| |
Articles |
|
| R.
Anderson Sutton |
Tradition
Serving Modernity? The Musical Live of a Makassarese Drummer |
1-23 |
| Amporn
Jirattikorn |
Lukthung:
Authenticity and Modernity in Thai Country Music |
24-50 |
| Min-Jung
Son |
Regulating
and Negotiating in T'ûrot'û, a Korean Popular Song Style |
51-74 |
| Henry
Johnson |
Tsugaru
Shamisen: From Region to Nation (and Beyond) and Back Again |
75-100 |
| Sean
Williams |
Irish
Music and the Experience of Nostalgia in Japan |
101-119 |
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Book
Reviews |
|
| Alan
L. Kagan |
Jonathan
P. J. Stock. Huju: Traditional Opera in Modern Shanghai. |
120-127 |
| Philip
Flavin |
Henry
Johnson. The Koto: A Traditional Instrument in Contemporary
Japan. |
127-134 |
| Gordon
Thompson |
Satyendra
K. Sen Chib. Companion to North Indian Classical Music. |
134-136 |
| Yayoi
Uno Everett |
Luciana
Galliano. Yogaku: Japanese Music in the Twentieth Century. |
136-142 |
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| |
Audio
Recording Reviews |
|
| Jennifer
Milioto Matsue |
Christopher
Yohmei Blasdel. Visionary Tones: Traditional and Contemporary
Kinko Style Shakuhachi Music. |
143-148 |
| Jay
Keister |
Artur
Simon (ed) with Susanne Ziegler (co-ed). Walzennaufnahmen Japanischer
Musik / Wax Cylinder Recordings of Japanese Music 1901-1913. |
149-153 |
| John
Morgan O'Connell |
Linda
Burman-Hall, İhsan Özgen, and Lux Musica. Cantemir:
Music in Istanbul and Ottoman Europe around 1700. |
153-157 |
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| |
Video
Recording Reviews |
|
| Lisa
Ukevich |
Mei-Juin
Chen (dir). The Worlds of Mein Lanfang. |
158-160 |
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About
the Contributors |
161-163 |
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Asian
Music Contents |
|
Winter/Spring
2006