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CONTACT INFO
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Karen Kellogg
kkellogg@skidmore.edu
518-580-5198 |
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STANDARD MAIL
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Skidmore College
815 North Broadway
Saratoga Springs
New York, 12866 |
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SKIDMORE PHONE
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518-580-5000 |
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Photography Projects l Maps l Visualization Resources
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Saratoga Water (2006)
Photography by Adam Wallace
This project analyzes the current drinking water source for Saratoga Springs, Loughberry Lake, and the potential future drinking water source, Saratoga Lake, through artistic photography. Using unique lighting and angles, this project asks the viewer to take a new look at these important bodies of water. This project was done as an independent study in the fall of 2005 and was presented in an exhibit in Case Gallery in February 2006. The show of 15 framed prints was later installed in a hallway in Dana Science Center. |
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Contested Waters (2006)
Photography by Adam Wallace and Josh Gerritsen
This project uses photography to explore the natural and human influences on the Saratoga Lake watershed. Starting at the headwaters of Kayaderosseras Creek and ending at the Saratoga Lake outflow at Fish Creek, this exhibition provides a visual context for understanding the competing interests that affect the surrounding watershed. This project was presented in an installation of 20 hanging photographs in the Dana Science Center in May 2006. |
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The Watershed in Pictures (2006)
Photography by Adam Wallace and Josh Gerritsen
Layout and design by Adam Wallace
This project uses digital photography in an interactive web-based format which gives the viewer the opportunity to explore the wateshed. Photography from "Saratoga Water" and "Contested Waters" is used in this project and is presented in a unique and dynamic way. |
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Visual Landscape Change Through Rephotography (2010)
Nicholas Liu-Sontag, Karen Kellogg, Alex Chaucer
What does change look like?
This project focused on capturing historical and current land-use trends in an effort to understand our interactions with the natural world, the impact of those interactions and how those interactions are changing. By using modern reproduced photographs from historical images, we explored these interactions through a medium that provides an accessible visual comparison.
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Creative Thought Matters.
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