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<title>How to work in American Politics 10/6/2026 6:00 PM to 7:30 PM</title>
<description xml:space="preserve"> 6:00 PM to 7:30 PM - CASE Wyckoff Main Stage: Skidmore College Congress to Campus presentsCareers in politics and public service Questions and Answers.  Want to change the world but don't know where to start?Want to work in Washington? Journalism? Law? Here is your chance to ask former members of Congress about how to find one's path in American politics.John Yarmuth (D-KT3), 2007 - 2023, Chair, House Budget Committee 2019 - 2023 and Ann Marie Buerkle (R - NY25), 2011 - 2013, U.S. Consumer Produt Safety  Commission, 2013 0 2019For more information contact Bob Turner at bturner@skidmore,edu </description>
<author>bmcdonou@skidmore.edu</author>
<category>Panel Discussion</category>
<pubDate>Tue, 06 Oct 2026 22:00:00 GMT</pubDate>
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<title>Naghmeh Sohrabi Event 10/13/2026 6:00 PM to 8:00 PM</title>
<description xml:space="preserve"> 6:00 PM to 8:00 PM - CASE Wyckoff.ALL: Documenting, Archiving and Analyzing During War A conversation with Professor Naghmeh Sohrabi  Tuesday, October 13, 6:15 pm  Wyckoff CenterSponsored by the History DepartmentCo-sponsored by Asian Studies, IA, MB, MDOCS, &amp;amp; Political Science  </description>
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<pubDate>Tue, 13 Oct 2026 22:00:00 GMT</pubDate>
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<title>Skidmore Democrats Election Night Watch Party 11/3/2026 8:00 PM to 10:00 PM</title>
<description xml:space="preserve"> 8:00 PM to 10:00 PM - Case Center Spa: Watch the midterm election results roll in with us on Tuesday, November 3 from 8-10 PM! Pizza and snacks included!</description>
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<pubDate>Wed, 04 Nov 2026 01:00:00 GMT</pubDate>
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<title>EAC 10/6/2026 5:00 PM to 6:30 PM</title>
<description xml:space="preserve"> 5:00 PM to 6:30 PM - LADD Ladd 106</description>
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<pubDate>Tue, 06 Oct 2026 21:00:00 GMT</pubDate>
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<title>Philosophy Club 10/7/2026 7:00 PM to 8:30 PM</title>
<description xml:space="preserve"> 7:00 PM to 8:30 PM - Ladd Hall Ladd 106</description>
<author>jlewis2@skidmore.edu</author>
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<pubDate>Wed, 07 Oct 2026 23:00:00 GMT</pubDate>
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<title>EAC 10/13/2026 5:00 PM to 6:30 PM</title>
<description xml:space="preserve"> 5:00 PM to 6:30 PM - LADD Ladd 106</description>
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<pubDate>Tue, 13 Oct 2026 21:00:00 GMT</pubDate>
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<title>Skidmore Democrats Monthly Meeting 10/14/2026 7:00 PM to 8:00 PM</title>
<description xml:space="preserve"> 7:00 PM to 8:00 PM - Ladd Hall Ladd 107</description>
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<pubDate>Wed, 14 Oct 2026 23:00:00 GMT</pubDate>
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<title>Philosophy Club 10/14/2026 7:00 PM to 8:30 PM</title>
<description xml:space="preserve"> 7:00 PM to 8:30 PM - Ladd Hall Ladd 106</description>
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<pubDate>Wed, 14 Oct 2026 23:00:00 GMT</pubDate>
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<title>SGA Senate 10/6/2026 8:00 PM to 10:00 PM</title>
<description xml:space="preserve"> 8:00 PM to 10:00 PM - Murray-Aikins Dining Hall Rooms 3 &amp; 4</description>
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<pubDate>Wed, 07 Oct 2026 00:00:00 GMT</pubDate>
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<title>SGA Senate 10/7/2026 11:00 AM to 12:00 PM</title>
<description xml:space="preserve"> 11:00 AM to 12:00 PM - Murray-Aikins Dining Hall Rooms 3 &amp; 4</description>
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<category>Information Session</category>
<pubDate>Wed, 07 Oct 2026 15:00:00 GMT</pubDate>
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<title>SGA Senate 10/20/2026 8:00 PM to 10:00 PM</title>
<description xml:space="preserve"> 8:00 PM to 10:00 PM - Murray-Aikins Dining Hall Rooms 3 &amp; 4</description>
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<category>Information Session</category>
<pubDate>Wed, 21 Oct 2026 00:00:00 GMT</pubDate>
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<title>SGA Senate 10/27/2026 8:00 PM to 10:00 PM</title>
<description xml:space="preserve"> 8:00 PM to 10:00 PM - Murray-Aikins Dining Hall Rooms 3 &amp; 4</description>
<author>zschwan1@skidmore.edu</author>
<category>Information Session</category>
<pubDate>Wed, 28 Oct 2026 00:00:00 GMT</pubDate>
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<title>SGA Senate 11/3/2026 8:00 PM to 10:00 PM</title>
<description xml:space="preserve"> 8:00 PM to 10:00 PM - Murray-Aikins Dining Hall Rooms 3 &amp; 4</description>
<author>zschwan1@skidmore.edu</author>
<category>Information Session</category>
<pubDate>Wed, 04 Nov 2026 01:00:00 GMT</pubDate>
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<title>Between the Courtroom and the Stadium:  Revisiting the Legacies of Ottoman Modernity, A conversation between Professor Avi Rubin and Associate Professor Murat C. Yıldız 10/6/2026 5:30 PM to 6:45 PM</title>
<description xml:space="preserve"> 5:30 PM to 6:45 PM - PALMTN Gannett Auditorium: What did it mean to be "modern" in a rapidly changing Eurasian empire? This question has animated the research of Greenberg Middle East Scholar-in-Residence Professor Avi Rubin and Skidmore’s Associate Professor Murat C. Yildiz. While Rubin has examined these shifts through the lens of legal reform and bureaucratic halls, Yildiz has explored them in sports clubs and the city’s public spaces. This public conversation brings together Rubin and Yıldız to discuss two ends of the late Ottoman experience: the state’s effort to institutionalize justice and order through law, and society’s aspiration to forge a new "body" and identity through bodily culture and leisure. Together, Rubin and Yildiz will explore why (Ottoman) history matters when thinking about the present Middle East and explore how Ottomans did not merely adopt foreign models but instead crafted a distinct local modernity of their own whose legacies continue to live in today.Avi Rubin earned his Ph.D. in History and Middle East Studies from Harvard University (2006) before becoming a faculty member in the Department of Middle East Studies at Ben-Gurion University of the Negev. A specialist in the socio-legal history of the late Ottoman Empire, Rubin has published extensively on legal change in the modern era, exploring themes such as codification, legal culture, political trials, and the rule of law. His first monograph, Ottoman Nizamiye Courts: Law and Modernity (2011), is a pioneering, "law-in-action" study that revised our understanding of nineteenth-century Ottoman legal reform. His second book, Ottoman Rule of Law and the Modern Political Trial: The Yildiz Case (2018), examines the emergence of a new culture of legalism during the late Ottoman period. Building on this trajectory, his current research explores the legalist foundations of modern Turkish autocracy by tracing the continuities between the Hamidian regime and the early Republic.   Murat C. Yildiz is Associate Professor in the Department of History at Skidmore College. He is author of The Ottoman World of Sports: Refashioning Bodies, Men, and Communities in Late Imperial Istanbul (University of Texas Press, 2026). He serves as Assistant Editor of Arab Studies Journal and as an Editorial Board Member of International Journal of the History of Sport.</description>
<author>cmerrill@skidmore.edu</author>
<category>Panel Discussion</category>
<pubDate>Tue, 06 Oct 2026 21:30:00 GMT</pubDate>
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<reference>palamountain</reference>
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<title>Making Congress Work Again: A Bipartisan Discussion with Former Members of Congress 10/7/2026 7:00 PM to 8:30 PM</title>
<description xml:space="preserve"> 7:00 PM to 8:30 PM - PALMTN Gannett Auditorium: Skidmore College Congress to Campus presents: Making Congress Work Again: A bipsartisan discussion with former members of Congress.John Yarmuth (D-KY3) 2007 - 2023, Chair, House Budget Committee 219 - 2023 and Ann Marie Buerkle (R-NY25), 2011 - 2013 U.S. Consumer Product Saety Commission, 2013 - 2019For more information contact Bob Turner at bturner@skidmore.edu </description>
<author>bmcdonou@skidmore.edu</author>
<category>Panel Discussion</category>
<pubDate>Wed, 07 Oct 2026 23:00:00 GMT</pubDate>
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<title>Lecture on free speech in schools (D. Gerhardt) 10/8/2026 5:30 PM to 6:45 PM</title>
<description xml:space="preserve"> 5:30 PM to 6:45 PM - PALMTN Davis Auditorium: Join us on Thursday, October 8, at 5:30pm for a conversation on First Amendment issues in public schools with Douglas E. Gerhardt, a lecturer and a full-time practicing attorney. From student protests to religious expression on the fifty-yard line, come hear how the courts continue to shape the meaning of the Constitutional schoolhouse gate. </description>
<author>taniabecker@skidmore.edu</author>
<category>Lecture</category>
<pubDate>Thu, 08 Oct 2026 21:30:00 GMT</pubDate>
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<title>Plagues, Famines, and Natural Disasters in the Ottoman Empire: An Environmental History of the Middle East. Lecture by Yaron Ayalon 10/20/2026 5:30 PM to 7:00 PM</title>
<description xml:space="preserve"> 5:30 PM to 7:00 PM - PALMTN Davis Auditorium: Examining epidemics, famines, and earthquakes in the Ottoman Empire in the 17th and 18th century, Yaron Ayalon will discuss how disasters affected Jewish, Christian, and Muslim communities. Ayalon asserts that religious identities and communal cooperation were always present in the Ottoman Empire, but the boundaries between confessional communities were porous. Indeed, religion was “neither the sole nor the primary social divider in Ottoman society at large.” The presentation provides a historical lens into natural disasters that affected Jewish communities in the Middle East and offers lessons on how we can approach current environmental challenges, climate change, and natural disasters.Ayalon is a social historian of the Middle East, Ottoman Empire, Sephardic Jews, and Israel, and author of two books: Natural Disasters in the Ottoman Empire: Plague, Famine, and Other Misfortunes (Cambridge University Press, 2015), and Ottoman Jewry: Leadership, Charity, and Literacy (Brill, 2025). He has published over 20 articles on Jewish and Muslim charity, rabbinic leadership, and natural disasters in the Ottoman Empire and Middle East. Dr. Ayalon is Director of the Bennett Center for Judaic Studies at Fairfield University where he also serves as the Carl and Dorothy Bennett Chair in Judaic Studies and Professor of Religious Studies. He has taught Middle Eastern, Jewish, and Israeli history, and courses such as The Arab-Israeli Conflict, Sephardic Jews in the Diaspora and Israel, and Thinking Outside the Box in the Jewish Tradition.This presentation is part of the Jacob Perlow Series sponsored by the Office of Special Programs and co-sponsored by the departments of Environmental Studies &amp;amp; Sciences, Political Science, and History.Free and open to the public.</description>
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<pubDate>Tue, 20 Oct 2026 21:30:00 GMT</pubDate>
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<title>German Film Night 10/29/2026 6:00 PM to 8:30 PM</title>
<description xml:space="preserve"> 6:00 PM to 8:30 PM - Palamountain Hall 426 WLRC Lab</description>
<author>jwuensch@skidmore.edu</author>
<category>Community</category>
<pubDate>Thu, 29 Oct 2026 22:00:00 GMT</pubDate>
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<title>Interrupting the After Image 10/5/2026 10:00 AM to 6:00 PM</title>
<description xml:space="preserve"> 10:00 AM to 6:00 PM - ART Schick Art Gallery: Interrupting the After ImageSeptember 10 - October 8, 2026  Interrupting the After Image presents work by Ayesha Kamal Khan, Boryana Rusenova-Ina, and Choey Eun Young Cho,  three artists who investigate shifts in meaning that arise from linguistic, geographic, and material changes.  Gallery hours: Mon - Thurs 10 - 6; Fri, Sat, Sun 11 - 4.  Image ID info:  Ayesha Kamal Khan  placeholder (flying snail)  Inkjet print on canvas   </description>
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<category>Exhibit</category>
<pubDate>Mon, 05 Oct 2026 14:00:00 GMT</pubDate>
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<title>Interrupting the After Image 10/6/2026 10:00 AM to 6:00 PM</title>
<description xml:space="preserve"> 10:00 AM to 6:00 PM - ART Schick Art Gallery: Interrupting the After ImageSeptember 10 - October 8, 2026  Interrupting the After Image presents work by Ayesha Kamal Khan, Boryana Rusenova-Ina, and Choey Eun Young Cho,  three artists who investigate shifts in meaning that arise from linguistic, geographic, and material changes.  Gallery hours: Mon - Thurs 10 - 6; Fri, Sat, Sun 11 - 4.  Image ID info:  Ayesha Kamal Khan  placeholder (flying snail)  Inkjet print on canvas   </description>
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<pubDate>Tue, 06 Oct 2026 14:00:00 GMT</pubDate>
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<title>Interrupting the After Image 10/7/2026 10:00 AM to 6:00 PM</title>
<description xml:space="preserve"> 10:00 AM to 6:00 PM - ART Schick Art Gallery: Interrupting the After ImageSeptember 10 - October 8, 2026  Interrupting the After Image presents work by Ayesha Kamal Khan, Boryana Rusenova-Ina, and Choey Eun Young Cho,  three artists who investigate shifts in meaning that arise from linguistic, geographic, and material changes.  Gallery hours: Mon - Thurs 10 - 6; Fri, Sat, Sun 11 - 4.  Image ID info:  Ayesha Kamal Khan  placeholder (flying snail)  Inkjet print on canvas   </description>
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<pubDate>Wed, 07 Oct 2026 14:00:00 GMT</pubDate>
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<title>Interrupting the After Image 10/8/2026 10:00 AM to 6:00 PM</title>
<description xml:space="preserve"> 10:00 AM to 6:00 PM - ART Schick Art Gallery: Interrupting the After ImageSeptember 10 - October 8, 2026  Interrupting the After Image presents work by Ayesha Kamal Khan, Boryana Rusenova-Ina, and Choey Eun Young Cho,  three artists who investigate shifts in meaning that arise from linguistic, geographic, and material changes.  Gallery hours: Mon - Thurs 10 - 6; Fri, Sat, Sun 11 - 4.  Image ID info:  Ayesha Kamal Khan  placeholder (flying snail)  Inkjet print on canvas   </description>
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<category>Exhibit</category>
<pubDate>Thu, 08 Oct 2026 14:00:00 GMT</pubDate>
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<title>Essay writing workshop 10/11/2026 5:00 PM to 6:00 PM</title>
<description xml:space="preserve"> 5:00 PM to 6:00 PM - Library, Lucy Scribner 213: Stuck and worried about writing assignments? Writing Center peer tutors offer this 1-hour workshop on foundational writing strategies like coming up with ideas, organizing your thoughts, and building an academic argument and thesis. Hot cider and doughnuts will be served! </description>
<author>ljorgen1@skidmore.edu</author>
<category>Workshop</category>
<pubDate>Sun, 11 Oct 2026 21:00:00 GMT</pubDate>
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<title>Essay writing workshop 11/8/2026 5:00 PM to 6:30 PM</title>
<description xml:space="preserve"> 5:00 PM to 6:30 PM - Library, Lucy Scribner 213</description>
<author>ljorgen1@skidmore.edu</author>
<category>Workshop</category>
<pubDate>Sun, 08 Nov 2026 22:00:00 GMT</pubDate>
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<title>Tang Guide Tours 10/11/2026 2:00 PM to 3:00 PM</title>
<description xml:space="preserve"> 2:00 PM to 3:00 PM - TANG Tang Teaching Museum: Join us Sunday, September 6, at 2 pm, for a tour of the Museum and current exhibitions. This event is open to the public, and visitors are invited to stay after the tour and look around the galleries.Weekly tours are given by Tang Guides, many of whom are Skidmore College students, who are trained gallery ambassadors and tour guides. Through this program, they are introduced to the Tang and the museum world, trained to give tours, and gain valuable real-world experiences interacting with visitors.</description>
<author>selfeldt@skidmore.edu</author>
<category>Tang Tour</category>
<pubDate>Sun, 11 Oct 2026 18:00:00 GMT</pubDate>
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<title>Pam Tanowitz and the Pastoral: Artists in Conversation 10/14/2026 5:30 PM to 7:00 PM</title>
<description xml:space="preserve"> 5:30 PM to 7:00 PM - TANG Payne: Join us on Wednesday, October 14, at 5:30 pm, for a discussion with  acclaimed choreographer Pam Tanowitz, Skidmore’s 2026 McCormack Visiting  Artist-Scholar in Residence, about her latest full-length dance work, Pastoral.  Alongside two of her collaborators, artist Sarah Crowner and artistic  director Gideon Lester, Tanowitz will provide a look into the creative  process that shaped this piece. April Bernard, Professor of English,  will join the panel discussion, which will be moderated by Brian Lawson,  Assistant Professor of Dance. Pastoral, which features a score  by composer Caroline Shaw, premiered in the summer of 2025 at Bard  College, and used Beethoven’s 6th Symphony as a springboard for  multidisciplinary creation. This event is part of Tanowitz’s 2026  McCormack Endowed Visiting Artist-Scholar Residency at Skidmore, and is  free and open to the public.  About the ParticipantsPam Tanowitz  is a celebrated New York–based choreographer and founder of Pam  Tanowitz Dance who has steadily delineated her own dance language  through decades of research and creation. She is the first-ever  choreographer in residence at the Fisher Center at Bard in  Annandale-on-Hudson, New York, and is an assistant professor of  professional practice at Mason Gross School of the Arts at Rutgers  University. Other honors include the Jacob’s Pillow Dance Award, LMCC  Liberty Award for Artistic Leadership, Doris Duke Artist Award, Herb  Alpert Award, BAC Cage Cunningham Fellowship, and Bessie Awards, among  others. She has created works for The Australian Ballet, New York City  Ballet, Martha Graham Dance Company, Paul Taylor American Modern Dance,  The Royal Ballet, Kennedy Center’s Ballet Across America, Vail Dance  Festival, Juilliard Dance, Ballet Austin, and New York Theatre Ballet.  Originally from New Rochelle, New York, Tanowitz holds degrees from Ohio  State University and Sarah Lawrence College.  Brooklyn–based artist Sarah Crowner’s  diverse practice explores the spaces where geometry abuts gesture,  materiality merges with composition, and the graphic confronts the  handmade. Incorporating two- and three-dimensional works across a  variety of media (painting, sculpture, installation, and set design),  Crowner’s work points to an expanded field of painting, investigating  the relationship between the element and the whole, and how parts build  an entirety. Her work is held in the collections of the Art Institute of  Chicago; Carnegie Museum of Art, Pittsburgh; The Contemporary Austin;  Dallas Museum of Art; Solomon R. Guggenheim Museum, New York; Museum of  Modern Art, New York. Recent exhibitions and installations include Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan, The Bass Museum, Miami (2025–26); Platform as Platform, SCAD Museum of Art, Savannah, GA (2025); and Around Orange, Pulitzer Arts Foundation, St. Louis (2023–24).Gideon Lester  is Artistic Director and Chief Executive of the Fisher Center at Bard,  and Senior Curator at the Open Society University Network’s Center for  the Arts and Human Rights. A Tony- and Olivier Award–winning creative  producer, festival director, and dramaturg, he has collaborated with and  commissioned a broad range of American and international artists across  disciplines, including Romeo Castellucci, Justin Vivian Bond, Tania El  Khoury, Brice Marden, Sarah Michelson, Claudia Rankine, Kaija Saariaho,  Peter Sellars, and Anna Deavere Smith. Recent projects include the world  premiere of Justin Peck and Sufjan Stevens’s Illinoise; Common Ground, an international festival on the politics of land and food; Daniel Fish’s Oklahoma! (Tony Award; Olivier Award); and Pam Tanowitz’s Four Quartets and Song of Songs.April Bernard’s The World Behind the World, her sixth book of poems, was published in 2023 by W. W. Norton; previous collections are Brawl &amp;amp; Jag, Romanticism, Swan Electric, Psalms, and Blackbird Bye Bye, which won the Walt Whitman Award from the Academy of American Poets. Her novel Miss Fuller was shortlisted for the International Dublin Literary Award; she has also published short fiction in Little Star, Electric Literature, and The Southampton Review, and is a contributor of reviews and essays to The New York Review of Books and Book Post, among other journals. She teaches at Skidmore College and is currently at work on a volume of new and selected poems.  Brian Lawson,  Assistant Professor of Dance at Skidmore, is a dance performer and  educator. He graduated summa cum laude with a BFA in dance performance  from SUNY Purchase in 2010. Lawson performed with Pam Tanowitz Dance  before joining the Mark Morris Dance Group in 2011. With MMDG, he  originated numerous roles and had the pleasure of touring the US and the  world performing Morris’s dances. He earned his MFA in Dance from the  University of Washington in 2020 and began teaching at Skidmore in 2022.  His choreographic research is collaborative in nature and focuses on  queerness in concert dance. He also engages in pedagogical research with  regard to contemporary balletic practices. He continues to research via  performance as a dancer with Pam Tanowitz Dance and MMDG. Lawson enjoys  teaching dance to diverse populations and has given master classes at  Purchase College, NYU Tisch, and the American Dance Festival, among  others. He acts as a guest ballet teacher for the José Limón Dance  Company, Mark Morris Dance Group, and Gibney Dance.     About The McCormack Endowed Visiting Artist-Scholar ResidencyThe McCormack Endowed Visiting Artist-Scholar Residency  exemplifies Skidmore’s commitment to experiential learning, close  faculty-student collaboration, and interdisciplinary exploration. The  residency is a signature academic program that brings internationally  recognized artists and scholars to Skidmore College for an intensive,  week-long residency during the academic year. It is designed as a  total-immersion experience that embeds the visiting artist directly into  the academic and creative life of the College, with sustained focus on  student learning and faculty collaboration.McCormack Residents  represent the highest levels of artistic achievement across visual,  performing, and literary arts, including recipients of major honors such  as the MacArthur Fellowship, Pulitzer Prize, National Book Award,  Grammy Award, Tony Award, and Nobel Prize in Literature. Through  classroom engagement, studio practice, mentorship, and public  scholarship, the McCormack Residency advances Skidmore’s mission by  uniting theory and practice and modeling interdisciplinary inquiry  within a liberal arts context. The residency is presented by Skidmore’s  Office of Special Programs, in partnership with the Dance Department for  the 2026 residency.</description>
<author>selfeldt@skidmore.edu</author>
<category>Panel Discussion</category>
<pubDate>Wed, 14 Oct 2026 21:30:00 GMT</pubDate>
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<title>Fall Opening Reception 10/17/2026 5:00 PM to 6:30 PM</title>
<description xml:space="preserve"> 5:00 PM to 6:30 PM - TANG Atrium: Join us Saturday, October 17, at 5 pm, for a celebration of our fall exhibitions: A Feeling of With, a faculty co-curated exhibition featuring work from the Tang collection  Mark Thomas Gibson: We Are A Constellation, a solo exhibition from the self-described American history painter  Sheila Pepe: When &amp;amp; Where We Rest,  an immersive installation that draws on Pepe’s ongoing interest in the  material culture of religion, sociology, queer theory, ancient Greece  and Rome, and the Silk Road  500 Dams: Art, Ecology, and Radical Care at Anaya Springs,  which brings together art and science to create a portrait of the  ongoing effort of the Survival Kit Collective to regenerate the  grasslands of Anaya Springs, New Mexico  Elevator Music 55: Chaia—Yiddishland on the Move,  an immersive sound collage composed from newly digitized recordings  from the 1950s–1980s in the YIVO Institute for Jewish Research’s Jewish  Labor and Political Archives  This open house is free and open to the public. Light refreshments will be available. </description>
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<category>Reception</category>
<pubDate>Sat, 17 Oct 2026 21:00:00 GMT</pubDate>
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<title>Tang Guide Tours 10/18/2026 2:00 PM to 3:00 PM</title>
<description xml:space="preserve"> 2:00 PM to 3:00 PM - TANG Tang Teaching Museum: Join us Sunday, September 6, at 2 pm, for a tour of the Museum and current exhibitions. This event is open to the public, and visitors are invited to stay after the tour and look around the galleries.Weekly tours are given by Tang Guides, many of whom are Skidmore College students, who are trained gallery ambassadors and tour guides. Through this program, they are introduced to the Tang and the museum world, trained to give tours, and gain valuable real-world experiences interacting with visitors.</description>
<author>selfeldt@skidmore.edu</author>
<category>Tang Tour</category>
<pubDate>Sun, 18 Oct 2026 18:00:00 GMT</pubDate>
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<title>Steloff Lecture 10/22/2026 8:00 PM to 10:00 PM</title>
<description xml:space="preserve"> 8:00 PM to 10:00 PM - TANG Payne: Annual Frances Steloff Lecture  Thursday October 22nd at 8 PM, Payne Room/ Tang Museum  GARTH GREENWELL  “THE RELEVANCE OF ART”  GARTH GREENWELL—novelist, literary critic, educator—is the author of three acclaimed novels and a forthcoming book of essays. The novels include “What Belongs To You” (2016), which won the British Book Award for ‘Debut of the Year.’; “Cleanness” (2020); and “Small Rain” (2024), which won the PEN/FAULKNER AWARD for fiction. His essays appear in The New Yorker, The Atlantic, Paris Review &amp;amp; other magazines. He won the 2021 Vursell Award for prose style from The American Academy of Arts &amp;amp; Letters, and is at present Distinguished Writer In Residence at New York University. For six years he was a student at Skidmore’s NY State Summer Writers Institute, where he later taught fiction writing for several summers.</description>
<author>ghoefer@skidmore.edu</author>
<category>Lecture</category>
<pubDate>Fri, 23 Oct 2026 00:00:00 GMT</pubDate>
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<title>Skidmore Orchestra Feat. Molly Lewis 10/16/2026 7:00 PM to 9:00 PM</title>
<description xml:space="preserve"> 7:00 PM to 9:00 PM - ZANKEL Helen Filene Ladd Concert Hall:  With a sound The New Yorker describes as “part Snow White communing with the birds, part haunted theremin,” Molly Lewis has made the human whistle a distinctive contemporary musical voice. Millions heard her in Barbie, where she whistles the melody of Billie Eilish’s “What Was I Made For?” during a pivotal scene and over the film’s closing credits. In 2026, the Metropolitan Museum of Art featured newly commissioned footage of Lewis in Musical Bodies, an exhibition tracing the relationship between music and the human body across 4,000 years.Born in Sydney, Australia, Lewis grew up whistling, and eventually pursued it as a career. After her parents showed her the documentary Pucker Up: The Fine Art of Whistling, she entered her first whistling competition, the 2012 International Whistlers Convention in North Carolina. She later won first place in the Live Band Accompaniment Division at 2015’s Masters of Musical Whistling competition in Los Angeles. Her debut EP The Forgotten Edge was released in 2021 on Jagjaguwar, after the label saw her lounge show Café Molly in LA. A second EP, Mirage, followed in 2022 and her debut LP On the Lips was released in 2024, which she promoted by playing headline shows all over the world, as well as supporting Weyes Blood and Beck on his symphony tour. She is currently co-starring in a new documentary, Whistle, which has been making the rounds of film festivals across the globe after debuting at the Toronto International Film Festival last September.Lewis brings her singular artistry to the Skidmore Orchestra under the direction of Dr. Georgia Mills, with arrangements by Icelandic composer Thomas Stankiewicz. The program places the whistle in the role of orchestral soloist through beloved melodies from Delibes’s Lakmé, Saint-Saëns’s The Swan, Tchaikovsky’s Swan Lake, Fauré’s Pelléas et Mélisande, and Mozart’s famously virtuosic “Queen of the Night” aria, alongside Lewis’s own Oceanic Feeling and Miracle Fruit. The Skidmore Orchestra also takes the spotlight in “Carillon,” “Pastorale,” and “Farandole” from Georges Bizet’s L’Arlésienne.</description>
<author>vtremper@skidmore.edu</author>
<category>Performance - Music</category>
<pubDate>Fri, 16 Oct 2026 23:00:00 GMT</pubDate>
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<title>Café Molly: An Evening with Molly Lewis 10/17/2026 8:00 PM to 10:00 PM</title>
<description xml:space="preserve"> 8:00 PM to 10:00 PM - ZANKEL Helen Filene Ladd Concert Hall:  Molly Lewis brings Café Molly—her traveling lounge concept—to the Zankel stage for an evening with her five-piece band. Drawn from On the Lips and other original work, the set pairs Lewis’s precise, expressive whistle with lush arrangements, jazz-inflected grooves, and the elegance and intrigue of mid-century lounge and film music. It’s stylish, cinematic, and a little surreal: a fully realized musical setting built around Lewis’s most unmistakable instrument.About the ArtistWith a sound The New Yorker describes as “part Snow White communing with the birds, part haunted theremin,” Molly Lewis has made the human whistle a distinctive contemporary musical voice. Millions heard her in Barbie, where she whistles the melody of Billie Eilish’s “What Was I Made For?” during a pivotal scene and over the film’s closing credits. In 2026, the Metropolitan Museum of Art featured newly commissioned footage of Lewis in Musical Bodies, an exhibition tracing the relationship between music and the human body across 4,000 years.Born in Sydney, Australia, Lewis grew up whistling, and eventually pursued it as a career. After her parents showed her the documentary Pucker Up: The Fine Art of Whistling, she entered her first whistling competition, the 2012 International Whistlers Convention in North Carolina. She later won first place in the Live Band Accompaniment Division at 2015’s Masters of Musical Whistling competition in Los Angeles. Her debut EP The Forgotten Edge was released in 2021 on Jagjaguwar, after the label saw her lounge show Café Molly in LA. A second EP, Mirage, followed in 2022 and her debut LP On the Lips was released in 2024, which she promoted by playing headline shows all over the world, as well as supporting Weyes Blood and Beck on his symphony tour. She is currently co-starring in a new documentary, Whistle, which has been making the rounds of film festivals across the globe after debuting at the Toronto International Film Festival last September.Molly Lewis’s Skidmore residency began in The Artist-Centered Approach, an Arts Administration course taught by Zankel Director Zhenelle LeBel, that asks students to imagine presenting practices built around artists’ creative identities, needs, and ambitions. For her final project, student Grace Higginbotham developed a proposal for an engagement with Lewis, which her classmates ultimately selected to move forward. Zankel then worked directly with Lewis to grow that student-generated idea into a weeklong residency shaped around her artistry, including performances with the Skidmore Orchestra and her own band. This October, Grace will return to Skidmore as a recent graduate to support Lewis during the residency—giving her the unusual opportunity to see an idea developed in the classroom become a professional artistic engagement and to take part in realizing it firsthand.Presented by the Arthur Zankel Music Center in partnership with the Skidmore Department of Music. Made possible by the Zankel Music Fund, the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and the family of Elisabeth Luce Moore. </description>
<author>vtremper@skidmore.edu</author>
<category>Performance - Music</category>
<pubDate>Sun, 18 Oct 2026 00:00:00 GMT</pubDate>
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<title>Alash 10/18/2026 4:00 PM to 5:30 PM</title>
<description xml:space="preserve"> 4:00 PM to 5:30 PM - ZANKEL Helen Filene Ladd Concert Hall: Alash are masters of Tuvan throat singing, or xöömei, a vocal tradition in which a singer can produce multiple pitches at the same time. Trained in Tuvan music since childhood, the members of Alash bring deep knowledge of traditional instruments, song forms, and vocal techniques to performances that are both rooted and contemporary.What sets Alash apart is their careful integration of modern influences into traditional Tuvan music. Their songs may include complex harmonies, Western instruments, or contemporary forms, but the sound and spirit remain distinctly Tuvan. The ensemble has won major international throat-singing competitions and has toured widely in the United States, where The Washington Post called their music “utterly stunning."Alash has collaborated with artists across genres, from the Sun Ra Arkestra to Béla Fleck &amp;amp; the Flecktones, appearing on the Grammy-winning album Jingle All the Way. Beyond the stage, the ensemble is committed to teaching and cultural exchange, introducing audiences and students of all ages to the music, instruments, and traditions of Tuva.About the ArtistsBady-Dorzhu Ondar performs vocals, igil, guitar, and bayan. A graduate of Kyzyl Arts College and the East Siberia State Academy of Culture and Art, he has received major honors in traditional ensemble and xöömei competitions and was named People’s Xöömeizhi of Tuva in 2007.Ayan-ool Sam performs vocals, doshpuluur, igil, and xomus. He studied at the Republic School of the Arts, Kyzyl Arts College, and Moscow State Pedagogical University. He won first prize at the 2008 International Xöömei Symposium and was named People’s Xöömeizhi of Tuva in 2015.Ayan Shirizhik performs vocals, kengirge, shyngyrash, shoor, and xomus. A graduate of Kyzyl Arts College and the East Siberia State Academy of Culture and Art, he was named a Distinguished Artist of Tuva in 2009 and People’s Xöömeizhi of Tuva in 2021.Presented by the Skidmore College Department of Music.</description>
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<category>Performance - Music</category>
<pubDate>Sun, 18 Oct 2026 20:00:00 GMT</pubDate>
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