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Skidmore College
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Hand and mind have been Skidmore College values since Lucy Scribner founded the Young Women's Industrial Club in 1903 with a curriculum blending the practical, the creative and the aesthetic. By the 1940s, liberal arts and civic engagement were integral to Skidmore's story. In one particularly impressive case, 260 Skidmore College students, supervised by City Planning Board member and sociology professor Everett Stonequist, helped tell Saratoga Springs' story, conducting interviews with 2,000 families to help the city "look to the future."

That future achieved, using the visual and social media tools increasingly available in the 21st century, Skidmore faculty and students have worked independently on campus and with community groups to tell stories that matter. They have dug up or documented the past and grappled with pressing political, economic and social issues, reaching beyond the classroom to share their findings in exhibits, op-eds, films, blogs and other documentary media. Students in public history researched local sacred spaces for the Saratoga Springs Preservation Foundation, while Latin American Studies students produced a film about voluntourism during an alternate spring break in Guatemala. Alum Jocelyn Arem (Music, SDM, '04) spearheaded the Caffe Lena History Project, Chris Weigl (English, '11) turned his passion for photography toward documenting Cambodia and Thailand, and Liz Roman Gallese (English, '69) produced the film Women of '69, a documentary film inspired by alumnae photos.

In the context of a national debate about the impact of liberal arts values and models in 21st century society, Moore family members Jim and Sue Towne stepped in to encourage the college community to strengthen these initiatives, to pool disparate resources and energies and to make documentary skills and methods more broadly available across the curriculum and to community members. The Moores and Townes generously seeded the Storytellers' Institute, the Skidmore-Saratoga Memory Project and academic-year faculty and student development plans with an initial endowment to promote dialogue between documentarians and the Skidmore community and to showcase how a liberal arts education prepares students for professional success.

With support from the Faculty Executive Committee and Committee on Educational Policy and Planning, a working group led by History Department associate professor Tillman Nechtman met in 2013–14 to bring the Skidmore community together and to work out the broad outlines of what emerged as the John B. Moore Documentary Studies Collaborative. In its first academic year (2014-2015), MDOCS rolled out the DOCLab production space, Storytellers' Institute residency program and Skidmore-Saratoga Memory Project under the leadership of Inaugural Director Jordana Dym (history) (2014-2018), with Mellon Fellow Nicky Tavares, a faculty/staff advisory board (see list below) and with support from colleagues in the Arts Administration and Media and Film Studies Programs, Project Vis (2014-2017) Scribner Library, Special Programs and the Tang Teaching Museum. (Original Advisory Board members: Daniel Curley (classics), Heather Hurst (anthropology), Crystal Dea Moore (social work) and Jeff Segrave (health and human physiological sciences)).

Since the fall of 2014, the program has grown to a team of four staff members and more than 10 rotating faculty. It offers a variety of theory and skill-based courses spanning many documentary mediums (film, audio, archive, exhibit, photography, writing, virtual reality, mapping, web design, etc.), hosts and supports numerous events presenting documentary work and practice including the MDOCS Forum (a weekend of programming in June) and is in its fifth year running the Storytellers' Institute summer residency program for documentary practitioners and Skidmore faculty, staff and students.