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| Ricardo D. Trimillos |
From the Editor |
1-3 |
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| Articles |
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| LeRon James Harrison |
Gagaku in Place and Practice: A Philosophical Inquiry into the Place of Japanese Imperial Court Music in Contemporary Culture |
4-27 |
| Keisuke Yamada |
Rethinking Iemoto: Theorizing Individual Agency in the Tsugaru Shamisen Oyama-ryū |
28-57 |
| Lawrence N. Ross |
Across Borders and Genres in Malaysia and Thailand: The Changgong Rhythm of the Andaman Sea Coast |
58-84 |
| Gregory D. Booth |
A Long Tail in the Digital Age: Music Commerce and the Mobile Platform in India |
85-113 |
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| Book Reviews |
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| Stéphane Dorin |
Gregory D. Booth and Bradley Shope, eds. More Than Bollywood: Studies in Indian Popular Music |
114-117 |
Jane Harvey and
Joep Bor |
Nicolas Magriel with Lalita du Perron. The Songs of Khayal |
117-120 |
| Alexander M. Cannon |
Lauren Meeker. Sounding Out Heritage: Cultural Politics and the Social Practice of Quan Họ Folk Song in Northern Vietnam |
121-124 |
| Kendra Stepputat |
Felicia Hughes-Freeland. Embodied Communities: Dance Traditions and Change in Java |
124-128 |
| Bruno Deschênes |
Matt Gillan. Songs from the Edge of Japan: Music-Making in Yaeyama and Okinawa |
128-131 |
| W. Anthony Sheppard |
Bonnie C. Wade. Composing Japanese Musical Modernity |
132-134 |
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| Recording Reviews |
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| Mary Talusan |
Kulintang: Gong Music from Mindanao in the Southern Philippines and Maranao Culture at Home and in the Diaspora |
135-139 |
| Leslie R. Hall |
Besktekâr III. Selim Hân/Composer Sultan Selim Khan III |
139-143 |
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| Multimedia Review Essay |
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| Philip Yampolsky |
Longing for the Past: The 78 rpm Era in Southeast Asia |
144-148 |
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About
the Contributors |
149-151 |
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| Asian Music Volume Contents |
Winter/Spring
2017