| |
Articles |
|
| Jonathan McIntosh |
Dancing to a Disco Beat? Children, Teenages, and the Localizing of Popular Music in Bali |
1-35 |
| David Novak |
Playing Off Site: The Untranslation of Onkyô |
36-59 |
| V. N. Muthukumar |
Beyond Tālaprastāra in Indian Music: Prosody as a Generating Function of Rhythmic Complexity in Arunakirinātar's Tiruppukal |
60-88 |
| Christina Sunardi |
Making Sense and Senses of Locale through Perceptions of Music and Dance in Malang, East Java |
89-126 |
| Yuhwen Wang |
Expressiveness in the Premodern Performance Style of Chinese Music: "Equanimity" in Abing |
127-165 |
| |
|
|
| |
Book
Reviews |
|
| Hwee-San Tan |
Stephen Jones. Plucking the Winds: Lives of Village Musicians in Old and New China. |
166-168 |
| Gregory Booth |
Sangita Gopal and Sujata Moorti (editors). Global Bollywood: Travels of Hindi Song and Dance. |
168-169 |
| Jesse A. Johnston |
Mitchell Clark (text). Sounds of the Silk Road: Musical Instruments of Asia. |
169-172 |
| |
|
|
| |
Audio
Recording Reviews |
|
| Sumarsam |
Gamelan de Solo—Le jeu des Sentiments (A Garland of Moods). |
173-175 |
| Alison Arnold |
The Rough Guide to Bollywood Gold. |
175-178 |
| Virginia Danielson |
Women of Egypt 1924-1931: Pioneers of Stardom and Fame. |
179-181 |
| Rolf Groesbeck |
Lalgudi G. Jayaraman. Singing Violins.
U. Srinivas. Mandolin Melodies. |
181-183 |
| |
|
|
| |
Video
Recording Reviews |
|
| Edward O. Henry |
Khayal Darpan: An Indian Filmmaker Journeys through Classical Music in Pakistan. |
184-185 |
| |
|
|
| |
About
the Contributors |
186-188 |
| |
|
|
| Asian
Music |
Contents Index |
|
