Private Music Instructor
Phone: (518) 580-5320
Office: Zankel Music Center
Personal website: VeenaChandra.com
Veena is the founder and director of the Dance and Music School of India in Latham,
NY (celebrating 31 years) where she teaches Indian classical music. She has been a
faculty member at Skidmore College since 1990, teaching sitar in the Music Department.
Since, 2014 she is also the Artist Associate in Sitar at Williams College (MA).
Born in Dehra Doon, the Valley of the Himalaya Mountain Range on November 30th, 1944, Veena was inspired to play music by her Father, her first Guru. He loved sitar so much that he named her Veena, after the precursor instrument to the sitar, in hopes that she would learn music. He was 95 years old when he passed away in 2010 and his hopes have validated themselves many times over as evident by the international acclaim & respect given to Veena Chandra.
She continued learning sitar with Shri Satish Chandra, a disciple of Ravi Shankar. Being invited by Pt Ravi Shankar to his concerts she was inspired by his music. She earned master's degrees in music (ranking third in the entire country of India in MMUS). She also has a masters in sociology and a bachelor's degree in teaching. She has been in the international Who's Who since 1997. Mrs. Chandra has taught at Agra, Dayalbagh universities and colleges in India teaching sitar and sociology. She has been performing and teaching sitar for the last 60 years. She continued her advance training under the late Ustad Vilayat Khan Saheb. Ustad Vilayat Khan Saheb very much enjoyed listening to her Sitar and grew very close to Veena and her son Devesh.
She is a recipient of a New York State Folk Art Grant 2003, and Artists Decentralization
Grant and several SOS & Meet the Composer grants. Currently she does lecture-demonstrations
and performances at numerous performance halls, music festivals, colleges, universities,
& schools in the U.S. and India. She has received artist award as a composer through
the Albany League of Arts in 2002. She has received several years of Community Arts
Grants (2000, 2001, (2008–2019) through The Arts Center of the Capital Region and
NYSCA. She has several CDs to her credit, including two very popular recordings with
renowned Pandit Bikram Ghosh on tabla. Veena Chandra’s 2009-2010 India tour was in
part sponsored by NYSCA and The Arts Center of the Capital Region. In December of
2018, Veena received the SRIJAN Music Excellence Award “in recognition of outstanding
contribution in the field of Indian Classical Music”. Veena received a New York Foundation for the Arts/New York State Council on the Arts Artist Fellowship, July 2019 in the category of Music/Sound to “continue to create, promote and preserve”
Veena has pioneered many firsts in the realm of Indian Classical Music performance in the US and Upstate New York Region. She was the first locally broadcasted radio & television sitar artist in the Capital Region in 1970. She has been broadcast on regional and national radio and television stations many times in the past 45 years. She is the first sitar player to be featured at the following national music and film festivals: The Great New York State Fair (Syracuse, NY), Michael Moore’s Traverse City Film Festival (Michigan), Old Songs Festival (Altamont, NY), The Frendly Gathering (VT), Asian Moon Festival (Milwaukee, WI), Wanderlust Stratton (VT). She also conducted the first all female Indian Classical Music recital with renowned female tabla maestro Anuradha Pal at Skidmore College in 2007. She has collaborated with American folk musician John Kirk. Veena has also composed for and performed with the renowned Carnegie Hall Ensemble ACJW. She has also received acclaim for her collaborations with many highly renowned Indian Musicians and dancers: Tarun Bhattacharya (Hammer Dulcimer), Padamshri Sumitra Guha (Vocal), Pt. Bikram Ghosh (tabla), Pt. Anuradha Pal (tabla), Guru Sanchita Bhattacharya (Odissi Dance), Pt. Kishan Mohan Maharaj (Kathak Dance), Dr. Swami Satya Prakash (Vocal).
Veena Chandra has a rare ability to communicate the beauty and complexity of North Indian Classical music to the western listener. She is noted for her skill and sensitivity in the meend (bending of wire) and her ability to produce vocal sounds on the sitar. She characterizes the music of the sitar and tabla as relaxing and reflective of instincts and emotions. She explains that there is a triangular relationship between the artist, the art and the audience. She blends herself into the art and presents herself to the audience through the music. The power in her music is vitalizing and healing to the body, clarifying to the mind, and food for the soul. Listening to her magnificent, heavenly music on the sitar will not leave you untouched.