 |
Journal of the Society
for Asian Music ASIAN MUSIC  VOLUMES
I-XXXIndex |
| Articles |
| Adams, Monni. Instruments and Songs of Sumba, Indonesia: A Preliminary Survey. 13/1: 73-83. |
| Adachi, Mayumi, with Ewald Hensler. Nineteenth-Century Japanese Hymnals: A Preliminary Study. 29/2: 115-127. |
| Addiss, Stephen. Music of the Cham Peoples. 2/1: 32-38. |
| __________. See record review. |
| Aksenov, A.N., trans. by Slobin. Tuvin Folk Music. 4/2: 7-18. |
| al Faruqi, Lois Ibsen. The Cantillation of the Qur’an. 19/1: 2-25. |
| __________. Music, Musicians and Muslim Law. 17/1: 3-36. |
| __________. Structural Segments in the Islamic Arts. . .Errata for Volume 16, number 1: 59-82. 16/2: 203. |
| __________. Structural Segments in the Islamic Arts: the Musical "Translation" of a Characteristic of the Literary and Visual Arts. 16/1: 59-82. |
| __________. The Status of Music in Muslim Nations: Evidence from the Arab World. 12/1: 56-85. |
| Albright, Charlotte F., see book review (Signell). |
| __________, see record review. |
| Alter, Andrew. Barhwali Bagpipes: Syncretic Processes in a North Indian Regional Musical Tradition. 29/1: 1-16. |
| Anon. To Contributors. 19/1: 132. |
| __________. Introduction. 18/2: 1-13. |
| __________. Bibliography (on Performing Arts in India). 18/2: 231-240. |
| __________. To Contributors. 18/1: 214-215. |
| __________. To Contributors. 17/2: 210-211. |
| __________. Announcements. 17/1: 168. |
| __________. Note to Contributors. 16/2: 83. |
| __________. Announcement. 16/2: 204. |
| __________. Errata for Volume XVI, number 1 (al Faruqi). 16/2: 203. |
| __________. The Graduate Center of the City of New York announces the formation of the Traditional Japanese Music Society. 13/2: 150-151. |
| __________. In Memory of Konrad Bekker. 13/1: 1-3. |
| Arana, Miranda, see record review. |
| Arnold, Alison E. Aspects of Production and Consumption in the Popular Hindi Film Song Industry. 24/1: 122-136. |
| __________, see book review (The Record News). |
| Asai, Susan. Origins of the Musical and Spiritual Syncretism of Nomai in Northern Japan. 28/2: 51-71. |
| __________, see book review (Gerstle et al.). |
| Babiracki, Carol M, with Bruno Nettl. Internal Interrelationships in Persian Classical Music: The Dastgah of Shur in Eighteen Radifs. 19/1: 46-98. |
| Baier, Randall, with Manuel. Jaipongan: Indigenous Popular Music of West Java. 18/1: 91-110. |
| Baily, John. A Description of the Naqqarakhana of Herat, Afghanistan. 11/2: 1-1. |
| __________. Recent Changes in the Dutar of Herat. 8/1: 29-64. |
| Bakan, Michael B. From Oxymoron to Reality: Agendas of Gender and the Rise of Balinese Women’s Gamelan Beleganjur in Bali, Indonesia. 29/1: 37-85. |
| __________, see record review. |
| Bandem, I Made;, with Deboer. Gambuh: A Classical Balinese Dance-Drama. 10/1: 115-127. |
| Barnett, Elise B., see book review (Collaer). |
| __________, see film review. |
| Bar-Yosef, Amatzia. Traditional Rural Style Under a Process of Change: The Singing Style of the Hadday, Palestinian Folk Poet-Singers. 29/2: 57-82. |
| Becker, Alton, with J. Becker. A Reconsideration in the Form of a Dialoque. 14/1: 9-16. |
| __________, with J. Becker. A Grammar of the Musical Genre Srepegan. 14/1: 30-73. |
| Becker, Judith. One Perspective on Gamelan in America. 15/1: 82-89. |
| __________. Kroncong, Indonesian Popular Music. 7/1: 14-19. |
| __________. Western Influence in Gamelan Music. 3/1: 3-9. |
| __________, with A. Becker. A Reconsideration in the Form of a Dialoque. 14/1: 9-16. |
| __________, with A. Becker. A Grammar of the Musical Genre Srepegan. 14/1: 30-73. |
| __________, see film review (Miller et al.). |
| Beeman, William O. You Can Take Music Out of the Country, but...: The Dynamics of Change in Iranian Musical Tradition. 7/2: 6-19. |
| Benary, Barbara. Composers and Tradition in Karnatic Music. 3/2: 42-51. |
| Benjamin, S.G.W. The Sheahs and the Tazieh, or Passion-play of Persia. 13/2: 91-114. |
| Benski, Tova, with Braun and Sharvit. Towards a Study of Israeli Urban Musical Culture: the Case of Kiryat Ono. 17/2: 168-209. |
| Berger, Donald Paul. The Shakuhachi and the Kindo Ryu Notation. 1/2: 32-72. |
| __________, see book review (The Annals of the International Shakuhachi Society, Vol. 1). |
| __________, see book review (Kamisango and Blasdel). |
| __________, see record review. |
| Bernaviz, Nimrod, see book review (Birrel). |
| Blum, Stephen. The Concept of the Asheq in Northern Khorasan. 4/1: 27-47. |
| Boer, Joep, see book review (Farrell). |
| Bohlman, Philip V. R.G. Kiesewetter’s Die Musik Der Araber’: A Pioneering Ethnomusicological Study of Arabic Writings on Music. 18/1: 164-196. |
| __________. The Immigrant Composer in Palestine, 1933-1948: Stranger in a Strange Land. 17/2: 147-166. |
| __________, with Slobin. Music in the Ethnic Communities of Israel: Introduction. 17/2: 1-8. |
| Booth, Gregory D. The Madras Corporation Band: A Story of Social Change and Indigenization. 28/1: 61-86. |
| __________. Disco Laggi: Modern Repertoire and Traditional Performance Practice in North Indian Popular Music. 23/1: 61-84. |
| __________, see book review (Kinnear). |
| __________, see book review Randel). |
| __________, see book review (Nijenhuis, ed. and trans.). |
| __________, see record reviews. |
| Brace, Tim. Popular Music in Contemporary Beijing: Modernism and Cultural Identity. 22/2: 43-66. |
| __________, see book review (Andrew Jones). |
| Braun, Joachim, with Benski and Sharvit. Towards a Study of Israeli Urban Musical Culture: the Case of Kiryat Ono. 17/2: 168-209. |
| Brinner, Benjamin. Freedom and Formularity in the Suling Playing of Bapak Tarnopangrawit. 24/2: 1-38. |
| __________. At the Border of Sound and Silence: The Use and Function of Pathetan in Javenese Gamelan. 21/1: 1-34. |
| Burghardt, Arnold R. The Historical Background of Indore and Satellite Courts. 7/2: 51-53. |
| Burnett, Henry. An Introduction to the History and Aesthetics of Japanese Jiuta-Tegotomono. 11/2: 11-40. |
| Cadar, Usopay. The Role of Kolintang Music in Maranao Society. 27/2: 81-104. |
| ____________. Maranao Kolintang Music and Its Journey in America. 27/2: 131-148. |
| ____________, with Robert Garfias. Some Principles of Formal Variation in the Kolintang Music of the Maranao. 27/2: 105-122. |
| Cage, John. The East in the West. 1/1: 15-18. |
| Cao Zheng, trans. by Knobloch. A Discussion of the History of the Gu Zheng. 14/2: 1-16. |
| Capwell, Charles. Musical Life in Nineteenth-Century Calcutta as a Component in the History of a Secondary Urban Center. 18/1: 139-163. |
| __________, see book review (Jairazbhoy). |
| Carroll, Robert, trans. Earliest Reports About the Music of the Mongols (Emsheimer). 18/1: 1-19. |
| Catlin, Amy, see film review (Miller et al.). |
| Caton, Margaret, see book review (Farhat). |
| __________, see book review (During et al.). |
| Chang, Peter. Tan Dun’s String Quartet Feng-Ya-Song: Some Ideological Issues. 22/2: 127-158. |
| Charter, Vernon, with Jean DeBernardi. Towards a Chinese Christian Hymnody: Processes of Musical and Cultural Synthesis. 29/2: 83-113. |
| Chen Fu-yen, intro. and trans. Principles of K’un-Ch’¸ Singing (Chih An). 8/2: 4-25. |
| __________. A Hypothesis Concerning the Taiwanese Hsi Ch’¸ of the Past. 5/1: 40-55. |
| __________, with Song, Tsuge. Source Readings in Asian Music: East Asia. 8/2: 1-3. |
| __________, see record review. |
| Chia Chun Chu, see book review (Tsao). |
| Cho Chae-Son, see book review (Song). |
| Chong In-ji, intro. and trans. by Song. Ritual Tradition of Korea . 8/2: 26-46. |
| Chonpairot, J., see record review. |
| Chopyak, James D. Music in Modern Malaysia: a Survey of the Musics Affecting the Development of Malaysian Popular Music. 18/1: 111-138. |
| Chou Wen-chung. East and West, Old and New. 1/1: 19-22. |
| Christensen, Dieter. Musical Style and Social Context in Kurdish Songs. 6/1-2: 1-6. |
| Chuang Pen-li. Traditional Chinese Music for Birthday Celebrations. 6/1-2: 7-12. |
| Ciarlilo, Marjorie Ann, see record review. |
| Clark, Susan D., see book review (Brailoiu). |
| Collinge, Ian. Developments in Musicology in Tibet: The Emergence of a New Tibetan Musical Lexicon. 28/1: 87-114. |
| Condit, Jonathan. Uncovering Earlier Melodic Forms from Modern Performance: The Kasa Repertoire. 9/2: 3-20. |
| __________, with Wolpert, Marrett, Picken. "The Waves of Kokonor": A Dance-Tune of the T’ang Dynasty. 5/1: 3-9. |
| Connett, Marie. Subject Index for volumes I-XXI of Asian Music. 21/2: 110-146. |
| Cook, Scott. Yue Ji - Record Music: Introduction, Translation, Notes, and Commentary. 26/2: 1-96. |
| Craig, Dale A. Transcendental World Music. 2/1: 2-7. |
| Czekanowska, Anna. Aspects of the Classical Music of Uighur People: Legend Versus Reality. 14/1: 94-110. |
| Daniélou, Alain. Plurality of Cultures or Synthesis. 2/2: 2-6. |
| Danielson, Virginia. Min al-Mashatyikh: A View of Egyptian Musical Tradition. 22/1: 113-128. |
| __________. The Qur’an and the Qasidah: Aspects of the Popularity of the Repertory Sung By Umm Kulthum. 19/1: 26-45. |
| __________, see book review (Cantemir). |
| Davis, Ruth. Traditional Arab Music Ensembles in Tunis: Modernizing Al-Turath in the Shadow of Egypt. 28/2: 73-108. |
| DeBoer, Fredric, with Bandem. Gambuh: A Classical Balinese Dance-Drama. 10/1: 115-127. |
| DeJean, Joan. Fictive Performances: Oriental Music in Alexandre Dumas’ The Count of Monte Cristo. 11/1: 99-105. |
| Delza, Sophia. The Dance-Arts in the People’s Republic of China: The Contemporary Scene. 5/1: 28-39. |
| DeBernardi, Jean, with Vernon Charter. Towards a Chinese Christian Hymnody: Processes of Musical and Cultural Synthesis. 29/2: 83-113. |
| Denny, Walter. Music and Musicians in Islamic Art. 17/1: 37-68. |
| Diamond, Beverley, see book review (Kartomi). |
| Dilling, Margaret Walker, see film review (Miller et al.). |
| DiSpirito, James D., see book review (Kippen). |
| Djijiak, Tom, trans. with Levin, Slobin. Uzbek Instrumental Music (Karomatov). 15/1: 11-53. |
| Donner, William, see book review (Frith and McLean). |
| Dorje, Rinjing, with Ellingson. "Explanation of the Secret Gcod Da Ma Ru": An Exploration of Musical Instrument Symbolism. 10/2: 63-91. |
| Dunham, Mary Frances, see book review (Van Zile). |
| Durga, S.A.K. Indian Literature on Vocal Abuse. 15/1: 1-10. |
| __________, see book review (Deva). |
| During, Jean. La Musique Traditionnelle Iranienne en 1983. 15/2: 11-31. |
| __________. L’Oreille Islamique: Dix Annees Capitales De La Vie Musicale En Iran: 198-1990. 23/2: 135-164. |
| Duriyanga, Phra Chen. Siamese Music. 13/2: 55-90. |
| Egert, Nina, see book review (Helffer). |
| __________, see recording reviews. |
| El-Shawan, Salwa. Western Music and its Practitioners in Egypt (CA. 1825-1985): The Integration of a New Musical Tradition in a Changing Environment. 17/1: 144-153. |
| __________. The Socio-Political Context of Al-Musika Al- Arabiyyah in Cairo, Egypt, Policies, Patronage, Institutions, and Musical Change. 12/1: 86-128. |
| Ellingson, Ter. Review Essay: Four Tibeten Recordings. 12/2: 133-153. |
| __________. ‘Don Rta Dbyangs Gsum: Tibetan Chant and Melodic Categories. 10/2: 112-156. |
| __________. Musical Flight in Tibet. 5/2: 3-44. |
| __________, with Dorje. "Explanation of the Secret Gcod Da Ma Ru": An Exploration of Musical Instrument Symbolism. 10/2: 63-91. |
| __________, trans. On Music (Sa skya Pandita). 10/2: 3-4. |
| __________, see book review (Kaufman). |
| __________, see book review (Nebesky). |
| Emsheimer, Ernst, trans. by Carroll. Earliest Reports About the Music of the Mongols. 18/1: 1-19. |
| Englis, Francisco, see record review. |
| Fang Kun, trans. by Pratt. A Discussion on Chinese National Musical Traditions. 12/2: 1-16. |
| Faruqi, Lois Ibsen al, see al Faruqi, Lois Ibsen. |
| Feldman, Walter. Cultural Authority and Authenticity in the Turkish Repertoire. 22/1: 73-113. |
| Ferguson, Daniel, see book review (Witzleben). |
| __________, with F. Ferguson., see book review (Shiliao). |
| Ferguson, Fransesca, with D. Ferguson., see book review (Shiliao). |
| Ferranti, Hugh de. Relations Between Music and Text in Higo Biwa: The Nagashi Pattern As A Text-Music System (Japan). 26/1: 149-174. |
| Fish, David, see book review (Markham). |
| Flam, Gila. Beracha Zephira - A Case Study of Acculturation in Israeli Song. 17/2: 108-125. |
| Flora, Reis. Miniature Paintings: Important Sources for Music History. 18/2: 196-230. |
| Forrest, Wayne. Concepts of Melodic Pattern in Contemporary Solonese Gamelan Music. 11/2: 53-127. |
| Friedlander, Paul. China’s "Newer Value" Pop: Rock-and-Roll and Technology on the New Long March. 22/2: 67-81. |
| Friedson, Steven M., see book review (Laderman and Roseman, eds.). |
| Frigyesi, Judit. Free Rhythm? 26/1: 212-214. |
| __________. Preliminary Thoughts Toward the Study of Music Without Clear Beat: The Example of "Flowing Rhythm" In Jewish Nusah.. 24/2: 59-88. |
| __________, see book review (Randel). |
| Fritsch, Ingrid. Report on the Third German-Japanese Symposium on Traditional Japanese Music in Cologne (l98l). 13/1: 144-146. |
| Garfias, Robert. Introduction (Kulintang/Kolintang). 27/2: 1-2. |
| __________. The Okinawan Kunkunhi Notation System and Its Role in the Dissemination of the Shuri Court Music Tradition. 25/1-2: 115-144. |
| __________. The Development of the Modern Burmese Hsaing Ensemble. 16/1:1-28. |
| __________. Looking to the Future of World Music. 14/1: 1-8. |
| __________. Preliminary Thoughts on Burmese Modes. 7/1: 39-49. |
| Gorn, Steven, see record review. |
| Grame, Theodore. The Symbolism of the ‘Ud. 3/1: 25-34. |
| Graves, Robert. George II and the Chinese Emperor. 1/1: 12-14. |
| Gray, Judith. Additional Comments Regarding Chinese Orchestras in the United States. 11/1: 41-43. |
| Groemer, Gerald. Edo’s "Tin Pan Alley": Authors and Publishers of Japanese Popular Song During the Tokgawa Period. 27/1: 1-36. |
| Hall, Leslie, see record review. |
| Hamm, Charles. Music and Radio in the People’s Republic of China. 22/2: 1-42. |
| Han, Kuo-Huang. Folk Songs of the Han Chinese: Characteristics and Classifications. 20/2: 107-128. |
| Hahn Man-young. Folk Songs of Korean Rural Life and Their Characteristics Based on the Rice Farming Songs. 9/2: 21-28. |
| Hai-Hsing Yao. The Relationship Between Percussive Music and the Movemnet of Actors in Peking Opera. 21/2: 39-70. |
| Han, Kuo-Huang. Short Contribution: J.A.van Aalst and His Chinese Music. 19/2: 127-130. |
| __________. The Modern Chinese Orchestra. 11/1: 1-40. |
| __________. The Chinese Concept of Program Music. 10/1: 17-38. |
| __________, see book review (Research Institute of Music, ed.). |
| __________, see book review (Sorrell). |
| __________, see book review (Yuan et al., ed.). |
| Hardgrave, Robert L. Jr, and Stephen M. Salwek. Instruments and Music Culture in Eighteenth Century India: The Slovyn Portraits. 20/1: 1-92. |
| Harnish, David. The Future Meets the Past in the Present: Music and Buddhism in Lombok. 25/1-2: 29-50. |
| __________, see book review (Tenzer). |
| __________, see book review (Arps, ed.). |
| __________, see record reviews. |
| __________, see film review (Miller et al.). |
| Harrison, Lou. A Birthday Offering (for Lee Hye-ku). 2/2: 14-17. |
| Hassan, Scheherazade Q. The Long Necked Lute in Iraq. 13/2: 1-18. |
| Hatch, Martin. The Song is Ended: Changes in the Use of Macapat in Central Java. 7/2: 59-71. |
| Hayashi, Kenzo. Restoration of a Panpipe in the Shosoin. 6/1-2: 15-27. |
| Heins, Ernst. Kroncong and Tanjidor--Two Cases of Urban Folk Music in Jakarta. 7/1: 20-32. |
| Helffer, Mireille. Reflexions Concernant Le Chant Epique Tibetain. 10/2: 92-111. |
| Hensler, Ewald, with Mayumi Adachi. Nineteenth-Century Japanese Hymnals: A Preliminary Study. 29/2: 115-127. |
| Henry, Edward O. Music in the Thinking of North Indian Villagers. 9/1: 1-12. |
| Herbst, Ed. Intransic Aesthetics in Balinese Artistic and Spiritual Practice. 13/1: 43-52. |
| Higgins, Jon B. Balasaraswati’s "Tisram Alarippu": the Musical Content. 18/2: 103-118. |
| __________. From Prince to Populace: Patronage as a Determinant of Change in South Indian (Karnatak) Music. 7/2: 20-26. |
| __________. An American in Madras. 1/1: 4-11. |
| __________, see record review. |
| __________, see film review. |
| Hirshberg, Jehoash. Musical Tradition as a Cohesive Force in a Community in Transition: the Case of the Karaites. 17/2: 46-68. |
| Ho Lu-Ting. On Chinese Scales and National Modes. 14/1: 132-154. |
| Hoerburger, Felix. Langhalslauten in Afghanistan. 6/1-2: 28-37. |
| Houyong, Gao. On Qupai. 20/2: 4-20. |
| Howard, Keith. Why Do It That Way? Rhythmic Models and Motifs in Korean Percussion Bands. 23/1: 1-60. |
| Huang Jinpei. Concerning the Variants of "Lao Lioban." 13/2: 19-30. |
| Hughes, David. Japanese "New Folk Songs," Old and New. 22/1: 1-51. |
| Hunter, Thomas M., see record review. |
| Hwang Byong-ki. Aesthetic Characteristics of Korean Music in Theory and in Practice. 9/2: 29-40. |
| Jackson, William. Features of the Kriti: A Song Form Developed by Tyagaraja. 24/1: 19-66. |
| __________, see book review (Howard). |
| Jairazbhoy, N. A. An Interpretation of the 22 Srutis. 6/1-2: 38-59. |
| __________, see film review (Miller et al.). |
| Jiang Jing. The Influence of Traditional Chinese Music on Professional Instrumental Composition. 22/2: 83-96. |
| Jinpei, Huang. Xipi and Erhuang of Beijing and Guangdong Operas. 20/2: 152-195. |
| Johnson, Henry M. A Koto by Any Other Name: Exploring Japanese Systems of Musical Instrument Classification. 28/1: 43-59. |
| Johnson, Irmgard. The Role of Amateur Participants in the Arts of No in Contemporary Japan. 13/2: 115-133. |
| Jones, Betty T. Kathakali Dance-Drama: an Historical Perspective. 18/2: 14-44. |
| Jones, L. JaFran, see book review (Ministere) |
| __________, see book review (Mahdi). |
| __________, see book review (Qureshi). |
| __________, see film review. |
| __________, see film review (Miller et al.). |
| Jones, Stephen. The Golden-Character Scripture: Perspectives on Chinese Melody. 20/2: 21-66. |
| Kakinoki, Goro. A Comparative Method on Japanese Melodic Styles in Structural Formulae. 6/1-2: 60-87. |
| Kalanduyan, Danongan. Instruments, Instrumentation, and Social Context of Maguidanaon Kulintang Music. 27/2: 3-18. |
| Karomatov, Faizullah, trans. by Djijiak, Levin, Slobin. Uzbek Instrumental Music. 15/1: 11-53. |
| __________. On the Regional Styles of Uzbek Music. 4/1: 48-58. |
| __________, with Radjabov. Introduction to the Sasmaqam. 13/1: 97-118. |
| Kartomi, Margaret J. The Music-Culture of South-Coast West Sumatra: Backwater of the Minangkabau "Heartland" or Home of the Sacred Mermaid and the Earth Goddess? 30/1: 133-181. |
| __________. Dualism in Unity: The Ceremonial Music of the Mandailing Raja Tradition. 12/2: 74-108. |
| __________, see book review (Miller). |
| Kelsey, John R., see record review. |
| Kippen, Jim, see record review. |
| Kishibe, Shigeo. Means of Preservation and Diffusion of Traditional Music in Japan. 2/1: 8-13. |
| Knight, Roderic, see record reviews. |
| Knobloch, Yohana, trans. A Discussion of the History of the Gu Zheng (Zheng). 14/2: 1-16. |
| Kostrubieck, Beniamin, with Zeranska-Kominek, Wierzejewska. Universal Symbols in the Bukharan Shasmaqam. 14/1: 74-93. |
| Krishnaswami, S. Musical Instruments of India. 2/2: 31-42. |
| Kuttner, Fritz A. The 749-Temperament of Huai Nan Tzu. 6/1-2: 88-112. |
| __________. The Development of the Concept of Music in China’s Early History. 1/2: 12-21. |
| __________, with Lieberman. Corrigendum and Addendum to Biography and Bibliography of Dr. Laurence E.R. Picken in Perspectives on Asian Music. 7/2: 103-104. |
| __________, with Lieberman. Preface and List of Laurence E.R. Picken’s Writings on Oriental Music. 6/1-2: Preface. |
| Laade, Wolfgang. The Influence of Buddhism on the Singhalese Music of Sri Lanka. 25/1-2: 51-68. |
| __________, see book review (Lucas). |
| Lai, Eric. Toward A Theory of Pitch Organization: The Early Music of Chou Wen-Chung. 25/1-2: 177-207. |
| Lancashire, Terence. Music for the Gods: Musical Transmission and Change in Iwami Kagura. 29/1: 87-123. |
| Lau, Frederick. Individuality and Political Discourse in Solo Dizi Compositions. 27/1: 133-152. |
| Lee Byong-won, see book review (National Academy). |
| Lee, Elsa. An Introduction to the Gushi Drummer of the Chuanju Percussion Ensemble. 28/2: 1-26. |
| Lee Hye-Ku. Quintuple Meter in Korean Instrumental Music. 13/1: 119-129. |
| __________. The Yukcha-Paegi. 2/2: 18-30. |
| Lee Kang-sook. An Essay on Korean Modes. 9/2: 41-47. |
| Lee, Riley Kelly. Fu Ho U vs. Do Re Mi: The Technology of Notation Systems and Implications of Change in the Shakuhachi Tradition of Japan. 19/2: 71-81. |
| Levin, Theodore C. Music in Modern Uzbekistan: The Convergence of Marxist Aesthetics and Central Asian Tradition. 12/1: 149-158. |
| __________, trans. with Djijiak, Slobin. Uzbek Instrumental Music (Karomatov). 15/1: 11-53. |
| Lhalungpa, Lobsang P. Tibetan Music: Secular and Sacred. 1/2: 2-11. |
| Li Mei-Ling, see book review (Wichmann). |
| Li Ping-hui, see record review. |
| Liang Ming-Yueh. A Study of Tiao-i, "The Meaning of the Mode." 6/1-2: 173-188. |
| Lieberman, Fredric. Texted Tunes in the Mei-an Ch’in-P’u. 6/1-2: 113-146. |
| __________. Addenda to Chinese Music Bibliography. 5/1: 56-85. |
| __________. Music in The Tale of Genji. 2/1: 39-42. |
| __________. Robert Hans Van Gulik: A Bibliography. 1/1: 23-30. |
| __________, with Kuttner. Corrigendum and Addendum to Biography and Bibliography of Dr. Laurence E.R. Picken in Perspective on Asian Music. 7/2: 103-104. |
| __________, with Kuttner. Preface and List of Laurence E.R. Picken’s Writings on Oriental Music. 6/1-2: Preface. |
| __________, see book review (Ch’en). |
| __________, see book review (Giesen). |
| __________, see book review (Kaufman). |
| __________, see book review (Shih). |
| Liu, Terry, see book review (Moule). |
| Lockard, Craig A. Popular Musics and Politics in Modern Southeast Asia: A Comparative Analysis. 27/2: 149-199. |
| Loeb, Laurence D. The Jewish Musician and the Music of Fars. 4/1: 3-14. |
| Lu Guang, see record review. |
| __________, see film reviews (Miller et al.). |
| Lysloff, René T. A., see book review (Kant-Achilles et al.). |
| Mabbett, Ian W. Buddhism and Music. 25/1-2: 9-28. |
| Maceda, Jose. Review Essay: Biopolarity, Ki Mantle Hood’s Trilogy, Four Counts, and the Fifth Interval. 21/2: 135-146. |
| ___________. Means of Preservation and Diffusion of Traditional Music: The Philippine Situation. 2/1: 14-17. |
| Mackerras, Colin. Traditional Uygur Performing Arts. 16/1: 29-58. |
| Macrae, Craig, see book review (Levin). |
| Magriel, Nicolas. The Barhat Tree. 28/2: 109-133. |
| Malm, William P. Yamada Shôtarô: Japan’s First Shamisen Professor. 30/1: 35-76. |
| __________. Chinese Music in 19th century Japan. 6/1-2: 147-172. |
| __________. Layers of Modern Music and Japan. 4/2: 3-6. |
| __________. Personal Approaches to the Study of Japanese Art Music. 3/1: 35-39. |
| __________, see book review (Leiter). |
| Manuel, Peter. Music, Identity, and Images of India in the Indo-Caribbean Diaspora. 29/1: 17-35. |
| __________. Popular Music and Media Culture in South Asia: Prefatory Considerations. 24/1: 91-100. |
| __________. A Historical Survey of the Urdu Gazal-Song in India. 20/1: 93-113. |
| __________, with Baier. Jaipongan: Indigenous Popular Music of West Java. 18/1: 91-110. |
| __________, see book review (Van Der Meer). |
| __________, see book review (Hansen). |
| __________, see film review. |
| Mantey, Daniel, see record review. |
| Mao Yu Run. Music Under Mao, Its Background and Aftermath. 22/2: 97-125. |
| Marcus, Scott. Parody-Generated Texts: The Process of Composition in Biraha, A North Indian Folk Music Genre (India). 26/1: 95-148. |
| ___________. The Interface Between Theory and Practice: Intonation in Arab Music. 24/2: 39-58. |
| ___________. Recycling Indian Film Songs: Popular Music as a Source of Melodies For North Indian Folk Musicians. 24/1: 101-110. |
| ___________, and Dwight F. Reynolds. Introduction: Musical Narrative Traditions of Asia. 26/1: 1-8. |
| ___________, see book review (Miner). |
| Maring, Joel M., with Lillian E. Maring. Japanese Erotic Folksong: From Shunka to Karaoke. 28/2: 27-49. |
| Maring, Lillian E., with Joel M. Maring. Japanese Erotic Folksong: From Shunka to Karaoke. 28/2: 27-49. |
| Mark, Lindy Li, see book review (Lieberman). |
| Markoff, Irene. The Ideology of Musical Practice and the Professional Turkish Folk Musician: Tempering the Creative Impulse. 22/1: 129-145. |
| Marrett, Allan, with Wolpert, Condit, Picken. "The Waves of Kokonor": A Dance-Tune of the T’ang Dynasty. 5/1: 3-9. |
| Matusky, Patricia. An Introduction to the Major Instruments and Forms of Traditional Malay Music. 16/2: 121-182. |
| ___________, see book review (Tan Sooi Beng). |
| Matusky-Yamaguchi, Patricia, see film review (Miller et al.). |
| McNeil, Adrian. Why Hindustani Musicians are Good Cooks: Analogies Between Music and Food in North India. 25/1-2: 69-80. |
| Meyers, Helen, see book review (Jairazbhoy). |
| Meyers-Moro, Pamela. Names and Civil Service Titles of Siamese Musicians. 19/2: 82-90. |
| Miller, Lloyd, see book review (Nettl). |
| Miller, Sara Stone, see book review (Asselineau et al.). |
| Miller, Terry E. Reconstructing Siamese Musical History from Historical Sources: 1548-1932. 15/2: 32-42. |
| __________, et al. Review Essay: The JVC Video Anthology of World Music and Dance. 24/2: 111-188. |
| __________, see book review (Randel). |
| __________, see record reviews. |
| Miner, Allyn, see book review (Hamilton). |
| Mok, Robert T. Ancient Musical Instruments ... from the Number One Han Tomb at Ma Wang Tui, Changsa: Translation and Commentary. Addenda. 10/1: 39-91. |
| Morrison, Miriam. The Expression of Emotion in Court Dances of Yogjakarta. 7/1: 33-38. |
| Moskovich, Rina K. The Role of Music in the Liturgy of Emigrant Jews from Bombay: the Morning Prayer for the Three Festivals. 17/2: 88-107. |
| Mràzek, Jan, see book review (Sumarsam). |
| Naroditskaya, Inna, see record reviews. |
| Nettl, Bruno, A Tale of Two Cities. 15/2: 1-10. |
| __________. Musical Values and Social Values: Symbols in Iran. 12/1: 129-148. |
| __________, with Babiracki. Internal Interrelationships in Persian Classical Music: The Dastgah of Shur in Eighteen Radifs. 19/1: 46-98. |
| __________, with Shiloah. Persian Classical Music in Israel: a Preliminary Report. 17/2: 69-87. |
| __________, see book review (Blum). |
| Neubauer, Eckard, see book review (Engel). |
| Neuman, Daniel. Indian Music as a Cultural System. 17/1: 98-113. |
| __________, Towards an Ethnomusicology of Culture Change in Asia. 7/2: 1-5. |
| __________, see book review (Sorell). |
| __________, see book review (Narayan). |
| __________, see record review. |
| Nguyen, Thuyet Phong. Restructuring the Fixed Pitches of the Vietnamese Dan Nguyet Lute: a Modification Necessitated by the Modal System. 18/1: 56-70. |
| __________, see book review (Tran). |
| __________, see book review (Ateliers d’ethnomusicologie). |
| __________, see film review (Miller et al.). |
| Niemi, Jarkko. The Genres of the Nenets Songs. 30/1: 77-132. |
| Nurjanov, Nizam. Tajik Folk Theater and Puppetry. 8/1: 65-77. |
| O’Connell, John, see book review (Touma). |
| Okell, John. The Burmese Double-Reed "Nhai." 2/1: 25-31. |
| Olsen, Dale A. Japanese Music in Peru. 11/2: 41-52. |
| __________. Japanese Music in Brazil. 14/1: 111-131. |
| Otto, Steven. Repertorial Nomenclature in Muranao Kolintang Music. 27/2: 123-130. |
| Owens, Naomi. The Dagar Gharana: a Case Study of Performing Artists. 18/2: 158-195. |
| Pacholczyk, Józef. The Status of Sufyana Kalam in Kashmir. 12/1: 159-163. |
| __________, see film review (Miller et al.). |
| __________. Sufyana Kalam, the Classical Music of Kashmir. 10/1: 1-16. |
| Peng Xiuwen. Chuida Music of Sunan. 13/2: 31-38. |
| Pennanen, Risto Pekka. Review Essay: A Recent Reissue of Rebitika Recordings. 26/2: 137-142. |
| __________. The God-Praising Drums of Sarajevo. 25/1-2: 1-8. |
| Perlman, Marc. Conflicting Interpretations: Indigenous Analysis and Historical Change in Central Javanese Music. 28/1: 115-140. |
| __________. Notes on "A Grammar of the Musical Genre Srepegan." 14/1: 17-29. |
| __________, see record review. |
| Pertl, Brian. Some Observations on the Dung Chen of the Nechung Monastery. 23/2: 71-89. |
| Petrovic, Ankica. Paradoxes of Muslim Music in Boznia and Herzegovina. 20/1: 128-138. |
| Pettigrew, Joyce. Songs of the Sikh Resistance Movement. 23/1: 85-118. |
| Pian, Rulan Chao, see book review (Liang) |
| Picken, Laurence, with Condit, Marret, Wolpert. "The Waves of Kokonor": A Dance-Tune of the T’ang Dynasty. 5/1: 3-9. |
| Pinckney, Warren R. Jr. Jazz in India: Perspectives on Historical Development and Musical Acculturation. 21/1: 35-77 |
| Poedjosoedarmo, Gloria. A Phonetic Description of Voice Quality in Javanese Traditional Female Vocalists. 19/2: 93-126. |
| Posner, Karen. A Preliminary Analysis of Maguindanaon Kulintang Music. 27/2: 19-32. |
| Powers, Harold S. Symposium on the Status of Traditional Art Musics in Muslim Nations: Background, Acknowledgments, and Contributions. 12/1: 1-4. |
| __________. Classical Music, Cultural Roots, and Colonial Rule: An Indic Musicologist Looks at the Muslim World. 12/1: 5-39. |
| Pratt, Keith, trans. A Discussion on Chinese National Musical Traditions (Fang Kun). 12/2: 1-16. |
| Prescott, Anne, see film review. |
| Provine, Robert C. Who’s in Charge Here?: The Musical Bureaucract in the Early Yi Dynasty Court (1392-1466). 9/2: 48-58. |
| __________, see record review. |
| Qureshi, Regula B. "Muslim Devotional":Popular Religious Music and Muslim Identity Under British, Indian, and Pakastani Hegemony. 24/1: 111-121. |
| __________. Qawwali: Making the Music Happen in the Sufi Assembly. 18/2: 118-157. |
| __________. Indo-Muslim Religious Music, An Overview. 3/2: 15-22. |
| Racy, Ali Jihad. Music and Dance in Lebanese Folk Proverbs. 17/1: 83-97. |
| __________. Music in Contemporary Cairo: A Comparative Overview. 13/1: 4-26. |
| Ramnarine, Tina K. Historical Representations, Performance Spaces, and Kinship Themes in Indian-Caribbean Popular Song Texts. 30/1: 1-33. |
| Rasmussen, Anne. "An Evening in the Orient": The Middle Eastern Nightclub in America. 23/2: 3-70. |
| Read, Cathleen B., see book review (Wade). |
| Rebollo-Sborgi, Francesca. The Musicality of Oral Performance: The Case Study of Tianjin Shidiao and the Musical Expression of Urban Identity (China). 26/1: 9-52. |
| Reck, Carol S., with D. Reck. Drums of India: A Pictorial Selection. 13/2: 39-54. |
| __________, with D. Reck. Naga Kalam: A Musical Trance Ceremonial of Kerala (India). 13/1: 85-96. |
| Reck, David R. Beatles Orientalis: Influences from Asia in a Popular Song Tradition. 16/1: 83-149. |
| __________. The Music of Matha Chhau. 3/2: 8-14. |
| __________, with C. Reck. Drums of India: A Pictorial Selection. 13/2: 39-54. |
| __________, with Carol S. Reck. Naga Kalam: A Musical Trance Ceremonial of Kerala (India). 13/1: 85-96. |
| Rees, Helen. The Many Musics of a Chinese County Town: A Case-Study of Co-Existance in Lijiang, Yunnan Province. 27/1: 63-102. |
| __________, see book review (Picard). |
| Reinhard, Kurt. Bemerkungen zu den Asik, den Volkssngern der Trkei. 6/1-2: 189-206. |
| Reynolds, Dwight F. Musical Dimensions of An Arabic Oral Epic Tradition (Egypt). 26/1: 53-94. |
| __________, see book review (Danielson). |
| Rhodes, Willard, see film review. |
| Ries, Raymond E. The Cultural Setting of South Indian Music. 1/2: 22-31. |
| Roach, David. The Banaras Baj--The Tabla Tradition of a North Indian City. 3/2: 29-41. |
| Robertson, Sir George S. Festivals and Dancing Among the "Kafirs of the Hindu Kush." 8/1: 78-93. |
| Ross, Israel J. Ritual and Music in South India: Syrian Christian Liturgical Music in Kerala. 11/1: 80-98. |
| Ross, Thomas. Forgotten Patterns: Mirkhand and Amir Khan. 24/2: 89-110. |
| Rowell, Lewis. A Siksa for the Twiceborn. 9/1: 72-94. |
| Rubenstein, Carol. The Cultural Show: Is It Culture or What and For Whom? 23/2: 1-2. |
| __________. "So Unable Am I...": Sarawak Dayaks and Forms of Social Address in Song. 21/2: 1-38. |
| Ruckert, George, see book review (Gottlieb). |
| __________, see book review (Slawek). |
| Sa skya Pandita. On Music. 10/2: 3-4. |
| __________. Why Study Music? 10/2: 157-158. |
| Sakata, Hiromi L. Musicians Who Do Not Perform; Performers Who Are Not Musicians: Indigenous Concepts of Being an Afghan Musician. 17/1: 132-141. |
| __________. The Concept of Musician in Three Persian-Speaking Areas of Afghanistan. 8/1: 1-28. |
| __________, see record reviews. |
| Sam Sam Ang, see record reviews. |
| __________, see film review (Miller et al.). |
| Samuelson, Ralph, see record review. |
| Sanger, Annette, see record review. |
| Sarkissian, Margaret. "Sinhalese Girl" Meets "Aunty Annie": Competing Expressions of Ethnic Identity in the Portuguese Settlement, Melaka, Malaysia. 27/1: 37-62. |
| __________, see book review (Roseman). |
| Sawa, George D. The Status and Roles of the Secular Musicians in the Kitab Al-Aghani (Book of Songs) of Abu Al-Faraj Al-Isbahani (D. 356 A.H./967 A.D.). 17/1: 69-82. |
| __________, see book review (Randel). |
| Schramm, Adelaida R., see book review (Pfeiffer). |
| __________, see recording review. |
| __________, see film review (Miller et al.). |
| Schramm, Harold. Musical Theatre in India. 1/1: 31-40. |
| Schuyler, Philip D. Music and Tradition in Yemen. 22/1: 51-73. |
| __________. Introduction from the Guest Editor. 17/1: 1-2. |
| __________. The Rwais and the Zawia: Professional Musicians and the Rural Religious Elite in Southwestern Morocco. 17/1: 114-131. |
| __________, see book review (Baily). |
| __________, see book review (Stone, ed.) |
| __________, see record review. |
| Scholz, Scott. The Supportive Instruments of the Maguindanaon Kulintang Ensemble. 27/2: 33-52. |
| Scott, A.C. Reflections on the Aesthetic Background of the Performing Arts of East Asia. 6/1-2: 207-216. |
| Seroussi, Edwin. Politics, Ethnic Identity, and Music in Israel: the Case of the Moroccan Bakkashot. 17/2: 32-45. |
| Shapiro, Toni, see film review. |
| Sharvit, Uri. Diversity Within Unity: Stylistic Change and Ethnic Continuity in Israeli Religious Music. 17/2: 126-146. |
| __________, with Benski, Braun. Towards a Study of Israeli Urban Musical Culture: the Case of Kiryat Ono. 17/2: 168-209. |
| Sheeran, Anne, see record review. |
| Shiloah, Amnon. The Status of Traditional Art Music in Muslim Nations. 12/1: 40-55. |
| __________. An Early Arabic Songbook for Schools. 11/1: 44-58. |
| __________. The Simsimiyya: A Stringed Instrument of the Red Sea Area. 4/1: 15-26. |
| __________, with Nettl. Persian Classical Music in Israel: a Preliminary Report. 17/2: 69-87. |
| Signell, Karl. Turkey’s Classical Music, A Class Symbol. 12/1: 164-169. |
| __________. Esthetics of Improvisation in Turkish Art Music. 5/2: 45-49. |
| __________. The Modernization Process in Two Oriental Music Cultures: Turkish and Japanese. 7/2: 72-102. |
| __________, see record review. |
| Silver, Brian. On Becoming an Ustad: Six Life Sketches in the Evolution of a Gharana. 7/2: 27-50. |
| Simms, Robert. Aspects of Cosmological Symbolism in Hindusthani Musical Forms. 24/1: 67-90. |
| Simon, Artur. Functional Changes in Batak Traditional Music and its Role in Modern Indonesian Society. 15/2: 58-66. |
| Simon, Robert L. Tyagaraja and the South Indian Bhajana Sampradaya. 20/1: 114-127. |
| Skelton, William. The Nagaswaram and the South Indian Hindu Festival. 2/1: 18-24. |
| Slobin, Mark. Buz-bazi: Conversations in Tashkent. 2/2: 7-13. |
| __________. A Musical Marionette of Northern Afghanistan. 6/1-2: 217-224. |
| __________, with Bohlman. Music in the Ethnic Communities of Israel: Introduction. 17/2: 1-8. |
| __________, trans. Tuvin Folk Music (Aksenov). 4/2: 7-18. |
| __________, trans. with Levin, Djijiak. Uzbek Instrumental Music (Karomatov). 15/1: 11-53. |
| __________, see book review (Sakata). |
| __________, see book review (Hoerburger). |
| __________, see book review (Doubleday). |
| __________, see record reviews. |
| Smith, Barbara B. Chinese Music in Hawaii. 6/1-2: 225-230. |
| __________, see book review (Sadie, ed.). |
| Snyder, Jeanette. A Preliminary Study of the Lha Mo. 10/2: 23-62. |
| __________, see record reviews. |
| Song Bang-Song. Korean Music: An Annotated Bibliography (2nd Supplement). 9/2: 65-112. |
| __________, intro. and trans. Ritual Tradition of Korea (ed. Chong In-ji). 8/2: 26-46. |
| __________, with Chen and Tsuge. Source Readings in Asian Music: East Asia. 8/2: 1-3. |
| Sonneborn, Daniel Atesh, see record review. |
| Sorrell, Neil. The Encyclopaedia of Music and Dance in India: A Report on the Project from Bombay. 3/2: 52-54. |
| Spector, Johanna. Shingli Tunes of the Cochin Jews. 3/2: 23-28. |
| Spiller, Henry, see record review. |
| Steel, David Warren, see book review (DeVale, ed.). |
| Stevens, Kate. City of Peking Ballad Troupe: 1973. 5/1: 24-27. |
| Stock, Jonathan. Reconsidering The Past: Ahou Xuan and the Rehabilitation of Early Twentieth-Century Popular Music. 26/2: 119-136. |
| __________. Three Erhu Pieces by Abing: An Analysis of Improvisational Processes in Chinese Traditional Instrumental Music. 25/1-2: 145-176. |
| __________, see book review (Schimmelpenninck). |
| __________, see book review (Yung, ed.). |
| Suanda, Endo. Cirebonese Topeng and Wayang of the Present Day. 16/2: 84-120. |
| __________. The Social Context of Cirebonese Performing Artists. 13/1: 27-42. |
| __________, see record review. |
| Subramanian, Karaikudi S. An Introduction to the Vina. 16/2: 7-82. |
| Sumarsam. Gendhing Kalunta: A Historical Metaphor? 15/2: 43-57. |
| __________. The Musical Practice of the Gamelan Sekaten. 12/2: 54-73. |
| __________. Inner Melody in Javanese Gamelan Music. 7/1: 3-13. |
| __________, see record reviews. |
| Susilo, Hardjo, see book review (Kunst). |
| __________, see book review (Brinner). |
| Sutton, R. Anderson. From Ritual Enactment to Stage Entertainment: Andi Nurhani Sapada and the Aestheticization of South Sula Wesi’s Music and Dance 1940s-1970s. 29/2: 1-30. |
| __________. Korean Music In Hawaii. 19/1: 99-120. |
| __________. Concept and Treatment in Javanese Gamelan Music, with Reference to the Gambang. 11/1: 59-79. |
| __________, see record review. |
| Su Zheng, see book review (Casey Man Kong Lum). |
| Swift, Gordon. South Indian Gamaka and the Violin. 21/2: 71-89. |
| Tan Sooi Beng. The 78 RPM Record Industry in Malaya Prior to World War II. 28/1: 1-41. |
| __________. The Performing Arts in Malaysia: State and Society. 21/1: 137-171. |
| __________. The Glove Puppet Theater (Po Te Hi) in Malaysia. 13/1: 53-72. |
| Tanzug, Feza, see record review. |
| Tapper, Richard. Peasant’s Pilgrimage: a Ballad from Afghan Turkistan. 18/1: 20-34. |
| Tenzer, Michael, see book review (Ryker, ed.) |
| Terada, Yoshitaka. Varational and Improvisational Techniques Gandingan Playing in the Magindanaon Kulintang Ensemble 27/2: 53-80. |
| Tethong, Rakra. Conversations on Tibetan Music Traditions. 10/2: 5-22. |
| Tewari, Laxmi. Turkish Village Music. 3/1: 10-24. |
| __________, see book review (Patel). |
| Thomas, Dwight W. Lou Harrison’s Double Concerto for Gamelan, Violin and Cello: Juxtaposition of Individual and Cultural Expectations. 15/1: 90-102. |
| Thompson, Gordon R. The Barots of Gujrati-Speaking Western India: Musicianship and Caste Identity. 24/1: 1-18. |
| __________, see record review. |
| __________, see book review (Sakata). |
| Thrasher, Alan R. Announcement. Introducing the Asia-Pacific Society for Ethnomusicology. 28/1: 151. |
| __________. The Melodic Model as a Structural Device: Chinese Zheng and Japanese Koto Repertoires Compared. 26/2: 97-118. |
| __________. Introduction to the Issue. 20/2: 1-3. |
| __________. Structural Continuity in Chinese Sizhu: The Baban Model. 20/2: 67-106. |
| __________. Hakka-Chaozhou Instrumental Repertoire: An Analytic Perspective on Traditional Creativity. 19/2: 1-30. |
| __________. The Sociology of Chinese Music: An Introduction. 12/2: 17-53. |
| __________. The Transverse Flute in Traditional Chinese Music. 10/1: 92-114. |
| __________, see book review (Yung). |
| Tingey, Carol. Sacred Kettledrums in the Temples of Central Nepal. 23/2: 90-104. |
| Tong Kin-Woon. Shang Musical Instruments (Part 1). 15/1: 103-184. |
| __________. Shang Musical Instruments (Part 2). 15/2: 67-143. |
| Trainor, John. Significance and Development in the Vong Co of South Vietnam. 7/1: 50-57. |
| Tran Quang Hai, see record review. |
| Tran Van Khe. Means of Preservation and Diffusion of Traditional Music in Vietnam. 3/1: 40-44. |
| Tsao, Pen-yeh. Structural Elements In The Music of Chinese Story-Telling. 20/2: 129-151. |
| Tsong kha pa. Meditative Realization of the Melodious Goddess. 10/2: 1-2. |
| Tsuge, Gen’ichi. Letter to the Editor: An Article Clarification. 13/1: 143. |
| __________. Symbolic Techniques in Japanese Koto-Kumiuta. 12/2: 109-132. |
| __________, intro. and trans. The History of the Kyotaku (compiled by Yamamoto Morihide). 8/2: 47-63. |
| __________. A Note on the Iraqi Maqam. 4/1: 59-66. |
| __________, with Chen and Song. Source Readings in Asian Music: East Asia. 8/2: 1-3. |
| __________, see book review (Wolz). |
| __________, see book review (Zonis) |
| __________, see book review (Hassan). |
| __________, see record review. |
| Tuttle, T. Temple, see book review (Kumar and Stackhouse). |
| Van Zile, Judy. Balasaraswati’s "Tisram Alarippu": a Choreographic Analysis. 18/2: 45-102. |
| __________, see book review (Clifford and Betty Jones). |
| Vetter, Roger, see book review (Kunst). |
| __________, see book review (Becker, ed.). |
| Viswanathan, T. In Memory of Jon Borthwick Higgins. 16/2: 1-6. |
| __________. The Analysis of Raga Alapana in South Indian Music. 9/1: 13/71. |
| __________, see book review (Wade). |
| __________, see book review (Kaufman). |
| Wade, Bonnie C. By Invitation Only: Field Work in Village India. 3/2: 3-7. |
| Wadley, Susan S., see book review (Henry). |
| Warkov, Esther. Revitalization of Iraqi-Jewish Instrumental Traditions in Israel: The Persistent Centrality of an Outsider Tradition. 17/2: 9-31. |
| __________, see record review (Taqasim). |
| Waxer, Lise, see book review (Hansen). |
| Wei-hua Zhang. Fred Wei-Han Ho: Case Study of A Chinese- American Creative Musician. 25/1-2: 81-114. |
| __________. Music in Ming Daily Life, As Portrayed in the Narrative Jin Ping Mei. 23/2: 105-134. |
| Weintraub, Andrew N. Tune, Text, and the Function of Lagu in Pantun Sunda, A Sundanese Oral Narrative Tradition (Indonesia). 26/1: 175-211. |
| __________, see record review. |
| Wells, Marnix St. J. Rhythm and Phrasing In Chinese Tune-Title Lyrics; Old Eight-Beat and Its 3-2-3 Meter. 23/1:119-183. |
| Wendt, Caroline, see record review. |
| Widdess, Richard, see book review (Ahmad) |
| __________, see book review (Wade). |
| Wierzejewska, Joanna, with Zeranska-Kominek, Kostrubiec. Universal Symbols in the Bukharan Shasmaqam. 14/1: 74-93. |
| Williams, Sean. Current Developments in Sundanese Popular Music. 21/1: 105-136. |
| __________, see record review. |
| __________, see film review. |
| Witzleben, J. Lawrence, see film review (Miller et al.). |
| Wolbers, Paul A. Gandrung and Angklung from Banyuwangi; Remnants of a Past Shared with Bali. 18/1: 71-90. |
| Wolf, Richard, see record review. |
| Wolpert, Rembrandt., with Condit, Marrett, Picken. "The Waves of Kokonor": A Dance-Tune of the T’ang Dynasty. 5/1: 3-9. |
| Wong, Cynthia Po-man, see record reviews. |
| Wong, Deborah. Thai Cassettes and Their Convers: Two Case Histories. 21/1: 78-104. |
| __________, see book review (Panya). |
| __________, see book review (Catlin, ed.). |
| Wong, Isabel, trans. A Preliminary Study of "Three Variations on Yang Kwan," An Ancient Song (Yan Yin-Liu). 5/1: 10-23. |
| Wrazen, Louise. The Early History of the Vina and Bin in South and Southeast Asia. 18/1: 35-55. |
| Wu, Ben. Music Scholarship, West and East: Tibetan Music as a Case Study. 29/2: 31-56. |
| Yamamoto Morihide, trans. by Tsuge. The History of the Kyotaku. 8/2: 47-63. |
| Yan Yin Liu., trans. by I. Wong. A Preliminary Study of "The Three Variations of Yang Kwan," An Ancient Song. 5/1: 10-23. |
| Yang, Mu. Music Loss Among Ethnic Minorities in China: A Comparison of the Lia dn Hui Peoples. 27/1: 103-132. |
| Yeh, Nora. Nanguan Music Repertoire: Categories, Notation, and Performance Practice. 19/2: 31-70. |
| __________, see book review (Lu Cui-kuan). |
| Yip Ming-mei, see book review (Hsu and Cheng). |
| __________, see book review (Boormaghtigh, ed. and trans.). |
| __________, see record review. |
| Yung, Bell, see book review (Lieberman). |
| Zeranska-Kominek, Slawomira. The Classification of Repertorie in Turkmen Traditional Music. 21/2: 90-109. |
| __________, with Kostrubiec and Wierzejewska. Universal Symbols in the Bukharan Shasmaqam. 14/1: 74-93. |
| Ziporyn, Evan, see book review (Von Gunden). |
| __________, see record reviews. |
| Zonis, Ella, see book review (Nettl). |
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03 January, 2000