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Skidmore College

Italian Renaissance comedy, theater, and music to be performed

February 22, 2016
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What do you get when you put together a hungry servant, a know-it-all Latin-speaking doctor and a string of sausages? You get Pazzi Lazzi in Aria di Commedia! The troupe will set the audience to giggling at Dottore's “little problem,” the beautiful Flaminia's useless suitors, and other classic tropes, tricks and double entendres but with a few modern twists!

Two events on campus this Thursday, Feb. 25, will bring the Renaissance theatrical art of Commedia dell’arte to the Skidmore community:

•  4:30 p.m. Thursday, Feb. 25, Commedia dell’arte Workshop, Filene Recital Hall. This theatrical workshop, presented in English, will allow participants to experiment with masks and improvise with period music. Open to student participants only; additional students, as well as faculty and staff, may attend the workshop as audience.
 
• 8 p.m., “Aria di Commedia—Italian Renaissance Music and Theater” by the Boston-based Pazzi Lazzi troupe, Filene Recital Hall. Three professional actors, Chiara Durazzini, Alessandro Di Gioia and Liz Adams, will interpret famous Commedia stock characters such as Arlecchino, Pulcinella, Balanzone and Colombina with their comedic troubles that result from typical human weaknesses such as envy, lust and greed. John Tyson, New England Conservatory faculty member and director of the renowned Renaissance music ensemble Renaissonics, will provide the musical accompaniment playing a variety of Renaissance instruments, along with Renaissonics’ lute player Douglas Freundilich.

Over the past few years, Pazzi Lazzi, a Boston-based Commedia dell’arte troupe, has performed on stage and presented workshops for numerous universities, schools and cultural organizations. The show is produced in English with some Italian, Spanish and other languages. Admission to both events is free and open to the public.

About Pazzi Lazzi
 
Pazzi Lazzi is a professional Commedia dellaArte troupe that strives to both educate and entertain its audience. All members play several characters of both genders. Pazzi Lazzi writes many of its own scenarios, inspired by real 1600s plots called “canovacci” and newspaper stories from the modern world. The performers also devise their lazzi, either scripted or improvised.

About Commedia dell’arte

Barbara Garbin, a Skidmore teaching professor of Italian who coordinated the workshop and performance, calls Commedia dell’arte quintessentially interdisciplinary.A form of improvisational theater, features masks and stylized gestures and presents characters that can be recognized in cultures around the world. Commedia began in Italy in the 16th century and is considered by historians to be the first professional theater. It was also responsible for the introduction of female actresses and improvised performances based on sketches and scenarios.

The closest translation of the name is “comedy of the craft” (in the early period the term was Commedia dell’arte all'improvviso) to distinguish it from commedia erudita, or "learned comedy," that was written by academics and performed by amateurs often in royal courts. Commedia dell’arte was performed by professional actors (comici) who perfected a few specific roles or masks. As an oral, mostly improvisational craft, it left few documents, and much of its history has been lost.

Skidmore’s World Languages and Literatures Department, in collaboration with the departments of History, Classics, English, Theater   , Dance, and Music, and with the support of the Dean of Special Programs and the President’s Discretionary Fund, are sponsors of this special production.

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