| |
Articles |
|
| Tolga
Bektas |
Relationships
between Prosodic and Musical Meters in the Beste Form of
Classical Turkish Music |
1-26 |
| Anne
Prescott |
The
Donkey's Ears Go Flop, Flop; Miyagi Michio's Koto Works for Children |
27-43 |
| I
Nyoman Sedana |
Collaborative
Music in the Performance of the Balinese Shadow Theater |
44-59 |
| Greg
Booth |
Pandits
in the Movies: Contesting the Identity of Hindustani Classical Music
and Musicians in the Hindi Popular Cinema |
60-86 |
| Susan
M. Asai |
Cultural
Politics: The African American Connection in Asian American Jazz-based
Music |
87-108 |
| Michael
Tenzer |
Review
Essay: Wayan Gandera and the Hidden History of Gamelan Gong
Kebyar |
109-122 |
| |
|
|
| |
Book
Reviews |
|
| Jeremy
Wallach |
José
S. Buenconsejo. Songs and Gifts at the Frontier: Person and
Exchange in the Agusan Manobo Possession Ritual, Philippines. |
123-127 |
| Thomas
M. Hunter |
George
E. Ruckert. Music in North India: Experiencing Music, Expressing
Culture. |
127-129 |
| |
|
|
| |
Audio
Recording Review |
|
| Henry
Johnson |
Agatsuma.
Beyond. |
130-132 |
| |
|
|
| |
Video
Recording Reviews |
|
| Amelia
Maciszewski |
Amy
Catlin-Jairazbhoy (narrator) with Nazir Ali Jairazbhoy. From
Africa to India: Music of the Sidis and the Indian Ocean Diaspora. |
132-135 |
| Veit
Erlmann |
Wim
van Zanten and Bart Barendregt. Told in Heaven to Become Stories
on Earth: A Study of Change in Randai Theatre of the Minangkabau
in West Sumatra Using Visual Documentation from the 1930s. |
135-137 |
| |
About
the Contributors |
139-141 |
| |
|
|
| |
Asian
Music Contents |
|
Winter/Spring
2005