Weddings: Rite, Metaphor,
System Sarah Goodwin, Professor of English & Associate
Dean of Faculty
Reverend Thomas Davis, Professor Emeritus of Religion
Chrys Ingraham, Visiting Professor of Sociology
The seminar explored the wedding as legal, social, psychological,
metaphorical,
economic, and esthetic event. Starting with a series of paintings
in a solo show by Julia Jacquette (Skidmore ‘86) at
the Tang Museum, students then launched into a multidisciplinary
analysis of wedding culture. Readings included selections
from the following: the Song of Songs and The Book of Revelation;
White Weddings by Chrys Ingraham; Shakespeare’s The
Tempest; Spenser’s “Epithalamion”; Northrup
Frye’s Anatomy of Criticism; readings from the current
debate about gay marriages; Freud’s Civilization and
its Discontents; Austen’s Pride and Prejudice; and Lawrence
Stone’s The Family, Death, and Marriage in England.
Words Making Worlds: The Act of Constitution Beau Breslin, Assistant Professor of Government &
Director, Law and Society
Tadahisa Kuroda, David H. Porter Professor of History
Grace Burton, Professor of Spanish & Dean of Studies
This course examined what constitutions do and what purposes
they serve. It took as its launching point the assumption
that constitutional texts, while differing dramatically in
how well they manage politics, do not differ widely in their
functions. By studying a variety of constitutions from nations
around the world, students explored the extent to which these
different constitutions carry out similar tasks. But this
course also explored the larger problem faced by any constitution-makers:
the challenge of creating a stable, legitimate political regime
out of mere words on a page.
Ways of Looking, Ways of Being:
Disability Narrative and Theories of Self Prof. Susannah Mintz, English
This MALS seminar offered students an exploration of embodiment,
identity, and the transformative potential of life-writing.
Focused on selected contemporary disability narratives, the
course investigated what the status of “anomalous”
bodies—bodies that don’t fit established categories—tells
us about dominant attitudes toward (and anxieties about) subjectivity.
Because disability is the one marginal category to which all
people are susceptible, the lines of demarcation between able
and disabled bodies are tenuous in the extreme, and many people
will cross those thresholds more than once as they age. A
study of why cultures construct some bodies as ideal and others
as afflicted stimulated a conversation about the cultural
frameworks that shape who we are and how we understand ourselves
in relation to the larger community.
Journeys Through the Maze Marc-Andre Wiesmann, Professor of French
Penny Jolly, Professor of Art History
Hedi Jaouad, Professor of French
The course was a survey of the most salient avatars of labyrinths
in the West. Through chronological investigation spanning
from Greek Antiquity to a 21st century U.S. college campus,
students gained a sense of the continuity of an imaginative
tradition which has invested the motif of the labyrinth with
an astounding spectrum of signifying possibilities in a wide
variety of domains: visual and verbal arts, opera, literary
theory, gender theory, philosophy, psychology, politics, cultural
studies, and more. Students studied how the labyrinth functions
in a multiplicity of historical, cultural, social and even
spiritual contexts.
The Many Faces of Carmen Michael Mudrovic, Associate Professor of Spanish
Grace Burton, Professor of Spanish & Dean of Studies
Given her portrayal as an indifferent seductress, many consider
the figure of Carmen the female equivalent of Don Juan. In
dialogue with Evlyn Gould’s study, The Fate of Carmen,
this seminar was designed to explore the representation of
this intriguing figure in three different genres: Merimé’s
short novel, Bizet’s opera, and Carlos Saura’s
flamenco dance film. In addition to the basic issues of textuality
and representation, students examined Carmen from a variety
of viewpoints. One of the major issues raised by these works
concerns the definition of national identity: What is Spain
and how does Carmen embody Spanish culture? From the perspective
of gender studies, why is Carmen a ‘femme fatale’?
How does this stereotype confirm or alter conventional images
of both women and men? Other approaches were explored, such
as the historical, political, and cultural situations at the
time these works were produced.
Tibetan Buddhism Prof. Joel Smith, Philosophy and Religion
This seminar was a study of classical and contemporary Tibetan
Buddhism that examined how Tibetan Buddhist ideas are intertwined
with religious praxis. The course focused on the Vajrayana
form of Mahayana Buddhism that is the central element in the
culture of Tibet, as well as its Mahayana Buddhist background
in India. Emphasis was on the central ideas of wisdom, compassion,
dependent arising, and the two truths and how these ideas
are expressed in the practice of religious art, institutions,
meditation, and rituals.
Brain, Self, Culture Gerald Erchak, Professor of Anthropology
Gus Lumia, Professor of Psychology
Sue Bender, Professor of Anthropology
Sheldon Solomon, Ross Professor in Interdisciplinary Studies
& Psychology
Jack Conway, Professor of Sociology
This seminar focused on the brain and its role in evolution,
in adaptation, and in the creation of human behavior. Human
beings are existential paradoxes, locked in a dualistic phenomenology.
On the one hand, humans are animals like any others, products
of genetic evolution, seeking survival and the maintenance
of life itself. On the other hand, humans possess higher consciousness
and create the world within which we dwell; on this level,
the maintenance of human identity is our key concern. This
dualism is the source of many debates about the nature of
humans and human culture: nature/nurture, heredity/environment,
even sciences/humanities. It is the brain that makes us uniquely
human, and it is the brain that links the two planes of human
existence. Human conscious-ness is the brain; it is the linchpin
of our existence.
Fin de siecle Mentalities Prof. John Anzalone, Foreign Languages and Literatures
The end of the late nineteenth century in France was a time
of great social upheaval in many spheres: social, artistic,
scientific, psychological. In a very important sense, the
fin de siecle period ushered in changes we still struggle
with today, at the same time as it presented us with new tools
for the analysis and understanding of those changes. This
seminar examined the mentalities that collided with one another
one hundred years ago by reading the novel L’Eve future/Eve
of the Future Eden, by Villiers de l’Isle-Adam. L’Eve
future is not only a novel that mirrors the most significant
nineteenth century artistic and technological developments,
it invites cross-disciplinary discussion to resituate and
better decipher its ideological discourse on the feminine.
Critical Perspectives on African Literature Hedi Jaouad, Professor of French
Lisa Aronson, Professor of Art History
Johari Harris, Professor of Philosophy
Chris Whann, Professor of Government
This seminar gave students a sense of the changes that have
occurred in African societies as a result of European colonial
presence. Students gained insight into these changes by exploring
such themes as cultural alienation, quest for national identity
and the problem of colonialism, language, and culture. Novels,
films, as well as readings in political science, anthropology,
and history provided a framework for understanding and discussing
these social, cultural, and psychological changes.
Civil Rights: Changing Meanings of
Freedom Prof. Joanna Zangrando, American Studies
Prof. Leslie Brown, American Studies
The seminar focused on the Civil Rights Movement, a broad
and complex time period. As a discipline history asks questions
about change: what changed; how it changed; who was responsible
for the changes; and what were the outcomes. Students considered
change on a variety of levels, moving from the broad to the
specific and back again. The class took the approach of social
history, focusing less on the political/legal aspect of civil
rights and more on the people involved: how did African Americans
effect change and how did change affect them? Students considered
three or four moments or case studies in civil rights: school
desegregation, direct action protests, and political participation.
Creative Thought Matters.
Master of Arts Program
Skidmore College ·
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