| |
Articles |
|
| Mina
Yang |
East
Meets West in the Concert Hall: Asians and Classical Music in the
Century of Imperialism, Post-colonialism, and Multiculturalism |
1-30 |
| Deniz
Ertan |
Cycles
and Peripheries: An Ottoman Kitab el-Edvar |
31-60 |
| David
Harnish |
"Digging"
and "Upgrading": Government Efforts to "Develop"
Music and Dance in Lombok, Indonesia |
61-87 |
| Lei
Ouyang Bryant |
Flowers
on the Battlefield Are More Fragrant |
88-122 |
| Huib
Schippers |
The
Guru Recontextualized? Perspectives on Learning North Indian Classical
Music in Shifting Environments for Professional Training |
123-138 |
| |
|
|
| |
Book
Reviews |
|
| David
Henderson |
Ritwik
Sanyal and Richard Widdess. Dhrupad: Tradition and Performance
in Indian Music. |
139-141 |
| R.
Anderson Sutton |
Henry
Spiller. Gamelan: The Traditional Sounds of Indonesia. |
142-144 |
| |
|
|
| |
Audio
Recording Reviews |
|
| Paul
Humphreys |
Island
Dreams: Songs and Lullabies Carried on the Wind |
145-146 |
| Gordon
Thompson |
Kartik
Seshadri. Raga: Rasa, That which Colors the Mind |
147-149 |
| Miriam
Gerberg |
Oh,
Lovely Parrot!: Jewish Women's Songs from Kerala |
149-153 |
| Katherine
Butler Brown |
Ilaiyaraaja.
How to Name It?
Ilaiyaraaja with Hariprasad Chaurasia. Nothing but Wind |
153-155 |
| Saida
D. Daukeyeva |
Kazakhstan.
Le Kobyz. L'ancienne viole des chamanes / Kazakhstan. the Kobyz.
the Ancient Viol of the Shamans
Raushan Orazbaeva. Akku. Kazakhstan. Kyl-kobyz |
155-161 |
| |
|
|
| |
Video
Recording Reviews |
|
| Edward
O. Henry |
Colours
of Earth |
162-163 |
| |
|
|
| |
About
the Contributors |
164-166 |
| |
|
|
| |
Asian
Music Contents |
|
Winter/Spring
2007