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The Yoruba of Nigeria
are well known for their ibeji twin figure sculptures. With the world's
highest birthrate of twins, the Yoruba believe that twins have superhuman
powers and share a common soul -- whether living or dead.
Because they wish to reunite with their twin in the spirit world,
dead twins have the power to cause bad luck, sickness or even death to
the living twin and family. However, they also have the power to bring
good fortune by interceding with the great spirits on behalf of the family.
When a Yoruba twin dies, a common occurrence due to poverty and malnutrition,
the family commissions an Ibeji figure with instructions from a diviner,
to appease the dead twin.
The Ibeji
sculpture has both infant and adult characteristics, such as scarification,
and elaborate hairdo, representing an entire lifetime. They are sometimes
adorned with beads and polished with red camwood powder, or highlights
of indigo blue paint. A patina results from the frequent handling, since
the family would oil, wash, dress and feed the statuettes in order to
placate the spirit. The powers
of the ibeji can be seen in the large head and eyes, where the Yoruba
believe spiritual power resides. Yoruba
call this power ashe.
The human
like body decoration and treatment of the surface adds to the ibeji’s
power through its aesthetics. The markings on the face of the ibeji mirror
traditional Yoruba scarification, which indicate family lineage.
Its function on the ibeji is to do the same, while adding extra
power to the head. The hairdo
on this Ibeji is called agogo; it is used to emphasize the spiritual power
in its head. This hairstyle was traditionally used to indicate that a woman was
married, showing her status in society. The colorful beads worn around
the ibeji’s waist refer to orisha, the pantheon of gods in traditional
Yoruba worship. Every color refers to a different god or spirit.
Beads are worn by the Ibeji and Yoruba people for added power and
protection.
Casey
Kilmartin ’02
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