Spring 2010 Course Offerings
WS 101 INTRODUCTION TO WOMEN'S STUDIES
4 credits
An introduction to the origins, purpose, subject matters, and methods of women's studies.
Through an interdisciplinary investigation of the evolving body of scholarship by
and about women, this course presents a survey of women's social, psychological, historical,
political, and cultural experiences. The goal of the course is to help students develop
a critical framework for thinking about gender and sexuality, with special attention
to issues of class, race, and ethnicity.
WS 201 FEMINIST THEORIES AND METHODOLOGIES
3 credits
A critical exploration of the history, development, impact, and implications of feminist
theory. Beginning with seventeenth- and eighteenth-century proto-feminism, the course
moves through the "first and second waves" of the women's movement in the nineteenth
and twentieth centuries, and looks toward the future through consideration of current
trends in feminist theory and method. Emphasis is placed on the cross-disciplinary
nature of feminist inquiry, and the specific ways in which particular methodologies
arise from or relate to specific theoretical positions. Prerequisite: WS 101.
AH 268 AD/DRESSING THE BODY
3 credits
A survey of the stylistic evolution and meaning of dress, hair and body accessories
in Europe and America from c. 1400 to the present. Through analysis of both artifacts
of material culture and representations of dress and hair in works of art, this course
focuses on the role of men’s and women’s fashion in constructing identity, for example,
to signify gender, political ideals, and social class. Further, it investigates the
religious, economic, and political institutions that work to shape fashion. Additional
themes, such as the relationship of fashion design to the fine arts and to craft,
the rise of haute couture, the undressed body, and the history of specific items of
dress such as the corset, the periwig, and the suit will be explored. Prerequisite:
AH100 or permission of instructor. (Fulfills humanities requirement.)
AH 375 WOMEN IN VERSAILLES
4 credits
Early modern French law stipulated that women could not rule the country, but they
were important participants in court culture as the wives, mistresses, sisters, and
daughters of kings. This seminar explores the roles of women as subjects and patrons
of art during the reigns of Louis XIV, Louis XV, and Louis XVI (1643-1793). Students
will study diverse modes of representation, from portraiture to interior design to
caricatures celebrating the fall of the monarchy during the French Revolution. We
will consider conceptions of gender and power; the values and practices of court society
and the Royal Academy of Painting and Sculpture; and the relationships between artistic
patronage, social self-fashioning, and political agency. Special attention will be
paid to the personas of royal mistress Madame de Pompadour and queen Marie-Antoinette.
AM 230 BORN IN AMERICA
4 credits
An exploration of the changing ways in which American women have experienced contraception,
abortion, pregnancy, and childbirth, from 1587 to the present. We will examine developments
in technology, law, medicine, the economy, and the role and position of women and
the family in society as they have influenced the reproductive lives of American women,
using sources from the history of medicine, social history, literature, legal and
constitutional studies, government and sociology. Issues we will consider include
social childbirth and the role of the midwife in the colonial period, the masculinization
of obstetrics, introduction of anesthesia, and criminalization of abortion in the
nineteenth century, the struggle for reproductive freedom and the introduction of
hospital birth, as well as the legalization of abortion and introduction of alternative
birthing patterns in the twentieth century. By analyzing these topics, reading about
them, writing about them, and thinking and discussing various aspects of each, we
will work to gain a greater understanding of how social change occurs, and what studying
reproduction can tell us about the evolution of American society. (Fulfills expository
writing requirement.)
AN 352 THE HUMAN BODY IN ARCHAEOLOGY
4 credits
The Human Body in Archaeology is a critical examination of the human individual through
the lens of archaeology. Using human osteology, the archaeological record, and theoretical
approaches to identity, this course surveys how archaeologists study people of the
past. Topics include morphological attributes of sex and health, modification of the
body, burial treatment, preservation conditions, style, gender, race, and ethnicity.
We will explore these issues by looking at diverse examples that range from early
modern humans to contemporary cultures worldwide.
EN 229 LOVE IN THE NOVEL
3 credits
Courting, dating, “seeing,” hooking up, breaking up, and marrying “till death do us
part”: the love story exists in seemingly endless permutations. We will look at the
various forms of love—romantic, erotic, and spiritual—and the ways in which these
forms are portrayed and interconnected in selected works of American and British fiction.
Juxtaposition of opposites will guide our investigation: we’ll explore love in terms
of fidelity vs. philandery, Platonic ideal vs. fleshy temptation, selfless dedication
vs. selfish indulgence; the love story in light of canonical masterwork vs. pulp “sinsation,”
enduring romance vs. momentary titillation; and lovers in the drama of crushes vs.
soul mates; sweethearts vs. perverts, and saints vs. sinners. Our readings depict
straight love, gay and lesbian love, gender-bending love and lovers; they are works
both exalted and scorned, the subject of both admiration and litigation. Novels include
Jane Austen’s Emma, Elizabeth Bowen’s The Death of the Heart, E. M. Forster’s Maurice,
D. H. Lawrence’s The Fox and Lady Chatterley’s Lover, Vladimir Nabokov’s Lolita, Evelyn
Waugh’s Brideshead Revisited, and Jeanette Winterson’s Oranges Are Not the Only Fruit.
We’ll view film versions of several of these novels. We’ll also be sampling lesbian
pulp fiction from the 50s, Ann Bannon’s, I Am a Woman, comic books, and on-line sites
devoted to love stories. There will be a class report, two papers (3-5 pp. each),
and one longer paper (10pp.).
EN 316 THE NINETEENTH CENTURY BRITISH NOVEL
3 credits
A generic, thematic and cultural consideration of selected novels by Austen, the Brontes,
Thackeray, Dickens, Eliot, Trollope, and others. Prerequisite: Completion of the Introductory
Requirement.
EN 338 QUEER FICTIONS
3 credits
A study of twentieth-century gay and lesbian literature, with a focus on British and
American authors. Students will explore a literary tradition in which the invisible
was made visible—in which historically marginalized sexualities took literary shape.
Questions to be considered include: What strategies have lesbian and gay authors used
to express taboo subject matter, and how have these strategies interacted with and
challenged more traditional narrative techniques? How does the writing of queer sexuality
recycle and revise notions of gender? What kind of threat does bisexuality pose to
the telling of coherent stories? In what ways do class, race, and gender trouble easy
assumptions about sexual community? Prerequisites: Completion of the Introductory
Requirement.
GO 353 SEX AND POWER
4 credits
Examines changing patterns in the regulation of sex, sexuality, and representations
of sex and sexuality under constitutional and statute law in the United States. Attention
will be focused on how these regulations support or challenge power relationships.
Students will participate in a moot court. Prerequisite: GO101 or permission of instructor.
GO 354 FEMINIST POLITICAL THOUGHT
3 credits
A critical exploration of contemporary feminist political thought. The course will
focus on the different conceptions of subjectivity found within feminist thought and
the implications of those conceptions for political society. Readings will come from
a wide range of approaches including postmodernism, psychoanalytic theory, and standpoint
theory. Prerequisite: GO101 or 103, or permission of instructor; for the class of
2012 and after, GO102.
HI 228 RACE, CLASS, AND GENDER IN LATIN AMERICA
4 credits
Looks at how different ideas about race and ethnicity have shaped Latin American politics
and societies from colonial times to the present. Themes covered include: interactions
of Iberian, American, African, and Asian peoples; official and unofficial management
of multiethnic and multicultural societies; scientific racism; and the relation between
theories of race and development of ideas about class, gender, and nation. (Fulfills
social sciences requirement; designated as a Cultural Diversity course.)
SO 251 THE SOCIOLOGY OF SEXUALITIES
3 credits
This class offers an introduction to sexualities. Particular emphasis is placed on
bringing sexuality to the forefront of sociological analysis. Thus, this course provides
an overview of a variety of theories of sexuality, as well as an examination of the
ways in which sexuality intersects with other social identities – such as gender,
race, and age – and how sexuality intersects with social institutions, such as politics,
schools, the economy, and the media. Special attention is placed on the debates that
surround sexuality.
SO 316 WOMEN AND MODERN SOCIETY
3 credits
An examination of the effects of the social construction of gender on women in modern
societies. The course analyzes the intersection of race, class, and gender in women's
lives. The changing social status of women in the United States today is compared
to that of women in other countries. Particular contemporary women's issues emphasized
each year may vary, but typically include economic issues, such as occupational segregation
and unequal pay, family issues, such as power relations and violence, and political
issues, such as women's grassroots political activism and national policies. Prerequisite:
SO101 or WS101 or permission of instructor.
TH 334 WOMEN IN AMERICAN THEATER
3 credits
An in-depth examination of a specific topic drawn from the related fields of history
and theory. Topics might include a specific period or trend in theater history (for
example, the avant-garde) or key artists (for example, women in the American theater)
or exploration of theater in relationship to other arts or media (for example, from
theater to film) or writing about performance and art. Prerequisite: permission of
instructor.