| Ricardo D. Trimillos |
From the Editor |
1-2 |
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Articles |
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| Francesca R. Sborgi Lawson |
Music in Ritual and Ritual in Music: A Virtual Viewer's Perceptions about Liminality, Functionality, and Mediatization in the Opening Ceremony of the 2008 Beijing Olympic Games |
3-18 |
| Hsin-chun Tasaw Lu |
Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese in Central Rangoon |
19-55 |
| Maria Mendoça |
Gamelan Performance outside Indonesia "Setting Sail": Babar Layar and Notions of Bi-musicality" |
56-87 |
| Kwok-Wai Ng |
In Search of the Historical Development of Double-reed Pipe Melodies in Japanese Tōgaku: Early Hypotheses and New Perspectives |
88-111 |
| Joseph S. C. Lam |
Music and Masculinities in Late Ming China |
112-134 |
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Book
Reviews |
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| Benjamin Brinner |
Sarah Weiss. Listening to an Earlier Java: Aesthetics, Gender, and the Music of Wayang in Central Java. |
135-139 |
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Audio
Recording Reviews |
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| Nathan Light |
Turkestan chinois. Le Muqam des Dolan. [Chinese Turkestan. The Muqam of the Dolan]
Musique des Ouïgours du désert de Taklamakan [Music of the Uyghurs of Taklamakan Desert] |
140-143 |
| J. Lawrence Witzleben |
Chine: "Le pêcheur et le bûcheron": Le qin, cithare des lettrés [China: "The Fisherman and the Woodcutter": The Qin, Zither of the Literati] |
144-146 |
| Mark Kligman |
A Song of Dawn: the Jerusalem Sephardi Baqqashot at the Har Tzyion Synagogue |
146-149 |
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About
the Contributors |
150-151 |
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Asian
Music |
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Summer/Fall
2011