3 with large scan beds)

3 R2400 Epson Printers

1 R800 Epson Printer

1 4000 Epson Printer

2 7800 Epson Printers

1 9800 Epson Printer

Digital Cameras

Video Cameras

Software

Adobe CS4

Adobe Lightroom

FontLab

Suitcase

 

 

 

 

 

   
 

DEBHALL

Associate Professor of Art

518.580.5048
dhall@skidmore.edu
www.debhall.com

AR209 001
Saisselin 204


Skidmore College
815 North Broadway
Saratoga Springs, New York 12866

DEB HALL


NEW WORK BY DEB HALL

MAY 12–22, 2011
Opening Reception:
Thursday, May 12 from 7 – 9 p.m.
Please join us!!!
Featuring live music by: Nancy Walker
www.nancywalker.net

Gallery Discussion: Environmental Impact
Friday, May 20, 2011, 4 – 5 p.m.

Complimentary limited-edition print
to the first eight attendees to gallery discussion.

TOM MYOTT GALLERY
71 Lawrence Street
Glens Falls, New York 12801
www.tmyottart.com | 518.798.8431
Open: Friday and Saturday 12–5 p.m.
and by appointment.

 

 

Deb Hall's work has been included in the 53rd Chautauqua Exhibition of Contemporary Art at The Strohl Art Center ,at The Chautauqua Institute in Chautauqua, New York. The national juried exhibition was curated by  Kim Foster, The director of the Kim Foster Gallery in Chelsea. The exhibition will run from June 27 through July 20th, 2010.

 

Recently exhibited at The Pearl Conard Gallery at The Ohio State University. Abstractions, 2010

 

HELVETICA: THE FILM +
Panel Discussion: TYPETALK

Comments from CDI students:

"Listening to alumni talk about their jobs lifted a huge weight off my shoulders and it made me feel a lot more confident about what I want to do with my own life."  

"When I heard we were required to view a film on what I considered to be one of the most hackneyed fonts ever, I was not enthused. However, the movie was funny and very enjoyable...

In addition, the panel of Skidmore alumnae was intriguing and educational. It was amazing to see people out in the world doing what they love to do, who were exactly where I am right now a few short years ago. " 

 

DEB HALL

will be exhibiting at Der Zeitgenosse:

A National Exhibition of Contemporary Art at Eastern Washington University's Gallery of Art
February 28th-April 3rd, 2008

SUSAN MILLS

visited Communication Design classes and shared her bookbinding expertise. Spring 2007

WOODY PIRTLE


In February 2007, 10 students attended a lecture given by Woody Pirtle at The College of Saint Rose. Before the lecture there was a reception at the college's gallery celebrating an exhibit of his work.

 

TYLER HICKS

visited Communication Design classes and shared his experiences covering the wars in Iraq and Afghanistan as a photographer for the New York Times. Spring 2006

STEVEN HELLER

visited Communication Design classes and addressed questions on branding and design. Fall 2005

Student Comments:
"...typography goes deeper than aesthetics; it serves as an unconscious method to propagate thoughts and emotions in any sort of endeavor."
"Overall I found his lecture a font of information, some of the topics he mentioned
I actually want to investigate further."

TOM GASEK

Animation Artist for Chicken Run, Wallace and Gromet, and many other animated movies visited classes Spring 2005