| Steven Slawek |
From the (Soon to Be Ex-) Editor |
1-3 |
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Articles |
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| Joys H. Y. Cheung |
Singing Ancient Piety and Modernity in "Song of Familial Bliss" (1935): Musical Translation of Huang Zi (1904-1938) in Interwar China |
4-58 |
| Kim Chow-Morris |
Going with the Flow: Embracing the Tao of China's Jiangnan Sizhu |
59-87 |
Hon-Lun Yan and
Michael Saffle |
The 12 Girls Band: Traditions, Gender, Globalization, and (Inter)national Identity |
88-112 |
| Terry Miller |
Appropriating the Exotic: Thai Music and the Adoption of Chinese Elements |
113-148 |
| David Dennen |
The Third Stream: Odiśī Music, Regional Nationalism, and the Concept of "Classical" |
149-179 |
| Kalyan Mukherjea |
Radhika Mohan Maitra: His Life and Times (with an appendix by Kalyan Mukherjea and Peter Manuel) |
180-197 |
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Book
Reviews |
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| Stefan Fiol |
Yoshitaka Terada, ed. Music and Society in South Asia: Perspectives from Japan |
198-203 |
| Theodore Levin |
Nathan Light. Intimate Heritage: Creating Uyghur Muqam Song in Xinjiang |
204-206 |
| Shzr Ee Tan |
Tong Soon Lee. Chinese Street Opera in Singapore
Nancy Guy. Peking Opera and Politics in Taiwan |
206-211 |
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Audio
Recording Reviews |
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Lap M. Siu and
Jeffrey P. Williams |
Anăk Čŭ Čhiăng: The Original People of Vietnam's Central Highlands |
212-215 |
| Leslie Hall |
The Art of the Early Egyptian Qanun |
215-217 |
| Chuen-Fung Wong |
Taïwan—Musique des Hakka: Chants Montagnards et Musique Instrumentale Bayin (Taiwan—Music of the Hakka: Mountain Songs and Bayin Instrumental Music) |
217-219 |
| David Henderson |
Voices for Humans, Ancestors, and Gods: A Musical Journey through India's Interior (East and North-East) |
219-222 |
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About
the Contributors |
223-226 |
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Errata, Asian Music 41:1 |
227-232 |
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Asian
Music |
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Summer/Fall
2010