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Arts on view
In praise of intergenerational learning
by Catherine Golden
In many years of teaching at Skidmore, I cannot recall having a more rewarding experience in the classroom than I did this past fall in an honors course on the Victorian illustrated book. It was not the course materialthough it is dear to my heartor the small class sizethough that likely helped. It was a rare combination of traditional undergraduates and mature learners that made the experience so unforgettable.
My students ages ranged from their teens to their seventies, but each viewed the others as bright individuals with much to offer. Although the mature students were only auditors, they wrote the required papers, met in peer writing groups with the enrolled students, and took an active part in preparing a library exhibition entitled The Country and the City in Victorian Illustration. The exhibition ran incredibly smoothly. The papers were among the best Ive ever read for this course. Attendance was nearly perfect all semester. And each class was a delight.
From the traditional students perspective, the auditors had a wealth of life learning to share with them. For the exhibit, the auditors brought in accessories from their homes to add to the library caseschina cups and figurines, a small replica of a Victorian home, lace doilies. One student remarked that the older auditors and I together created a full spectrum of life experience; I bridged the age gap between the auditors and the traditional-age students. All recognized that the auditorss enthusiasmabout the Victorian period and about being in collegewas infectious.
The auditors recognized that the Skidmore students had far more experience with academics than they did, and they valued their insights on writing and revising academic papers. One auditor, who hadnt written a paper in nearly forty years, received invaluable tips from her critique partner, a member of the Skidmore News staff. The auditors also gained access to the mindset of the age cohort of their children or grandchildren and took away insights that benefited them outside the classroom.
We began the course as students with very different life experiences; we ended as a close-knit group. Midway through the term, as we were reading Alice in Wonderland, I invited the class to my Victorian home in Saratoga for our own version of the Mad Hatters tea party. Jam-making is one of my hobbies, and an auditor offered to make scones. Everyone dressed up for the occasion and came prepared to share a favorite passage from Alice. It was a memorable afternoon. Our intimacy grew as we gathered on a Sunday afternoon for the opening of our exhibition. And it deepened on our final class outing, when we visited the Historical Society museum in the former Canfield Casino and lunched at the Gideon Putnam Hotel.
There was a bittersweet feeling that last afternoon. We enjoyed our outing and marveled over the exhibit catalogue that I distributed that afternoon. But we knew we were ending a remarkably rich educational experience. We had learned about Victorian book illustration, rare books, preparing an exhibition, and the writing process. More importantly, however, we had learned about each other as learners, respecting each class members strengths and interests.
I will never forget this class of intergenerational learners, who truly connected through their passion for things Victorian. I encourage other mature students to enroll in Skidmore classes as active learners. In the meantime, my class is already planning a reunion and a presentation on their class exhibit at Academic Festival in May.
Catherine Golden is a professor of English who specializes in Victorian literature and culture.