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Articles |
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| Zhang Boyu |
Traditional Chinese Music in a Changing Contemporary Society: A Field Report of the Quantou Music Association, Baiyangdian Lake Region, Hebei Province |
1-43 |
| Reed Andrew Criddle |
Rectifying Lasciviousness through Mystical Learning: An Exposition and Translation of Ruan Ji's Essay on Music |
44-70 |
| Martin Clayton |
Time, Gesture, and Attention in a Khyāl Performance |
71-96 |
| Ahmad Sarmast |
The Naghma-ye Chārtuk of Afghanistan: A New Perspective on the Origin of a Solo Genre |
97-114 |
| Andrew McGraw |
The Pia's Subtle Sustain: Contemporary Ethnic Identity and the Revitalization of the Lanna "Heart Harp" |
115-142 |
| Margaret E. Walker |
In Memoriam: T. K. Govind Vidyarthi (1912-2006) |
143-145 |
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Book
Reviews |
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| John Winzenburg |
Yu Siu-wah. Such Are the Fading Sounds |
146-148 |
| Michael Bodden |
The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891-1903 |
149-150 |
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Audio
Recording Reviews |
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| Shalini Ayyangari |
"Hori Hai": A Festival of Colours!! |
151-153 |
| David Trasoff |
Amjad Ali Khan. Mystic Sarod |
154-156 |
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About
the Contributors |
157-159 |
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Asian
Music Contents |
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Summer/Fall
2007