| |
Articles |
|
| Edward
O. Henry |
The
Pūrvī in Bhojpurī-speaking India: Structure
and Flux in a Disappearing Genre |
1-33 |
| I
Wayan Sinti and Annette Sanger |
Gamelan
Manikasanti: One Ensemble, Many Musics |
34-57 |
| Benjamin
D. Koen |
Musical
Healing in Eastern Tajikistan: Transforming Stress and Depression
through Falak Performance |
58-83 |
| Kendra
Stepputat |
Nice
'n' Easy—The Balinese Gamelan Rindik: Its Music, Musicians,
and Value as Tourist Art |
84-121 |
| David
W. Music |
"The
First Indian Tune that Ever was Wrote Out": An Early Example
of "World Hymnody" from the Subcontinent |
122-140 |
| Ruby
Ornstein |
Wayan
Gandera Redux |
141-146 |
| |
|
|
| |
Book
Reviews |
|
| Cynthia
P. Wong |
Nimrod
Baranovitch. China's New Voices: Popular Music, Ethnicity, Gender,
and Politics, 1978-1997. |
147-150 |
| Paul
D. Greene |
Kathryn
S. March. "If Each Comes Halfway": Meeting Tamang
Women in Nepal. |
150-153 |
| Rolf
Groesbeck |
Laurent
Aubert. Les Feux de la Deese: Rituels villageouis du Kerala
(Inde du Sud). |
153-157 |
| |
|
|
| |
Audio
Recording Reviews |
|
| Zoe
Sherinian |
Qambel
Maran: Syriac Chants from South India |
158-161 |
| Joseph
J. Palackal |
Kerala:
(Inde de Sud/South India). Le chant des Pulluvan/Pulluvan Songs |
158-164 |
| Michael
Frishkopf |
Music
of Makran: Traditional Fusion from Coastal Balochistan. |
164-171 |
| |
|
|
| |
Video
Recording Reviews |
|
| Matthew
Allen |
South
Indian Classical Music House Concert with M. D. Ramanathan
and At Home with Master Musicians of Madras, Volume 1. |
172-175 |
| |
|
|
| Jonathan
P. J. Stock |
A
Response to Kagan's Reivew of Huju: Traditional Opera in Modern
Shanghai. |
176-177 |
| |
About
the Contributors |
178-181 |
| |
|
|
| |
Asian
Music Contents |
|
Summer/Fall
2006