 |
Journal of the Society
for Asian Music ASIAN MUSIC  VOLUMES
I-XXXIndex |
| Part 3: Subjects of Articles T-Z | |
| T’ang dynasty | dance music of 5/1 (Wolpert et al.) |
| musical instrument makers 6/1-2 (Gimm) | |
| musical instruments 6/1-2 (Hayashi) | |
| political protest poetry 5/1 (Yan Yin Liu) | |
| tabla | 2/2 (Krishnaswami); 3/2 (Roach); 20/1 (Hardgrave and Slavek) |
| tabla playing | Banaras style 3/2 (Roach) |
| Taiwan | dance drama 5/1 (Chen Fu-yen) |
| Tajik folk music | preservation of 12/1 (Levin) |
| Tajik folk theater | 8/1 (Nurjanov) |
| Tajik maqams | see shashmaqam |
| Tajik puppetry | 8/1 (Nurjanov) |
| taksim | 22/1 (Feldman) |
| talas | use in kriti 24/1 (Jackson) |
| use in modern Western music of 1/1 (Cage) | |
| Tale of Genji | music in 2/1 (Lieberman); 2/2 (Harper) |
| tambur (tanbur) | 6/1-2 (Hoerburger); 13/2 (Hassan) |
| tambura | 2/2 (Krishnaswami); 20/1 (Hardgrave and Slavek) |
| Tan Dun string quartet | academic versus music of the masses 22/2 (Chang) |
| shi jing movement 22/2 (Chang) | |
| sources of quartet 22/2 (Chang) | |
| tanjidor | 7/1 (Heins) |
| Tansen | 17/1 (Neuman) |
| tazieh | 13/2 (Benjamin) |
| tegotomono | 11/2 (Burnett) |
| Teheran (Iran) | music culture 15/2 (Nettl) |
| tembang (Javanese sung poems) | 7/2 (Hatch) |
| tetrayuga | 24/1 (Simms) |
| Thai | see also Siamese |
| Thai music | 13/2 (Duriyanga); 15/2 (Miller) |
| Thailand | cassette industry 21/1 (Wong) |
| popular music 21/1 (Wong); 27/2 (Lockard) | |
| throat singing | 4/2 (Aksenov) |
| Tianjin Shidiao | 26/1 (Rebollo-Sborg) |
| Tibet | art music 10/2 (Rakra) |
| Buddhist music, symbolism in 10/2 (Dorje and Ellingson); 25/1-2 (Pennanen); 25/1-2 (Mabbett) | |
| concepts of music 1/2 (Lhalungpa) | |
| drama | |
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| epic song 10/2 (Helffer) | |
| folk and minstrel music 1/2 (Lhalungpa) | |
| goddess of melody 10/2 (Tsong kha pa) | |
| monasteries, musical traditions of 10/2 (Rakra) | |
| monastic chant 10/2 (Ellingson) | |
| monastic vocal music, classification of 10/2 (Ellingson) | |
| musicology developments in 28/1 (Collinge) | |
| Tibetan Buddhist Monastery of Nechung in India 23/2 (Pertl) | |
| Tibetan music | flight metaphors in 5/2 (Ellingson-Waugh) |
| notation in 28/1 (Collinge) | |
| philosophy of 10/2 (Dorje and Ellingson) | |
| relation to shamanism 5/2 (Ellingson-Waugh) | |
| vocal techniques in 5/2 (Ellingson-Waugh) | |
| aesthetics of 10/2 (Dorje and Ellingson) | |
| Chinese influences in 10/2 (Rakra) | |
| Indian influences in 10/2 (Rakra) | |
| philosophy of 10/2 (Sa skya Pandita) | |
| Tibetan musical instruments 5/2 (Ellingson-Waugh); 10/2 (Rakra) | |
| Tibetan opera (lha mo) 10/2 (Snyder) | |
| Tibetan performing arts -- philosophy of 10/2 (Snyder) |
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| Tibetan religion -- role of music in 1/2 (Lhalungpa) |
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| Tibetan religious music 10/2 (Rakra) | |
| Tibetan ritual dance 10/2 (Rakra) | |
| Tibetan vocal music -- role of melody in 10/2 (Ellingson) |
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| tikara | 20/1 (Hardgrave and Slavek) |
| timbre in Asian music | 1/1 (Chou); 1/2 (Kuttner) |
| Tokugama period, Japan | 27/1 (Groemer) |
| tomra (tumba, tumbi) | 20/1 (Hardgrave and Slavek) |
| tonal centers | in Islamic music 16/1 (al Faruqi) |
| topeng | 16/2 (Suanda) |
| tourism | culture shows 23/2 (Rubenstein) |
| traditional music | progressivism and rejection of 11/1 (Shiloah) |
| tumba (tumbi, tomra) | 20/1 (Hardgrave and Slavek) |
| tuning systems, Chinese | 6/1-2 (Kuttner) |
| Turkey | role of music in daily village life 3/1 (Tewari) |
| Turkish music | art music, concepts in 12/1 (Signell) |
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| classical music 22/1 (Feldman) | |
| folk music 3/1 (Tewari); 6/1-2 (Reinhard) | |
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| preservation of 12/1 (Levin) | |
| folk singing, gender and age differences in 3/1 (Tewari) | |
| lutes 6/1-2 (Reinhard) | |
| music, Europeanization of 7/2 (Signell) | |
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| Turkish repertoire | composers of 22/1 (Feldman) |
| Fasil 22/1 (Feldman) | |
| taksim 22/1 (Feldman) | |
| Turkish singers | 6/1-2 (Reinhard) |
| Turkmen music, | sociocultural context 21/2 (Zeranska-Kominek) |
| Turkmen musical instruments | 21/2 (Zeranska-Kominek) |
| Turkmen narrative songs | in bakhshi repertoire 4/1 (Blum); 21/2 (Zeranska-Kominek) |
| Tuvin folk music | 4/2 (Aksenov) |
| Tyagaraja | 17/1 (Neuman); 24/1 (Jackson) |
| Tyagaraja festival | 1/1 (Higgins) |
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| ud | 3/1 (Grame); 18/1 (Bohlman) |
| Ugyur (Uighur) | classical music 14/1 (Czekanowska) |
| performing arts 16/1 (Mackerras) | |
| ustad (master musician) | 7/2 (Silver); 18/2 (Owens) |
| Uzbek and Tajik maqams (makoms) | 13/1 (Karamatov and Radjabov); 14/1 (Zeranska-Kominek et al.) |
| Uzbek folk instruments | modern reconstructions of 2/2 (Slobin) |
| use for performing Western music 2/2 (Slobin); 12/1 (Levin) | |
| Uzbek music | influence of Tajik, Turkmen, and Kirghiz on 4/1 (Karamatov) |
| preservation of 2/2 (Slobin); 12/1 (Levin) | |
| regional styles of 4/1 (Karamatov) | |
| relation to Tajik folk music 12/1 (Levin) | |
| rhythm 15/1 (Karamatov) | |
| Uzbek musical instruments | 15/1 (Karamatov) |
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| van Aalst, J. A. | 19/2 (Han) |
| van Gulik, Robert Hans | 1/1 (Lieberman) |
| Vedas, recitation of the | 6/1-2 (Jairazbhoy); 9/1 (Rowell) |
| vichitra vina (batta bin) | 2/2 (Krishnaswami) |
| Vietnamese | chamber music 7/1 (Trainor) |
| modes 7/1 (Trainor); 18/1 (Nguyen) | |
| music influence of Cham music 2/1 (Addiss) | |
| musical ensembles 7/1 (Trainor) | |
| musical instruments 18/1 (Nguyen) | |
| traditional music performance of 3/1 (Khe) | |
| preservation of music 3/1 (Khe) | |
| vina | 2/2 (Krishnaswami); 16/2 (Subramanian); 18/1 (Wrazen); 20/1 (Hardgrave and Slavek); 21/2 (Swift) |
| violin | use in Karnatak music 21/2 (Swift) |
| vocal techniques | in Tuvin narrative song 4/2 (Aksenov) |
| Vong Co | 7/1 (Trainor) |
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| wayang | 14/1 (Becker); 14/1 (Perlman); 16/2 (Suanda); 21/1 (Brinner) |
| West Java | popular music 18/1 (Manuel and Baier) |
| social context of performing arts 13/1 Suanda) | |
| Western music, Asian influences in 1/1 (Cage); 1/1 (Cho); 16/1 (Reck) | |
| wiletan | 11/2 (Forrest) |
| wind instruments | Burma 2/1 (Okell) |
| China 10/1 (Thrasher) | |
| China, Shang dynasty 15/1 (Tong Kin-Woon) | |
| India 2/2 (Krishnaswami); 20/1 (Hardgrave and Slavek) | |
| Japan 1/2 (Berger); 8/2 (Tsuge) | |
| Malay 16/2 (Matusky) | |
| wusta | 22/1 (Schuyler) |
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| xipi | 20/2 (Huang Jinpei) |
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| Yemen | At-turath 22/1 (Schuyler) |
| lute 22/1 (Schuyler) | |
| Ministry of Information and Culture 22/1 (Schuyler) | |
| origins of cloth 22/1 (Schuyler) | |
| Wa Mugharid 22/1 (Schuyler) | |
| wusta 22/1 (Schuyler) | |
| Yue Ji | 26/2 (Cook) |
| yongnam nongak | 23/1 (Howard) |
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| Zefira, Beracha | 17/2 (Flam) |
| Zen Buddhism | influences on East Asian aesthetics 6/1-2 (Scott) |
| zheng | 14/2 (Cao Zheng) |
| compared to Japanese Koto 26/2 (Thrasher) | |
| zhi | 19/2 (Yeh) |
| Zhou Xuan | popular twentieth century music in China 26/2 (Stock) |
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