CC 223 : Semester project
Home : Syllabus : Calendar : Resources : Site map
Introduction.
 
     

As a semester project students will rewrite Aristophanes' Sexual Congress, updating the play for a 21st-century Skidmore audience.

Students will present the play in a lively staged reading on an evening in December.

   
 

The purpose of the project is for students to approach Greek comedy from a different direction -- to take on the role of a comic poet within the context of a living production, rather than the more passive role of a modern reader.  At issue here is the very notion of a classic -- what makes a work worthy of inclusion on a list of great works.

As this project is a group effort, everyone should conscientiously observe requirements and deadlines.  Workloads should be as even as possible; each student must pull his or her own weight. This page describes the scope and nature of the project.  Please refer to it often to ensure that you are well-informed.

   
Process.
 

The class will be assigned a wiki (what?) to facilitate the creation of its comedy, with each member being able to add to, subtract from, or otherwise edit the work in progress.  The final version will be, in the ideal, the harmonious product of many hands.

Enter the official CC 223 Project Wiki

NOTE:  All work must be posted on the wiki, which not only offers a convenient virtual workspace, but also keeps track of individual student contributions.  Without the latter, Professor Curley cannot tell who has contributed what.  It would be a shame for a student's good efforts to go unnoticed.

Although the writing of the play will demand much time, writing cannot happen without research.  The primary and secondary sources assigned in CC 223, as well as the discussions and other assigned activities, will provide background for the project;  yet further reading is not only inevitable, but also encouraged.  The broader and deeper the research, the broader and deeper the final play;  a shallow and narrow play, in turn, is the result of shallow and narrow research.  The links on the Resources page are a good place to start;  Professor Curley will be happy to recommend other reference works and readings.

It is therefore vital that the class meet regularly (ideally weekly) to discuss the status of the project, map out new directions, and exchange ideas.  The wiki technology facilitates individual contributions, but it is no substitute for face-to-face contact. The class is responsible for developing its own working dynamic, be it democratic, autocratic, bureaucratic, or some hitherto unknown system of rule.

Professor Curley's role is to monitor progress and assign grades to the completed project;  he will, as a last resort, moderate disputes.  Although he believes firmly in student autonomy, he must nonetheless offer feedback on the projects from time to time, usually in the form of questions, recommendations, and the odd bit of praise.  He will push, and will encourage each group to push back.

   
Milestones.
 

Several deadlines milestones will help keep the project on track.  Note that all of them, with the exception of the staged reading (which is TBD), are due on Sunday nights by 11:00 p.m.  Full instructions are found on the appropriate wiki pages, where all milestones are to be posted.

Summary and Progress report 1 (October 15)

Summary:   A description of how the group will approach its adaptation of the Sexual Congress.  Indicate the major changes to be made, and offer an overall sense of the plot.  Your reader should be able to understand your overal methods and perspective on the play.

Progress report 1:  An update on individual student activities since the beginning of the project.  Be as specific as possible:  Professor Curley must be able to discern who has done what.  The project wiki explains the format for this milestone.

Outline (October 29)

An outline of the play that follows the classic comedic structure (prologue, parodos, episodes, stasima, parabasis, epilogue, and exodos).   It must be clear from this outline what happens and who is involved.  The themes of the stasima, or choral odes, should also be stated.

Progress report 2 (November 5)

An update on activities since October 15.

Rough draft (November 19)

A working version of the play.  All matters pertaining to plot should now be settled.  Some gaps in speeches or songs are acceptable, provided that there are summaries of what is missing.

Progress report 3 (November 26)

An update on activities since November 5.

Performance draft (December 3)

A version of the play ready to be "performed" in the staged reading.

Staged reading (December 9, 7:00 - 8:30 p.m.)

An evening event open to the Skidmore community, in which students will bring their script to life.  This is not a full-on production, but it should be more than just reading from a page.  Somewhere in between, with serious attempts to engage your audience, would be ideal.

Final draft and final reflections (December 17)

The polished-to-perfection version of the Sexual Congress, ready to be archived for the ages.  Use the experience of the staged reading to differentiate this draft from the performance draft.

In addition to final draft, each student should email Prof. Curley some final thoughts on the project, about 700 words in all.  Choose any or all of the following topics:

  • How the semester project opened up new windows on Greek and Roman Comedy;
  • How the project fosters connections between hand and mind (the two principles on which Our Lady Lucy founded this institution);
  • How the project sheds light on the ancient staging process: what's the difference between modern and ancient stagecraft;
  • Your initial reaction to the project and your final reaction now that it is complete; and
  • Anything else you care to discuss or mention.
.
© Skidmore College Classics Department