| Ricardo D. Trimillos |
From the Editor |
1-2 |
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Articles |
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| Shalini Ayyagari |
Spaces Betwixt and Between: Musical Borderlands and the Manganiyar Musicians of Rajasthan |
3-33 |
| Chuen-Fung Wong |
Reinventing the Central Asian Rawap in Modern China: Musical Stereotypes, Minority Modernity, and Uyghur Instrumental Music |
34-63 |
| Elise Anderson |
The Construction of Āmānnisa Khan as a Uyghur Musical Culture Hero |
64-90 |
| Ann E. Lucas |
Caught between Heaven and Hell: The Morality of Music and Cosmologies of the Past in Persian Writings on Listening, c. 1040-1800 |
91-130 |
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Book
Reviews |
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| Joseph Getter |
Gregory D. Booth. Behind the Curtain: Making Music in Mumbai's Film Studios (Oxford). |
131-137 |
| Ben Krakauer |
Richard K. Wolf (ed.). Theorizing the Local: Music, Practice, and Experience in South Asia and Beyond (Oxford). |
137-139 |
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Recording Reviews |
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| Ralph Samuelson |
Marty Regan: Forest Whispers... Selected Works for Japanese Instruments (Navona Records) |
140-143 |
| Gavin Douglas |
Ward Keeler and Philip Yampolski. Birmanie: Musique du théâtre classique / Burma: Classical Theatre Music (CD-ROMs: Archives Internationales de Musique Populaire) |
143-145 |
| Peter Manuel |
Enrique Cámara de Landa. Musica y artes escénicas de la India (Music and dramatic arts of India). (DVD: Universidad de Valladolid) |
146-147 |
| Michael Frishkopf |
Sufi Music: The Rough Guide to Sufi Music. (CD-ROM: World Music Network) |
148-155 |
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About
the Contributors |
156-158 |
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Asian
Music |
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Winter/Spring
2012