| |
Articles |
|
| Michael
Bodden |
Rap
in Indonesian Youth Music of the 1990s: "Globalization,"
"Outlaw Genres," and Social Protest |
1-26 |
| Barley
Norton |
Singing
the Past: Vietnamese Ca Tru, Memory, and Mode |
27-56 |
| Michael
S. Peluse |
Not
Your Gradfather's Music: Tsugaru Shamisen Blurs the Lines
between "Folk," "Traditional," and "Pop" |
57-80 |
| Manolete
Mora |
Mind,
Body, Spirit, and Sould: A Filipino Epistemology of Adeptness in
Musical Performance |
81-95 |
| Terry
Miller |
From
Country Hick to Rural Hip: A New Identity through Music for Northeast
Thailand |
96-106 |
| |
|
|
| |
Book
Reviews |
|
| Tong
Soon Lee |
Xiao
Mei, Bell Yung, and Anita Wong (eds.). The Musical Arts of Ancient
China |
107-108 |
| Greg
Booth |
Gert-Matthias
Wegner. Vintage Tabla Repertory |
108-109 |
| Sean
Williams |
Andrew
N. Weintraub. Power Plays: Wayang Golek Puppet Theater of West
Java |
109-113 |
| |
|
|
| |
Audio
Recording Review |
|
| Rolf
Groesbeck |
Drumming
and Chanting in God's Own Country: The Temple Music of Kerala in
South India |
114-116 |
| Alison
Arnold |
Sidi
Sufis: African Indian Mystics of Gujarat |
117-120 |
| Marc
Perlman |
Music
of the Gambuh Theater: Bali's Ancient Dance Drama. Performed
by Seka Gambuh Pura Desa Adat Batuan, The Gambuh Ensemble
of Batuan's Village Temple |
120-125 |
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|
|
| |
Video
Recording Reviews |
|
| David
Goldsworthy |
Play
the Saluang Flute, Use Your Fifth Finger: Lyrical Songs
from Payakumbuh, West Sumatra |
126-128 |
| |
About
the Contributors |
129-131 |
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|
| |
Asian
Music Contents |
|
Summer/Fall
2005