Professor of Theatre, Skidmore College
Director of the Skidmore College/BADA Shakespeare Programme
It is with great pride that Lary Opitz calls himself a "total theatre artist". Since his first professional Off-Broadway credit in 1967, he has worked as actor, director, playwright, designer, producer, stage manager, technician, and consultant on countless productions in hundreds of theatres throughout the world, including Broadway, Off-Broadway, regional, stock, touring and academic productions.
A graduate of Queens College (CUNY) and Lester Polakov's renowned Studio and Forum of Stage Design in New York, in 1980 he was one of only five lighting designers inducted into Local #829 of United Scenic Artists (IATSE). At that time there were only one hundred lighting designers in this professional organization governing design practices on Broadway. Resident lighting designer for the world-famous José Limón Dance Company for nine years, his designs have been seen in over thirty countries and throughout the United States, and include many New York and world premières for such choreographers as Alwin Nikolais, Meridith Monk, Sophie Maslow, Carla Maxwell, Lucas Hoving, Heinz Poll, Carlos Orta, Sarah Stackhouse, Jean Cebron, Susanne Linke, and Anna Sokolow. Capital District audiences have enjoyed his many theatre and dance designs at Skidmore Theatre, Capital Repertory Company, Proctor´s Theatre, The Saratoga Performing Arts Center, and the Egg (Empire State Performing Arts Center).
As a theatre consultant, Mr. Opitz has designed and consulted on many major performance facilities including Capital Rep´s Market Theatre, the Empire State Performing Arts Center, Queens Playhouse in the Park, and the Janet Kinghorn Bernhard Theatre on the Skidmore campus and he has been affiliated with Robert Lorelli Associates, Inc. In 2001 he and David Yergan created a new fully-equipped modular theatre space for the Saratoga County BOCES New Visions Theatre Arts Program. In 2002 they developed plans for a similar facility for the Warren County BOCES New Visions Theatre Arts Program. He is currently serving as a theatre advisor for the proposed Zankel Music Building to be built at Skidmore. Mr. Opitz served as the technical editor and feature writer for Theatre Crafts Magazine (also known as TCI and Entertainment Design), the foremost periodical dealing with theatre design and technology.
An actor since 1965 and a member of Actors Equity Association (The only member of United Scenic Artists to also be an active Equity actor), he has returned to the boards in recent years performing the roles of Shylock in The Merchant of Venice, Polonius in Hamlet, Sir Toby Belch in Twelfth Night, Peter Quince in A Midsummer Night's Dream, Aegeon in The Comedy of Errors, Ferapont in The Three Sisters, Geroge in Machinal, Marcus Andronicus in Titus Andronicus, Gremio in The Taming of the Shrew, Duncan, Porter and Scottish Doctor in Macbeth, Friar Laurence in Romeo and Juliet, Gonzalo in The Tempest, and Duke Senior and Duke Frederick in As You Like It. He is a member of The Saratoga Shakespeare Company and New York's Instant Shakespeare Co. He had a featured role in the independent film Disoriented, and can be seen in Seabiscuit, The Skeptic and a documentary of What I Heard About Iraq. He recently performed in Blood Relative and in What I Heard About Iraq Off-Broadway and on tour. He appeared in numerous roles in a production of a new play in development entitled Diaghilev. The production was directed by Sheryl Kaller, choreographed by Robert La Fosse, and starred Thom Sesma. Mr. Opitz has performed as narrator with the Skidmore Orchestra in The Carnival of Animals and Tubby the Tuba. With Ryan Emmons, he recently developed a one-person production called Shakespeare of A Certain Age. During the summer of 2011 he performed the role of Shylock inThe Merchant of Venice with the Saratoga Shakespeare Company.
In 1974 Lary Opitz joined the faculty of Skidmore College in Saratoga Springs, NY where he has developed and taught many courses in the Theatre Department (acting, design, management, seminars, etc.) and in the college´s Liberal Studies program (Arts and Politics in Weimar Germany) and has been very active in shaping the respected theatre training program. Design Director for the Theatre Department, he has advised student designers and has designed scenery, lighting, properties, sound and costumes for well over one hundred Skidmore Theatre productions. His recent scenic designs for the Skidmore Theatre were for Fefu and Her Friends and Macbeth. He regularly offers internship, career planning and audition workshops to Skidmore students. Currently chairperson of the Theatre Department, he has been active on most of the major college committees and recently served as chairman of CAPT (Committee on Appointments, Promotions and Tenure). He created and maintains the Skidmore College Theater Webpage and currently serves as the college parliamentarian. A member of the Association of Arts Administration Educators, he is currently working on the development of an arts administration program for Skidmore.
In 1988 Mr. Opitz began writing and directing theatre productions. He has developed and directed six major adaptations: Woyzeck in Auschwitz, The Threepenny Opera, Bloomsday: 16 June 1904 (based on Ulysses by James Joyce), The Trial, The Merchant of Venice, and Kafka's Metamorphosis : A Slapstick Tragedy. He has also directed Arcadia, The Comedy of Errors, Macbeth, Blood Relative and RAB, a one-man show dealing with the life and works of Robert Burns. This past year he directed a Argentinian tango production of Romeo and Juliet. Intrigued with the idea of training the "total theatre artist," he continues to explore projects for which he serves as writer, director,designer and, occasionally, actor.
In 1995 Mr. Opitz and Barbara Opitz developed The Shakespeare Programme, a respected study-abroad program based in London and associated with The British American Dramatic Academy and The Shakespeare Birthplace Trust. At Skidmore College he offers a Scribner Seminar at Skidmore entitled: Shakespeare Was Jewish? His current theater courses include Introduction to Theater, Acting Shakespeare, Senior Seminar, Production Seminar, and Audition Workshop.
Since 2003 Mr. Opitz has been a Scholar-in-Residence at New York University for three semester, including Spring 2010. While in New York and England, he developed a new course on Shakespeare's verse and had opportunites to work with Louis Scheeder of The Classic Studio; Sir Peter Hall and John Barton, founders of the Royal Shakespeare Company; and Patsy Rodenburg, vocal coach of the Royal National Theatre. He was lighting designer for the world and New York premiere of Marathon, by Edoardo Erba, translated by Israel Horovitz. By the end of 2010 he expects to publish a new website designed to train students in Shakespearean acting. Designed as a living document that will continue to grow, the site will contain extensive material on how to approach Shakespeare's language, a primer of acting basics, and over one hundred monologue texts — including over fifty that are fully annotated.
Opitz has been a loyal and rabid New York Mets fan since 1962.
Lary Opitz with Eddie Jones in Seabiscuit
Lary Opitz (Polonius), Brian Nemiroff (Laertes) and Mark Cryer (Claudius) in Hamlet
The Skidmore College Shakespeare Programme
Arcadia Study Guide In 1998 Lary Opitz directed Tom Stoppard´s Arcadia at Skidmore College. All incoming Skidmore students read the play and it was central to the Libral Studies I course that fall. This webpage was developed for that project. In 2009 it was named Best of the Web in Literature by Shmoop (winner of a 2009 Webbies Award for Best Website for Students).
Jane Lapotaire In 1998 our commencement speaker was renowned Royal Shakespeare Company actress Jane Lapotaire.
Skidmore College Department of Theatre
An Introduction to Parliamentary Procedure