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campus scene

A quiet passion Prof. Tad Kuroda honored
Fashion police
How songbirds dress for success
Creative Genius
Heather Hurst '97 wins MacArthur grant
Front man at the Tang
New museum director
Winning number Of odds and iPods
Sharing worldly words Acclaimed poet Rita Dove
Smooth operator
The "voice of Skidmore" retires
Professoriat What the faculty are up to
Hall of Famers make history
Sports standouts inducted
Sportswrap Thoroughbred highlights
Horn of plenty Joshua Redman in jazz residency
Beatlemania 2004 The MU 345 tradition rocks on
Faculty and alumni authors


Horn of plenty

"Part of the fun of jazz is creating your own structure and interest,” says world-class saxophonist Joshua Redman. Skidmore’s second McCormack Visiting Artist-Scholar, he was on campus for a week in October, working with student musicians and presenting a standing-room-only concert with bassist Rueben Rogers and drummer Ali Jackson.

After graduating from Harvard, Redman declined acceptance to Yale Law School in 1991 to take a year off to study and play jazz in New York City. Later that year he won the Thelonius Monk International Jazz Saxophone Competition, and in 1992 was voted Best New Artist in a Jazz Times readers’ poll. Law was left in the dust: “It was really easy to drop,” Redman confessed. “I was one of the unfortunate many who think about going to law school because they don’t know what else to do.”

In the last decade he’s recorded nine albums, been nominated for a Grammy, and won numerous polls in DownBeat and Rolling Stone magazines. But he remains modest about a key component of jazz: “Improvising? It’s a battlefield, man. A lot of times I struggle for inspiration. It takes courage—but really, it’s just telling your story in the moment, as you feel it.” —MTS